FRANZ GERTSCH (*1930) Rschegg I, 1988-89 Exemplar 1/18, (grnliches Blau-Grau) Holzschnitt auf Japanpapier Platte: 234 x 181 cm, Blattgrösse: 276 x 217 cm
I'd rather be in outer space 🛸
let's talk about Bridgerton tea, my ask is open

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YOU ARE THE REASON
occasionally subtle
Monterey Bay Aquarium
Peter Solarz
Alisa U Zemlji Chuda

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almost home
Sade Olutola

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One Nice Bug Per Day
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Aqua Utopia|海の底で記憶を紡ぐ

oozey mess
d e v o n

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@freehopey
FRANZ GERTSCH (*1930) Rschegg I, 1988-89 Exemplar 1/18, (grnliches Blau-Grau) Holzschnitt auf Japanpapier Platte: 234 x 181 cm, Blattgrösse: 276 x 217 cm

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Ryohei Tanaka, "Tsubaki" (Camellia). No. 761. Blooming red camellia behind a thick, mud wall with roof tiles.
Vincent van Gogh (Dutch, 1853-1890)
Keizerlijke kronen in een koperen vaas
Mountaineers on the Lower Grindelwald Glacier, Photochrom Zurich (possibly), 1896 - 1897
Arend Hendriks - Forest View (1920s)

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Thomas Wright (maybe?) Page from Astronomy Book
Mark Rothko, Untitled, 1969
Unknown, Rabbit, Meiji Period
A HAMMERED IRON MODEL OF A HARE MEIJI PERIOD (LATE 19TH CENTURY), SIGNED SOBI (YAMADA SOBI; 1871-1916) The seated hare finely hammered from a sheet of iron, signature on base 7 ½ in. (19.1 cm.) long With an original wood box titled tetsu tsuiki usagi (hammered iron hare) and signed Sobi saku, sealed Yamada Sobi
Edvard Munch
Uninvited Guests
Oil on canvas
1932–1935
Yutaka Okubo
Bookplate, 1967 Woodcut
wip
made a sketch for a self-portrait, which, according to our assignment, I will finish using the linocut technique

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Joe Brainard, Pansies, 1968.
Watercolor and collage on paper, 28 x 22 inches.
Always reblog pansies.
okay
Edvard Munch, “Towards the forest” variations. color woodcuts, from two woodblocks, one sawn into three pieces, on imitation vellum paper.
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Robert Rauschenberg
Compass, 1978
Made prints of the little shit. Linocut is comforting.

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Cameos Compilation (details) © Photo and collection RMO
Rijksmuseum van Oudheden, RMO Via artblart
Vincent Van Gogh, Landscape drawings 1888