just saw this personal ad from 1966 (sourced here) and god. this is really it
sheepfilms

romaâ

izzy's playlists!

Love Begins

Keni
will byers stan first human second

JVL
we're not kids anymore.

tannertan36
noise dept.
One Nice Bug Per Day
Claire Keane
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
"I'm Dorothy Gale from Kansas"

Kaledo Art
d e v o n
Cosimo Galluzzi
Game of Thrones Daily

oozey mess
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@furiouslyinsensible
just saw this personal ad from 1966 (sourced here) and god. this is really it

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Sun-Headed Deity of Tamgaly, which dates back 3,400 years
"Andras, grand marquis of Hell. He is seen with the body of an angel (and) the head of an owl." The owl head symbolizes nocturnal malevolence and secret knowledge; the wolf, ferocity; the angel's body, his fallen character.
Dictionnaire infernal. 1863.
Internet Archive
'mezzanine' cd packaging, massive attack, 1998.

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silver beetle đ
'Bedtime'. Nicole Parker. 2021.
Oil on mounted linen
@wondrashoots on instagram
Diana SolĂs, Flexing our Muscles: Gathering of Friends, Greenview Street, Lakeview, Chicago, 1981
Jenny Aitken (British), Paddle and Splash, 2026, Oil on canvas

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Pay Nothing Until April, 2003. Acrylic on canvas, Ed Ruscha.
White-throated dipper (Cinclus cinclus)
@holybeings
from âthinking about old jobsâ by robert bly, morning poems (1997)
101 Dalmatians (1961)
Charlotta Maria Hauksdotti, Topography Study V, 2017

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Crocheted Leaf Sculptures by Susanna Bauer
To truly appreciate the delicacy of Susanna Bauerâs leaf sculptures, think of crunching a dead leaf in your hand, how it disintegrates into dust with the slightest effort. To work with dry and fragile leaves as a medium for crochet seems nearly impossible, but Susanna somehow manages it with ease, turning leaves into cubes, tunnels, and geometric patterns with techniques that might be more appropriate for the durability of leatherwork. She lives and works in Cornwall, England. You can see more on her website and Facebook.Â
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ZOOM! Photo from my collection, 1979. âď¸