An T-Amadán Is Mó Idir Aer Agus Uisce @gan-riocht - Tumblr Blog

the1920sinpictures

1921 Callot Soeurs evening dress of metallic brocade, pearl and glass beads. From Art Deco, Art Nouveau & 20th Century Decorative Arts Group, FB.

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une-poire-confite

a city stroll

leahgardner-art

apéritifs

romanceyourdemons

next time you’re at the thrift store and find a nice solid thick pile area rug for a shockingly good price and you’ve been looking for an area rug for the office forever and the color goes really nicely with the office color scheme and you think this is it, this is what i’ve been waiting for, stop, and ask yourself: did i take the bus here?

sleepyseaslug

romants

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smokethereisfire

Richard Calver (1946-) - Dandelions Rejoicing

thunderstruck9

Richard Calver (Canadian, 1946-2021), Dandelions Rejoicing, 2000. Colour linocut on paper, 18 ¼ x 13 ¼ in. Edition of 50

apricot97

Things Mulder would (probably) do

crabussy

I know it's very common for winter to make people miserable or lethargic, but for me I find that it's honestly the opposite? winter makes me feel refreshed and alive. summer makes me feel like a slug being steamed gyozastyle. when the first autumn breeze graces my sluggy skin I will be rejuvenated and live forever

cerastes

People don’t even say w00t anymore.

cerastes

This sux00rz…

#the salsa teacher at the discotech goes w00t w00t while counting steps

craig-h-stuart

Library Table

Maker: Herter Brothers (German, active New York, 1864–1906) Date:1879–82 Geography: Made in New York, New York, United States

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fforsythiaaa

Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”

So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”

Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.

Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.

antiqueanimals

Vadim Alekseevich Gorbatov (b. 1940)

saltwater-stranded

seal in a bubble bath

source

mevil

halicablissoutv11

2006

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5oil

https://instagram.com/p/BfTz800nnq4/

muanyeee

Fable and Truth

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An T-Amadán Is Mó Idir Aer Agus Uisce