The Stonewall Inn

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Fai_Ryy

Jar Jar Binks Fan Club
Not today Justin

if i look back, i am lost
I'd rather be in outer space 🛸
Claire Keane
let's talk about Bridgerton tea, my ask is open
"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane

tannertan36
Show & Tell
taylor price

titsay
Sweet Seals For You, Always
Keni
Monterey Bay Aquarium
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@generichauntedhouse

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Anna de Rijk by Yelena Yemchuk
Eva Fuka Bílá růže , 1955 vintage gelatin silver print
Glen Coe, Black Rock Cottage. Photo - Gary Hook

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Vito Acconci’s Trademark.
Wanda (1970) dir. Barbara Loden
How quiet goes away (2017) by Laura Makabresku
Mia Farrow painting her dressing room on the set of Rosemary’s Baby

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Julia Soboleva, Thin Red Thread, 2022
Vengeance is Sworn (1851) by Francesco Hayez
Wouter van de Voorde
Allan Salas
“Whenever I'm asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one. To be able to recognize a freak, you have to have some conception of the whole man, and in the South the general conception of man is still, in the main, theological. That is a large statement, and it is dangerous to make it, for almost anything you say about Southern belief can be denied in the next breath with equal propriety. But approaching the subject from the standpoint of the writer, I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted. The Southerner, who isn't convinced of it, is very much afraid that he may have been formed in the image and likeness of God. Ghosts can be very fierce and instructive. They cast strange shadows, particularly in our literature. In any case, it is when the freak can be sensed as a figure for our essential displacement that he attains some depth in literature.”
~ Flannery O'Connor, Mystery and Manners: Occasional Prose

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you may be losing the idgaf war but they wouldn't even let me enlist. on account of my poet's temperament.
love books. because it’s like what if something happened