I'm feeling jipped here. I saw all the amazing graphics and social media posts, family trees, gifs, references, casting, and whatever else you made for your clexa fic. Where is the gorgeous Kate and Yelena content for your million AUs. Give us moodboards, give us what the kids and the OCs look like, give us references for their houses, give us anything!
listen...........CFAU was ONE thing. there are literally 11 (!!! - yes, i counted tonight) ongoing kate x yelena aus right now. but just so you don't say i never gave you anythingggggg here is the laziest-done-in-literal-five-minutes references of k + y for like...FIVE of them lol. i didnt even bother with any of the period aus because im just not going to find references for all of them. i could definitely do victorian, royal, and maybe viking, but no way in hell am i going to find anything for gladiator, versailles, or black plague. i also didnt do the kids or any of the supporting characters because...again...five minutes and there's truly like a dozen kids in this handful of aus alone. if you bug me about it enough i might get around to it.
anywayâŚhere you go:
FBAU:
BGAU:
MAU:
PDAU:
KYAU [AO3]:
//
2025 UPDATE:
I'm pinning this because people keep asking for links to all the AUs in one place so here is a link to another old ask with the rest of the AUs not listed here.
People also always ask how they should be reading these. Scroll to the end of every tag. Read from bottom to top. So oldest to newest. That's how it'll all make the most sense.
--
Update #2: There's also now a Vampire!Kate and Human!Yelena AU here.
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Papi hear me out... just get into the writer room for season 2 make them all see the potencial and help them turn the very cliche romance into an actual groundbreaking thing! I believe in you and your bi-greatness
For real tho can you imagine the possibilities if we didn't live in the most homophobic timeline ugh what a waste
Start a petition. Tell them to hire me. I've been doing mostly movies lately. I miss writing TV. And would love some writer's room money lol
Your story is stuck in my head. Ithink Oona stays with Tamsin, with that âshe never did me wrongâ and assuming that THIS is whatâs best for Tamsin - that she stays. And sheâs so stubborn and I think Tamsin figures it out eventually but maybe keeps it to herself because she also wants to keep Oona for herself and focusing on the delusion that Oona staying means she was the choice. But thereâs always something that brings Annie back and itâs a cycle. Annie always finding reason to return thatâs definitely not Oona (but we all know). ITS STUCK. IM DROWNING. I support womenâs rights and womenâs wrongs lmao. Itâs your story obvs so Iâm just guessing and thought about this⌠because you love it when weâre in pain so my head justtt went over to pure angst. I get it. I see what you mean with these two and the potential. But also THE PAIN?? yikes
BUT I DO HAVE TO KNOW since Ramona also STILL didnt know after the 4year thing⌠I donât if I just missed itâ- what happened after Ramona went back? How did Oona navigate Ramona being back, and Annie leaving. When Annie left, did Ramona also leave? Because if Oona was miserable, surely Ramona would notice? Or because they broke up before she left, they werenât really speaking? Itâs just that tiny blip and gap that I am kind of confused with.
Should I just tell y'all what happens since I know I'm not gonna clean up all this shit I've written? Because the basic gist is that they're both FUCKING STUPID lol. This is what happens:
Annie left because she immediately assumes Oona regrets cheating on her gf. But Oona didn't. Oona actually spent the day thinking how the fuck she was going to break up with Tamsin. Oona just left because she was INSANELY late for work. Ran out basically. Stopped home just to put not pajamas on. Ran back out to work. She was home for like five whole seconds and just forgot to take her phone from where she'd left it charging the night before.
So Annie leaves the island without saying anything. Again. Oona finds out when Ellis mentions it after he comes back from flying Annie back to the city. Oona is PISSEDDDDD. Now she assumes Annie regrets it, will sell the island, is never coming back. Out of spite she impulsively proposes to Tamsin. That night. No ring planned or nothing. JustâŚwe should get married. And Tamsin says yes. They start planning the wedding right away. Oona wants to get married fucking ASAP. How does Annie find out? She sees every one of their mutual friends congratulating Oona and Tamsin on their engagement online. Literally like...the next day after they spent all night fucking lol. And Annie is like FUCK.THIS.BITCHHHHHHHH so she doubles down on San Francisco, takes the job, moves there.
