You're too weird. Cara mía!

Japanese Egg Mascot Gudetama Gets Its Own Themed Cafe (and Weird Dessert)

Buy a bat (I have my old color guard rifle) or similar. Keep it in your room/near your bed.

Get a lock for your bedroom door.

If you’re moving into a new place, change the locks. Who knows who had a key to your place before you.

Keep your phone/a phone in your room.

Get a weather alert system set up. App, weather call, little weather radio that tells you about major weather events.

Adopt a pet

Wave at your neighbors. Take note of the ones that make you uneasy. Watch out for kids always.

Be nice to your mail person. No matter what.

If you choose to drink/etc alone, unplug your wifi router. You’ll thank me.

Have extra seating. People sit when they visit. Your one comfy chair is great for you. Not so great for you + grandma + ur five cousins, your aunt, and a couple others.

Learn the self-Heimlich

When you take a shower, bring your phone to the bathroom in case you fall your phone is no longer halfway across the house, it’s just on your counter

Uhhhhhhhhhhhhhhhhh

Give a key to someone near you trust, or hid it somewhere few people will look, like up in a tree. Shutting yourself out isn’t nice, esp. not at night. Put something translucent like curtains or stickers for windows where people can walk past or look in. You’ll feel less watched that way.

Put some contant money somewhere in your room. Good to have in case your bag gets lost or stolen. 

walking around with a headset or headphones discourages people from yelling at you on the street, and it’s easier to escape from hasslers. however, it’s pretty advisable to not have anything actually playing so you can be aware of your surroundings. if anything, have it at low volume.

if you get grabbed on the street (this used to happen to me a lot), immediately scream, and the person will usually get startled, giving you time to get away. 

if you feel like you’re in a really bad place, call someone, or even pretend like you’re calling someone. say where you are. act like you’re planning on meeting up with them. be loud about it. make it seem like someone will notice if you go missing, even for a little bit.

For non-artists, let’s give you a little perspective.

For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.

That’s if it’s a simple illustration.

My art deco or more detailed stuff can take 20+ hours each.

Even simple, cartoony things still take at least 3 hours.

Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour. 

Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.

I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.

In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.

    If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour.

  After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined? 

And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad.

Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.