Je Ne Fais Rien

Fluke Natouch of Until We Meet Again (and OhmFluke 1.0) fame left his agency years ago to work freelance so he could navigate his career on his own terms. When openly gay director New of Studio Wabi Sabi approached him to offer the role of Pharm, Fluke very actually asked New if he was sure he wanted an openly gay actor in his series. This was a conversation that two openly gay men had! No sexualities whatsoever were hidden in the having of this conversation! Or in the public recounting of it later!

Fluke asked New this because there are still roadblocks for openly queer actors, and as a freelancer, he knew this. Some sponsors are hesitant to have a queer face on their commercials, and some of the industry’s upper management are old bigoted guys holding the purse strings. Why do you think so many of these guys have to appear straight-presenting?

Interfans contribute to the glorification of heteronormativity, too. How many times have I seen interfans lusting over the KinnPorsche actors as “real men” or excusing Joss’s myriad issues over the years because he’s “so hot”?

How many femme actors are given roles with complexity? How many are shunted into comedic roles or tragic figures? How many interfans point at Pharm and complain that He Cries Too Much? You’ve all seen it. “P’DEEEEEAN.”

Regardless of what interfans claim to want, the series that tend to do best nowadays feature straight-presenting actors. Bad Buddy, 2gether, My School President, KinnPorsche, etc.

Ironically, the series that lean hard on queer themes tend not to do as well.

So you can see why most choose to keep at least a veneer of heterosexuality or else keep the glass closet door closed.

New cast Fluke and Cooheart in Until We Meet Again because Studio Wabi Sabi was both agency and production company owned by New, and New could do whatever he wanted. SWS was very much a safe haven for queer actors of all levels of openness.

And regardless of my complaints about New’s directing and perpetual insistence that he do all the editing and sound design himself (stop, man, I’m begging you, learn how to delegate), he has been working for years to create a welcoming space for queer actors in an industry that is still extremely cautious, and I’ll always respect him for that.

As much as people love to hate a corporate body, GMMTV’s myriad flaws are more based in the categories of “terrible organization” and “poor management” and “haphazardly throwing a thousand medicore, half-baked projects at a wall until one of them sticks by chance and then celebrating that surprise hit into the ground”—not “forcing their actors into the closet.”

As far as I’m aware, the only khuujin (“imaginary couple”) in the industry who’s Openly Dating is PorscheArm, and they were already out and together before the fame, so they’re more Public Figures Advocating for Social Progress than they are BL actors. I’d say ZeeNuNew are borderline, because while they seem increasingly more cavalier with their subtlety, even they’ve been excruciatingly careful in their labeling over the past few years. (“Are you a couple?” “You could call us that.”)

And there’s a reason for the caution. Things are changing for the better, but progress is slow.

In an early, post-SOTUS interview from 2016, infant actors KristSingto were point-blank asked by TV hosts if they’re “normal” with a heavy insinuation that they’d be mocked and laughed at unless they asserted their heterosexuality in front of a live audience. Not exactly a warm and kind environment to say, “Actually…” As the first in the line of fire, KristSingto were constantly bombarded with invasive questions and suspicion and homophobia, and it’s only been nine years since SOTUS aired.

Now, you’ve got the evolution of hosts making lewd innuendos at khuujin and trying to “trick” them into Coming Out for content. Yet, all the khuujin seem to know how to play the game Juuuust Right to avoid saying anything concrete and damning, leaving just enough crumbs for fans to pick up on and enjoy.

Because look how the few openly queer actors are treated. Bruce Sirikorn Kananurak’s best-known role is framed villain Aey in Lovely Writer, and Gun Korawit Boonsri is regularly cast as Sassy Gay Side Character. Cooheart gets variety in his roles, but he’s with Studio Wabi Sabi under New, an openly gay CEO who famously allows his actors a ton of freedom in their image. And it says a lot to me that Cooheart didn’t make the move over to GMMTV along with his colleagues last year.

So, y’know, of course I’m not saying GMMTV is paradise. While he was with SWS, Boun said he wanted to get tattoos but New advised him against it because it might have limited potential roles. So New didn’t forbid it, he just cautioned Boun against doing it. Meanwhile, he implied recently that he’d like to dye his hair blond again, but GMMTV has to approve things like that. Hence, you’ll hear about some GMMTV actors who just get a tattoo done or cut their hair without telling anyone and then they show up for work with an insouciant shrug; the beg forgiveness>>>ask permission move.

So GMMTV does have some stupid public image rules, and they have also discouraged certain actors from interacting with each other in case it drives their profit margins down (see: The Chronicles of Management Driving KristGun Apart—I’m making a post about it, don’t worry). And I’m sure the Grammy Powers That Be go ://// if a GMMTV actor says, “Hey, I’m thinking of telling the world I’m bisexual tomorrow,” and go, “Maybe don’t though.” It’s just not something they’re Contractually Obligated to hide; it’s more common sense.

Like I said, GMMTV’s real crimes in my eyes are things like 1) repeatedly trying to push men like Foei and Joss who’ve proven themselves to be toxic nightmares to women and queer people over and over throughout the years, 2) overworking their most popular actors to physical and mental exhaustion, 3) barely promoting their GL productions despite their obvious popularity, 4) shoving their Not Singers onstage with zero vocal training, 5) prioritizing trends over quality, 6) having Zero Plan of what to do Most of the Time, 7) hiring on more and more actors without hiring enough managers to support them, and more.

There’s no “you gotta be Heterosexual-Presenting or else” clause in their contracts. They’re just actors in a conservative Asian country where marriage equality has only recently been recognized, and that’s not even close to having social equality. Plenty of western actors don’t want the extra baggage of being Openly Queer (see the Kit Connor debacle), let alone in a country controlled by military and monarchy.

Thailand isn’t a queer paradise.

Hell, look at Japan: they invented BL and GL and their government isn’t even close to recognizing marriage equality. To the majority of Japanese people, BL and GL are embarrassing subgenres that “Normal People” (ie: what heterosexuals are called in Japan—yes I’m serious) would never publicly admit to enjoying. I know this because I was a Queer Foreigner in Japan for eleven years and my whole existence was weird.

As far as I’ve heard from friends who work with GMMTV, it’s a far more progressive company than many interfans give it credit for. Many of the staff are openly queer, a ton of their directors are openly queer, and their actors who are queer are either open with the understanding that there are limitations to that choice or closeted to protect their job opportunities. Once you’re Openly Queer, you’re pushed into a very different and much smaller box, and they all know it.

So y’know. GMMTV actors aren’t All Straight, and the ones who are queer aren’t Closeted by Force. GMMTV is just a company of people with a wide tapestry of nuance, just like you’d expect from any large organization of artistic and business folk producing queer media for a general audience.

In 2025, let’s please abandon the myth that GMMTV is an evil kpop company. <3

It’s a sloppy, poorly run nightmare factory. :D

EDIT: Also, director X confirmed on Twitter last year that GMMTV has no anti-dating policy.