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Raquel Welch

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The Drunken Battle of Beverhoutsvelt,
During the mid 14th century Flanders (parts of Belgium and the Netherlands) was ruled by Louis II, Count of Flanders, who was basically a puppet of the French. The Flemish nobles, however, wanted local rule rather than French control. In 1379 the Flemish revolted against Louis II and ousted him from power. Louis II took shelter in the fortified city of Bruges. In May 1382 the Flemish soldiers laid siege to Bruges in order to oust Louis II. Meanwhile in France King Charles IX was organizing a large army the crush the rebellion. Louis had every advantage. All the Louis had to do was hold Bruges until the French Army arrived.
On May 3rd the city celebrated the Procession of the Blood, an annual holiday in Bruges. Despite the state of siege, the people celebrated the holiday regardless. Wine, mead, and ale flowed freely, and during the festivities Louis’ soldiers got rip roaring drunk. While drinking and driving may be dangerous, drinking and warmaking is especially disastrous. After consuming several rounds of liquid courage the soldiers of Bruges began to make very big talk; talk of how the courageous men of Bruges could easily whip those dastardly rebels. After a round of motivational shouting and drinking, the soldiers of Bruges began to feel invincible, and decided the go on the offensive to show those rebels what they were made of. Against Louis’ orders, the soldiers of Bruges decided they were going to attack.
After a disorganized and hasty cannon volley, the Bruges city gate opened and Louis’ army charged the rebels en masse. At the front were the handgonners who wildly fired bullets in all directions. Then came the men at arms and knights. The knights, too inebriated for combat, either fell off their horses or accidentally rode down their own men. The men at arms also tripped over each other as they made a drunken charge. As they reached the lines of the rebel army, they were immediately mowed down by gunfire from volley guns, cannon, and archers. Most of the Bruges army immediately turned tail and ran. Those who didn’t were easily cut down when they reached the rebel lines. As the drunken soldiers retreated back toward the Bruges city gates, Bruges cannoneers, handgonners, and archers mistook the retreat as a rebel attack and fired on their own men. The battle finally ended when the Flemish rebels attacked the retreating army’s flanks, causing the drunk, panicked mob to scatter in all directions. Moments later the rebels simply walked into the open gates of Bruges, easily dispatching what enemy soldiers remained who could put up a fight.
Louis II, Count of Flanders was able to escape from Bruges without being captured. A short time later Louis II returned to Flanders with an army of over 10,000 French soldiers. He was restored to power and ruled until his death in 1384.
Sicilian Pottery Askos, attributed to the Randazzo Group, c. 450-410 BC In the form of a crouching mouse with head resting on its forelegs, the spout above the rump, the mouth flanked by two suspension lugs on the back, the two octopi and other details painted in black.
Mandrake the Magician and his best friend and crimefighting companion Lothar.
The syndicated newspaper comic strip Mandrake the Magician was created by Lee Falk in 1934, before he created The Phantom. Phil Davis soon took over as the strip's illustrator, while Falk continued to script.
Davis worked on the strip until his death in 1964, when Falk recruited artist Fred Fredericks. With Falk's death in 1999, Fredericks became both writer and artist.
The Sunday Mandrake strip ended December 29, 2002. The daily strip ended mid-story on July 6, 2013 when Fred Fredericks retired.
Mandrake is regarded by some comics historians as the first comics' first superhero.
Donald Sultan
‘Red Poppies’
Screenprint on STPI handmade paper

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Wounded centaur, by Italian painter Filippino Lippi (1485 ca.), now in the collections of Christ Church Picture Gallery, Oxford, England
Filipino Lippi (Prato, Tuscany April 1457 – Florence, April 1504), a close friend and collaborator of Botticelli, belonged to a generation of Florentine painters who established a new way of painting.
The subject matter of this painting (in egg tempera and oil on wood) seems to derive from the Roman writer Ovid (Fasti, Book V) in which he tells the story of the centaur Chiron, who fatally wounded himself while inspecting the arrows of Hercules tainted by the poison of the Hydra.
This painting offers a variant of that story in that the centaur is presumably examining the quiver of Cupid, seen reclining beneath the rocks behind, and Lippi may have intended to depict an allegory on the dangers of playing with love. The evidence of this is the attitude of the centaur who, far from be annoyed by the wound, observes with curiosity the arrows in the quiver decorated with gold and with a string ending in fluttering tassels creating sinuous curves, in the most typical style of the artist.
The classical subject matter and anatomically correct torso of the centaur are consistent with the Renaissance ideals of late fifteenth-century Florence. Another important feature is the landscape in which the scene is set. The geological formation of the cave and the reflections in the water reveal the growing interest of the artists of the time in nature.
The work entered the art collection of Christ Church College in 1834 with the Fox-Strangways donation.
Dog Helping His Little Friend
You know what they say, “Dog is man’s best friend.” It seems though that there are plenty of good reasons for that famous saying. This historical photo is one of those reasons. As a little boy tries to retrieve his golf ball from the pond using his iron, his dog hangs onto his jacket with his teeth. It just goes to show that if you treat a dog the right way, they can be valuable companions and dare we say – family.one of those reasons. As a little boy tries to retrieve his golf ball from the pond using his iron, his dog hangs onto his jacket with his teeth. It just goes to show that if you treat a dog the right way, they can be valuable companions and dare we say – family.
Last Dollar Road, San Juan Forest, Colorado
Otoe Man in Native Dress with Peace Medal, Bear Claw Necklace and Ornaments and Holding Fan - Bell - n.d
The magnificent marble pulpit of the Collegiate Church of San Cristoforo, in Barga, province of Lucca, Italy, attributed to the school of Italian sculptor Guido Bigarelli da Como (XIII century).

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Textile with Flower Motif, Medieval Art
Rogers Fund, 1909 Metropolitan Museum of Art, New York, NY Medium: Silk
http://www.metmuseum.org/art/collection/search/463255
Hookah
Macro Fall
Brilliant shot

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Miss Sara is back home and orders slave Pia to take care of her sweaty feet 01
Portovenere, Italy