Still never gonna be over the fact that it took Maes Hughes one night to figure out the truth about Amestris when it took the rest of the cast half the series
these tags lmfao

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@fullmetalbookshelf
Still never gonna be over the fact that it took Maes Hughes one night to figure out the truth about Amestris when it took the rest of the cast half the series
these tags lmfao

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Guilty Edward
when the fmab dub said take my arm take my leg take my heart anything you can have it just give him back he’s my little brother and he’s all i have left
lineart for my favorite villains (idk how to color this lmaooo)
Told @shinraco that she should code her discord bot to respond to all mentions of Fullmetal Alchemist by repeating “Fullmetal Alchemist” like the commercial breaks and she ended up having to shoot the bot dead just to stop what we’d created
the full saga….
let her speak!!

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HAPPY FMA MEAT DAY 2025 🍖🍖🍖
The real antagonist of Fullmetal Alchemist is the nameless Xerxian alchemist who bought a teenage boy to sweep his floors and then was like "hey, I'm going to take your blood to try to play god, you can't legally say no because I own you. If this, say, backfires horrifically in 20 years time, then I guess it's you and your descendants' problem since it's your blood lmao"
a tag left by @paragonrobits on this post ages ago is still the most insightful comment on FMA's plot I've ever read
A while ago I saw a post about how in this scene here Bradley is mocking Riza, trying to make her feel miserable because even though she chose to join the military, she can't be with the man she loves, as opposed to him, that never had a say in his life, but at least married the woman he loves, and this realization deeply hurts her.
I disagree with this interpretation. I think this scene was actually one of the many that served as a build-up to what happens with Envy in the tunnels.
(ch 80)
First of all, yes, the common theme for Riza's character is, of course, choice. She chose to give Roy flame alchemy, she chose to join the military and she chose to follow him until he reaches their goals. And that's exactly why I think this has nothing to do with what Bradley tells her, because no one's forcing her to stay in the military or to be Roy's subordinate.
If she really wanted to get married to him, she could leave the military or serve under another chain of command and still support him, just like Hughes was doing. But no, she weighed her options and decided that wasn't what she wanted. Getting married is not her priority, and I don't think she'd suddenly feel bad about her own decision just because the homunculus loves his wife.
Now let's take a look at Roy. The reason why I'm talking about him now won't make sense at first, but hang in there, because it'll all (hopefully) come together by the end of this post.
The common theme for his character seems to be that deep down he knows he's capable of committing heinous acts, even when he's not following orders, and he's terrified of himself. This is portrayed in these scenes:
(ch 16)
(ch 61)
(Extra: His battlefield once more)
The extra is the most telling one. For some reason, he thinks there's a real possibility he could do the same thing as Bradley and order the mass extermination of innocent people. Here it becomes clear that his subordinates trust him more than he trusts himself.
(also, interesting to note that Riza doesn't answer "I'd shoot you", which I think was what he was expecting, because their answer actually surprises him).
However, in spite of all of his self-doubt and the fact he thinks of himself as a monster, at the very least he feels like he's above the homunculi in terms of humanity. This becomes apparent in this particular scene that happens after Roy confirms that Bradley isn't human:
(ch 57)
Now let's go back to Riza and Bradley's convo and the reason why I believe it was actually part of the build-up to what happened in the tunnels.
Assuming Riza feels the same way as Roy about the homunculi, and she probably does, considering what she says about Bradley playing house, she also thinks they're inhuman, incapable of feeling anything but contempt against humans. But then Bradley turns that notion on its head by revealing that no, he actually does love his wife.
Riza is suddenly confronted with the fact that the monster that issued Executive Order #3066, the mass murderer responsible for turning her and Roy into murderers themselves, is capable of feeling such a pure human emotion such as love.
Not only that, he seems proud of the fact that was the one thing he chose for himself. As someone that also felt like she was trapped, having no choice but to bear the weight of flame alchemy, she probably empathized with this little freedom he allowed to himself.
She's so shocked that she looks back at him likes she's seeing him for the first time. She's suddenly not sure if he's really that different from her and Roy. And then maybe, for the first time since Ishval, she feels her faith in Roy wavering while she wonders if he could ever become like Bradley.
The scene ends with her looking worriedly at his silhouette because she's not seeing Bradley anymore, she's seeing Roy.
I think it's no coincidence that his silhouette here is even eerily similar to Roy's side profile asking what his subordinates would do if he ever asked them to kill thousands of innocents. Even the side she's seeing is the same (the reader sees Bradley's right profile, but Riza is seeing his left side, just like we see Roy's below).
and I'd bet he even compliments her tea the same way Roy does as well
The time apart was probably part of the reason Roy and Riza were both over the edge down at the tunnels. I don't think she was in her right mind either. Roy had nothing to do but obsess over his plans and vengeance, but Hayate was her only solace during that time (Roy had Madame Christmas and her girls, at least).
She most likely spent months analyzing Bradley and every little interaction he had with his wife and came to the conclusion that he wasn't lying. If my interpretation of that scene is correct, she spent months mulling over the idea that Bradley and Roy share some similarities. So when the Promised Day finally arrived she was prepared to shoot him.
Most of the mischaracterization Riza suffers from wouldn’t be nearly as popular if people actually understood why she follows Roy and it isn’t just love and loyalty.
One of the main reasons she stays by his side is because she sees herself as the guardian of flame alchemy. She’s trying to make sure of two things: 1. no one ever gets their hands on it again. and 2. the only person who can use it never misuses it again. That’s why she follows him. She has to. She’s watching the weapon she helped create.
And she has to keep him alive not only because he’s the one with the political power (meaning he’s her only real way to make sure the trials happen), but because he has to live long enough to atone for what he did with flame alchemy. The power SHE gave him.
From Riza’s point of view, every crime Mustang commits is hers too. Every time flame alchemy is used to kill that blood is on her hands too. Every person he killed is someone she killed by proxy.
She’s not just guarding him. She’s sharing his guilt. It’s like she’s trying to atone for her own sins, but he has to atone too so she can atone through him.
I think this Hannibal quote fits them really well: “You and I have begun to blur. Every crime of yours feels like one I’m guilty of.” Like yeah she obviously loves him. But reducing their relationship to just that completely flattens what’s actually going on.
One thing I will always appreciate Fullmetal Alchemist for is the fact that they let Roy Mustang be complicit in genocide.
Mustang is an Atoner figure. Something that plagues Atoner figures is when writers are too precious about the characters we're meant to like to actually let them be guilty of something serious.
The Atoner might be trying to make amends for their involvement in the Great '87 Hotel Massacre, and then three seasons in you find out what happened. And it's like, "I drove a taxi to the hotel, and the KILLER was in it! I ferried the killer to the hotel! That makes me responsible, and now I must atone for being nearby while the killings took place! And also vanquish the real killer who is the villain for this season."
Or maybe the Atoner did do the killings but they were under mind control the whole time and would never, ever have done it in their right mind.
But FMA said no. Mustang, Hawkeye, Hughes, even Armstrong to an extent though he suffered a breakdown and fled during it. They did that shit. They followed their orders and they did that shit. And it haunts them.
Roy did that shit. And his atonement, his grand ambition, is to see everyone responsible for that shit brought to justice for their crimes. Including himself.
That is how you write an atonement plot.