Hold on at least let me dig up the conversation when they see each other next because I did write it out. I'm still unclear on what it is that brings Annie back to the island months later, but she does come back. Duh. I just have a few different ideas as to why and haven't landed on one. But anyway...she comes back...six days before the wedding lol. So this is a piece of that scene where they see each other again for the first time:
âAnd you waited until six days before my wedding?â
âI didnât know when your wedding was.â
âYou knew I was engaged.â
âYes.â
âYou couldâve called.â
âI donât have your number.â Oona laughs bitterly at the excuse. That doesn't stop Annie from pressing further. âYou proposed the day I left.â
âSo?â
âYou proposed because I left.â
âI proposed because I want to marry her.â
âYou decided that the same day we had sex?â
Oona takes a step toward her. Glares at her.
âYou're a fucking idiot.â
âIâm the idiot?â
âYes!â
âI woke up and you were gone! I figured you regretted what happened. I didn't want to cause any issues for you so I left.â
âI was three hours late for work!â
âI didnât know that!â
"This island isn't that big, Annie. There's only so many places you I could've been. You could've found me had you wanted to."
"And you had my number on that form. You could've just fucking texted me to tell me where you were."
âMy phone was sitting on my fucking nightstand!â
âHow was I supposed to know that?â
âYou couldâve waited instead of fucking disappearing!â
âAnd you couldâve at least left a note!â
They're morons but they're MY morons lol
As far as Ramona. She came back for a bit after the school year ended which is when Annie and Oona had to start sneaking around. It was a few weeks but it was enough to derail them on top of the college shit anyway. Ramona has never really lived on SP again. They sorted out all the paternity paperwork which means she's now both Canadian and American. So she moved to NYC to live with Steven full time. She finished school there. Started college there. This really isn't home anymore. So like she still knows and loves all these people from the island and they DM/follow each other on social media/whatever but she's not CLOSE with them anymore. And because she wasn't even living there anymore the whole her and Oona thing was kind of DOA anyway.
KYFBAU - Kate has a bedsheet. She doesn't think anything of it for a while.
Yelena brings pictures of the kids. Kate missed the baby's first words. Maks got a finger painting class one weekend. Alex is getting good on the piano.
The bedsheet starts making shapes in her mind. Maintenance keeps the pipes and rafters covered for obvious reasons. Kate knows this. She's a coke addict, not stupid.
A lawyer visits with Yelena. Discussions of the divorce. If there's alimony, what child support looks like, if Kate gets visitation.
If. Not what kind. That comes after they decide she gets to see her kids at all.
The light fixture is mounted to the ceiling. 4x4 post when Kate saw maintenance change those stupid fluorescent bulbs.
Shes lost a lot of weight since coming here.
The pieces form together in a way she doesn't like.
Kate sees a caller ID on Yelenas next visit. Ava with a heart. She doesnt mean to let Yelena know she saw it. Yelena does, however, and the trip turns sour. Yelena deserves happiness, Kate knows that. She screwed it up.
But the bitch was never home either. Kate deserved a wife who was home.
Her hands start playing with the bedsheet.
The staff see her doing this. They put her in extra therapy. Increased monitoring. She doesnt like it. She was just keeping her hands busy.
Yelena sees the way her hands keep turning on the next visit. She makes a point to tell the doctor after. The doctor assures her they know and are taking steps.
The bedsheet calls her some nights when she sees the nurse stop watching her.
(Part of me thinks I should put a warning here, part of me is too cynical and thinks the average user doesn't have the reading comprehension anymore to put 2 and 2 together)
lmao not you almost making kate play hangman with herself jklsdhfgjskdfhgkj I like it when you meet me at my darkness level we're all pain demons here đ
I love if loves so easy⌠I only found it a couple of years ago ( I was very late to the party). Easily one of the best things Iâve ever read!
Do you think youâll revisit it or add more too it? I had loads of questions when I finished about Lexas relationship with her daughter throughout the years it was heartbreaking to read.
Where did you get the idea from and how long did it take you to write? đ
Oh damn. You sent this two weeks ago. I'm so sorry I missed this somehow. I won't say never because I'm never more productive in everything else than when I have a script to write so...who knows where procrastination and the perfect clexa manips the instagram algorithm has insisted on consistenly feeding me for some goddamn reason these past couple of weeks but there are no ACTIVE plans to revisit it at the moment. But I do find it wonderful that 10+ years after I wrote that it's still finding people. Thank you for reading and letting me know you enjoyed it. Feel free to ask any of those questions you had. I'll try to get around to them.
