New Website: www.fridaynotes.com

blake kathryn
"I'm Dorothy Gale from Kansas"
Jules of Nature
Peter Solarz

if i look back, i am lost
PUT YOUR BEARD IN MY MOUTH

Product Placement
Cosmic Funnies
d e v o n

titsay
One Nice Bug Per Day
he wasn't even looking at me and he found me
Acquired Stardust

Kaledo Art
let's talk about Bridgerton tea, my ask is open
Keni
occasionally subtle
I'd rather be in outer space 🛸

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@fridaynotes
New Website: www.fridaynotes.com

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Artforum review for L’IM_MAGE_N at Ashes/Ashes, NYC
Timothy Hull, Black Linear B painting at Dark Mode at ASHES/ASHES in NYC
Timothy Hull | Installation Images from Locus, Logos, Legominism at Kristen Lorello Gallery, NYC
Timothy Hull “Athens in the Abstract” 11x14″ Gel Pen on Paper 2019

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Timothy Hull “Hellenism in Blue” 36x48″ Oil on Canvas, 2017
Paintings and some drawings at Kristen Lorello Gallery, NYC titled Locus, Logos, Legominism opening June 6th 2019
Untitled Art Fair in Miami Beach with Eduardo Secci Contemporary, December 2017
CP Cavafy’s House as Imagined by Hockney as imagine by Timothy Hull, 48x48″ Oil on Canvas, 2018
Study of a Myth in Progress featured on Aujourdhui

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Complete Installation Images from Study of a Myth in Progress at Eduardo Secci Gallery, Florence, Italy 2017 http://www.fridaynotes.com/secci
Timothy Hull, Study of a Myth in Progress, Eduardo Secci, Florence, Italy 2017
Exhibition Text by Lumi Tan for Timothy Hull: Study of a Myth in Progress at Eduardo Secci in Florence, Italy May 2017
Exhibition at Eduardo Secci Contemporary in Florence, Italy Opens Thursday April 27th
Timothy Hull | Sophist Leaving Syria
Jeff Bailey Gallery is pleased to present Timothy Hull, Sophist Leaving Syria, an exhibition of new paintings and drawings.
Sophist Leaving Syria is a 1926 poem by the Alexandrian poet C.P. Cavafy. The poem implores a Sophist who is leaving Syria to include in his writings on Antioch the beauty of a young male prostitute named Mebis.
It is unclear in whose voice the poem is written, yet it is quite possibly someone in the retinue of the Sophist. Sophists were men of knowledge in the Hellenistic world, and they would travel across borders to teach classical Greek rhetoric and dialectics. The Sophist is a metaphor for knowledge and reason. Young Mebis is a metaphor for the sensual, Dionysian world. Through these metaphors, the poem establishes the dialectic of the body and mind.
There is a deep homosexual aspect to the poem - most of its lines celebrating the beauty of the young man. Its theme hints at the ancient Greek cultural and social relationship between the eromenos and erastes, or the male youth and older wise man.
The poem’s sad and emphatic tone conveys a sense of haste towards immortalizing fleeting beauty. This seems relevant to the recent and quick destruction of Syrian culture and heritage brought about by its civil war. The exhibition includes two drawings of temples within the ancient city of Palmyra shown as they appeared before being leveled by ISIS.
Syria was an important hub of Greek and Roman trade and learning. The fact that the man of reason is leaving Syria has contemporary parallels with the current mass exodus of refugees.
The paintings serve as poetic metaphors for the celebration of male beauty within the ancient Hellenistic world: the repetition of image that speaks to the constant evocation of the beauty of Mebis; and the rational, squared and geometric nature of the Sophist's mind.
There is a dense and complex intersection of ancient Greek and Arabic glyphs in the paintings. These patterns are sometimes mixed to create a slippage and mélange of meaning, pointing to the intersection of these cultures in the ancient world.

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Installation images http://www.baileygallery.com/exhibitions/timothy-hull
Interview on Sound and Vision