Giorgi Sardlishvili - Blind Death, 2025 - Oil on canvas
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Giorgi Sardlishvili - Blind Death, 2025 - Oil on canvas

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Photography by Daniel Hsu
Eleanor Graham Vance, The Story of Tweets: A Cat, 1956
Staring at the Sun, Mirko Ilić
Let This Darkness Be a Bell Tower
by Rainer Maria Rilke tr. Joanna Macy
Quiet friend who has come so far,
feel how your breathing makes more space around you. Let this darkness be a bell tower and you the bell. As you ring,
what batters you becomes your strength. Move back and forth into the change. What is it like, such intensity of pain? If the drink is bitter, turn yourself to wine.
In this uncontainable night, be the mystery at the crossroads of your senses, the meaning discovered there.
And if the world has ceased to hear you, say to the silent earth: I flow. To the rushing water, speak: I am.

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She’s not there, Masha Foya
long haired pink (Dianthus crinitus) on Rhodes, the largest island of the dodecanese archipelago. photos by eleftherios katsillis
"Sunflowers" by artist Lisbet Schultz.
Lisbet Schulz (often listed as Lisbeth Schulz) was an enigmatic German printmaker and graphic artist who lived from 1884 to 1958. She is best known for her beautiful, early 20th-century color woodcuts that were heavily influenced by Japanese printmaking styles.
Because her life and work were deeply impacted by World War II, many details of her life remain a mystery to art historians today. While she remains a "hidden" figure in history, her surviving color woodcuts are highly regarded for their fine craftsmanship and peaceful, nature-focused themes.
Isolation party, Richard Cartwright
Léon Keusters (1858-1942) - Kronkelend riviertje in open landschap

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End of day, Jamie F. Adams
Andrea Calisi: Nocturne with Dragon
Kilkee Cliffs in Ireland
A sky with a thousand suns.
Die Welt in hundert Jahren. 1910.
Internet Archive
Ph Ramon Masats

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Pavilion Nr. 40, by Ivan Vitić (1955-1958).
Zagreb, Croatia.
© Roberto Conte (2017)
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