I don't even remember the story of how it came to be. If I remember correctly I feel like it was me screaming all these headcanons at Vittoria for moooooooonths before I ever posted any publicly. And then people were quite insistent that I put it on AO3 so I did. As far as how long...I feel like I wrote 80% of it in like...no time. I think I wrote like the first 100k words in like a week. And then I don't even remember how long it was but it took me fifty years to post the final chapter. People were so mad at me lol. But it's out there and the pitchforks were put down haha.
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That was beautiful. Also, ouch???? Missed you being a menace with the angst around here lmao
I truly can't stop thinking about that first time seeing each other so I'm going back instead of forward. The last chapter was this same night. This is the morning. Here's 6.2k of Annie arriving at the island for the first time in four years.
--
The thing nobody tells Annie about getting everything she wants is that eventually the things she wants begin competing with one another.
For most of her life, ambition had been wonderfully uncomplicated. There was always a next thing. A better school. A harder class. A more prestigious internship with an acceptance rate low enough to make getting it feel improbable. Another summer somewhere important, sitting at conference tables with people twice her age and pretending not to notice when they started directing questions at her instead of the person technically supervising her. Annie likes ladders. Ladders are honest. They tell you where to put your foot next.
Graduation removes the ladder. Suddenly there are doors. All of them open. Which turns out to be considerably more stressful than having any of them shut.
Three days after commencement, Annie sits cross-legged on the rug in her Palo Alto apartment with her laptop balanced on one knee and the remains of a celebratory bottle of champagne sweating onto a coaster beside her. Her diploma still leans against the wall because she hasnât figured out where people are supposed to put those when theyâre twenty-two and donât yet possess an office in which to display them. Her cap and gown are still draped over the back of her dining chair. Flowers sent by three different distant relatives are dying at different rates around the room. On her screen, her future exists in tabs.
San Francisco wants a final answer by next week. The offer is obscene for someone her age. Annie started as a âStrategy & Operationsâ summer intern at a grid-management company before her boss found enough reasons to keep her on part-time through senior year. What began as an internship stopped resembling one within months. Annie kept getting handed increasingly complicated problems involving teams that werenât talking to each other, clients nobody quite knew how to or wanted manage, launches that existed beautifully in decks and considerably less beautifully in reality. She kept fixing them. Now the company wants her full-time, with stock, a signing bonus large enough that Connor made an actual choking noise when she told him, and enough responsibility that the word âjuniorâ attached to her title is mostly decorative. Sheâs also already conducted an extensive San Francisco apartment search despite repeatedly insisting she hasnât made a decision.
London wants her too. Different work. More interesting in some ways, less safe in others. An international economic policy team she applied to mostly because the application existed and Annie has never encountered a competitive process without taking it as a personal challenge. She hadnât expected to get it. Then she did, which has created the irritating problem of having to decide whether she actually wants the life she applied for simply to prove she could have it.
Then thereâs grad school. Four acceptances, one generous scholarship option, several professors whoâve informed Annie with varying degrees of subtlety that sheâd be an idiot not to continue. She keeps waiting for one future to become obviously correct. None does.
Her early onset quarterlife crisis comes to a grinding halt when her phone buzzes against the rug.
CONNOR.
Annie considers ignoring it. It buzzes again. Then a third time. Persistence has apparently become a key pillar of every technological advance of the twenty-first century.
âYou know, some people interpret unanswered calls as a social cue,â she says when she finally picks up.
âCongratulations.â
âYou already called me yesterday to say congratulations.â
âI have a once-in-a-lifetime business opportunity.â
âNo.â
âYou donât even know what it is.â
âI know you.â
âItâs a company.â
âTerrible idea already.â
âCan you let me finish?â
âYouâve said less than a dozen words and somehow I already feel financially exposed.â
Connor sighs with the put-upon exhaustion of a man whoâs spent his entire life being tragically misunderstood by his twin. Still, he explains. There are investors. Thereâs a product. Thereâs a market gap. Thereâs a partner with engineering experience and another with a vague but impressive-sounding relationship to venture capital. There are projections. Annie knows said projections do in fact exist because Connor sends them while heâs talking.