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edward elric wandered around military bases loudly calling his boss colonel bastard and they just let him
he was only there for like four years. do u think after he retired there were lingering rumours about mysterious a 4ft child who used to call the fuhrer a bootlicker
#USED TO?? says edward #I'LL CALL HIM THAT RIGHT NOW TOO says edward #so sorry about him!! says alphonse #show some respect brother that should be His Excellency Fuhrer Bootlicker to you #fma (tags from presume)
Taiwanese apparel brand XRAGE introduces a huge range of Fullmetal Alchemist goods!
The extensive new collection includes clothing, jewellery, accessories, and homeware; featuring designs based around many different characters.
The full collection can be found at XRAGE's website
Orders open on 7th January 2026
obsessed with how Mustang and Hawkeye are simultaneously the most coolest and the most pathetic characters in the entire series
I really wanna write some stuff about Jean Havoc but like I know nobody would read it
IM GONNA WRITE MORE CAUSE I LOVE HIM! HE'S SO PRECIOUS

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A heads-ups about ads on Tumblr blogs
Hey Tumblr, we’ve got a quick update.
Soon, ads will start appearing on Tumblr blog sites (think: [yourblog].tumblr.com). Ads help support Tumblr and keep the platform running. We know your Tumblr blogs have been where you showcase your art, host your work, and gather your people. We want to be upfront about what’s changing and how you can manage the experience on your blog.
Here's what you need to know 👇
Who will see ads (and who won’t)
Premium users and blogs with custom domains: If you have a Premium subscription, or you’ve bought a custom domain for your blog, your blog site will stay ad-free for all visitors.
Premium users everywhere: If you have Premium, you won’t see ads on any Tumblr blog site. Even ones that aren’t Premium. You stay in your ad-free bubble, wherever you go.
Everyone else: Visitors may see ads when browsing your blog site.
How to remove ads from your blog site If you’d prefer not to have ads on your blog site, you have two options:
Upgrade to Tumblr Premium (and unlock extra perks like early access to new features, Blaze credits, and higher post limits)
Purchase a custom domain for your blog
With either option, your blog site will stay ad-free for everyone. This change won’t affect how you post, create, or connect, but it’s important you know exactly what’s happening and how to control the experience on your blog site.
💫 -The Tumblr team
Heads-up, people.
Tumblr is about to start putting ads on your blog, unless you pay for a premium account or add a custom domain.
These ads won't just just be on your dashboard - as they already have been for ages - but on your blog, in between your own posts. As if you're the one promoting those products/services.
Even if you use an ad-blocker or any other means of not seeing ads on Tumblr yourself, anyone visiting your blog who does not use an ad-blocker will see those ads.
@staff, please ensure that these ads are VERY clearly and visibly marked as a Tumblr ad, and not made to look as though they're an ordinary post that we have reblogged in order to promote it because we support it and/or believe in it.