She opens the attachment despite herself, skims the first page, scrolls through the second and has to physically stop herself from groaning by the third.
âConnor, these financial projections are ass.â
âThank you.â
âThat wasnât praise.â
âYou got as far as opening them. Thatâs practically an endorsement.â
Annie scrolls farther. âDonât do this.â Silence. Not normal silence. Connor silence. Annie stops scrolling. âSilence with you is never good.â
âI need my money.â
âWhat money?â
âMy island money.â
Annie frowns. Then she understands. Her eyes leave the screen.
âNo.â
âSissyâŚâ
âNo.â
âYou havenât even heard me out.â
âThe island isnât your checking account.â
âItâs half mine.â
âNot half. Itâs split three ways. And regardless, the answer is no.â
Connorâs voice changes. Heâs not angry yet. Heâs careful, which is somehow more irritating.
âWhy wonât you sell?â
âWeâve had this conversation.â
âNo, we havenât. I bring it up. You immediately say no. Thatâs not a conversation. Thatâs you thinking youâre winning because you assume you can out-stubborn everyone elseâŚMonaâs willing to talk about it.â
Annie sits straighter. That one she hadnât expected.
âShe is?â
âYup.â Annie says nothing. Connor lets the silence sit for a second before continuing. âSheâs in New York. Sheâs got school. She doesnât go there. I donât go there. You donât go there.â
âIâve been busy.â
Her body reacts to that statement. A tiny contraction beneath the ribcage. An old instinct reaching for an old wound. Fortunately Connor isnât there to see it.
âWhy exactly are we preserving a place none of us wants to be in?â
The apartment suddenly feels too small. Annie gets up and crosses to the windows. California sunlight washes the buildings below in an almost obnoxious amount of optimism. Her laptop waits on the rug with three excellent futures glowing on its screen. Sterling Point belongs nowhere in any of them. That should make this easy. It somehow makes it more difficult.
Connor sighs into the phone. Loud. Dramatic.
âYou want to know what I think?â
âNever. Yet somehow I still do. Constantly. Against my will.â
âI think you donât want anybody else to have it.â
Annie looks through the glass. She doesnât refute it.
âIâm hanging up.â
âAnnabelle.â
âI fucking hate when you call me that.â
âI need the capital.â
âThen raise it.â
âIâm trying.â
âTry harder.â
âEasy for you to say. You just got offered enough money to become a Republican.â Annie snorts. âCome on. Youâre about to start your life. Ramona already started hers. Iâm trying to start mine. What exactly are we holding it for? Itâs land none of us gives a fuck about full of people we donât give a fuck about.â
Her brain rebukes that statement so quickly Annie almost resents it for the lack of dignity. She immediately gets flashes of a dock in late afternoon. Wet blonde curls. A crooked smile. A soft British voice turning two ordinary syllables into something intimate enough to belong to only one person. She can hear Oona saying âbabyâ so vividly it almost knocks the air out of her. Annie kills the thought before it can develop a pulse.
âGive me a week.â
Connor goes quiet.
âA week?â
âIâll give you an answer in a week.â
âYouâll actually consider it?â
âYes.â
âSeriously?â
âI just told you I would.â
âThank you.â
Annie ends the call.
For several minutes she stays beside the window with the phone still in her hand. She forces herself not to think about Sterling Point. She thinks about San Francisco. London. Grad school. She thinks about salary projections, moving costs, visas, whether she actually wants another degree or simply enjoys being excellent at school.
She absolutely doesnât think about blonde curls. She doesnât. Not at allâŚWhich is exactly why she walks back to her laptop and books a flight to the last place she ever saw them.
//
Annie tells herself sheâs going because selling something without seeing it one last time would be irresponsible. That explanation holds together remarkably well as long as nobody examines it.
Four years is a long time. Places change. People move. Lives become unrecognizable. Thereâs every possibility the two foreign girls who once lived on a boat at the marina are somewhere else entirely now. Oona couldâve gone off to college. Maple couldâve gone back to England with their mother. They couldâve crossed an ocean, joined a circus, gotten married, become accountants. Annie genuinely has no idea.
That had probably been the point of Oona unfollowing her within twelve hours of Annie getting on the sea plane and heading back to New York. Then subsequently blocking her before the end of the day. Not just Instagram. Annie came up empty everywhere she thought to look during that first humiliating month. Oona was nowhere to be found anywhere she searched on those nights when sheâd open her phone at two in the morning and typed her name into some search bar. Not being blocked wouldnât have helped anyway. Oonaâs accounts are private. So are Annieâs. Even the pathetic modern consolation prize of watching someone move on from a safe distance had been denied to them.
Eventually Annie stopped checking. Then she got very good at never letting herself arrive at the point where wanting to check would even occur to her at all.
College helped. Stanford was magnificent for that. There was always something due. Someone smarter than Annie in some room she wanted to be the smartest in which forced her to work that much harder. Some competitive fellowship, research position, internship or professor willing to occupy every cubic inch of attention Annie might otherwise have wasted remembering how Oonaâs voice changed when she was turned on.
Annie became pretty good at being busy. Then she became extraordinary at it.
One summer disappeared into an internship people had warned her was nearly unobtainable. She got it. Another disappeared into the thing she was supposedly too young or too inexperienced to get. She beat out 300 applicants for it. Semesters collapsed into papers, exams, interviews, parties and people whose names Annie sometimes remembered after sleeping with them.
She dated. She fucked around. She had relationships that were pleasant enough to hurt no one and brief enough to require very little justification when they ended.
She never compared anyone to Oona. That wouldâve been senseless. Her standards were untouchable. So Annie merely noticed things.
A woman who kissed too carefully. A man who asked what she wanted in bed and made the question feel like homework. A situationship whose hands were beautiful but always seemed to arrive half a second after Annie wanted them somewhere. Someone who always said her name at the wrong moment. Someone who laughed when Oona wouldâve smirked. A person who tried calling her baby once and accidentally ruined otherwise perfectly good sex.
All observations. Not comparisons. Thereâs an important distinction. Annie has spent years insisting to herself they're not the same thing.
//
She leaves California almost believing her own bullshit. But the closer she gets to Sterling Point, the less cooperative her body becomes. In New York she checks the weather six times. When the little commuter plane that Ellis still pilots lifts off for the short flight north, she convinces herself the nausea is merely a side effect of the turbulence.
Annie looks out the window. Water appears beneath them. Then islands. Then a familiar crooked coastline she hasnât seen since â-teenâ was still attached to her age. Her entrails recoil.
The businessman across the narrow aisle glances over. Annie twists her face into something polite.
âYou ever been before?â
âNo,â she lies.
âItâs a great little summer place. Iâm looking at some property there.â He leans slightly closer, apparently delighted to have acquired an audience. âBeautiful house. Completely absurd price for something you donât even own the land under, but apparently the family that owns the island only does long-term ground leases and no oneâs ever had an issue. Iâve heard the locals are all hicks and sleazeballs, but itâs easy enough to stay away from them.â
âSounds lovely.â
He either doesnât hear the dryness or chooses to interpret it as agreement.
Annie looks back out the window as Sterling Point comes into view. Itâs smaller than she remembers, which feels offensive somehow. Four years ago, it had been large enough to contain her entire life. Now she can see itâs edges.
//
This Tuesday has given Oona absolutely no indication it intends to ruin and redirect her entire life.
Itâs hot. Bright. Tedious. Obnoxiously ordinary. Oona is dressed accordingly. Old denim shorts, scuffed work boots, navy marina shirt with one sleeve rolled higher than the other. Thereâs grease worked into the side of one thumb and another streak along her jaw she hasnât noticed. Her blonde curls are dragged off her neck with a hair tie that stopped performing the bulk of its assigned function several weeks ago.
The sun reaches itâs peak and the marina has become a reflective oven of white decking, windshields and water. Oona has spent most of the morning moving between the rental office and the slips. Fuel delivery. A cracked line on a boat owned by a man who somehow possesses three of them without understanding any of them. Two reservation mix-ups. One tourist who believes the phrase âno wake zoneâ is a personal affront. And now the printer has decided invoices are less a function it performs than a privilege it may revoke without notice.
The seaplane from New York landed five minutes ago. That usually means money, luggage and at least one person offended by the concept of waiting. Today is no exception.
âDonât be such a fucking twat.â
Oona smacks the side of the printer. Nothing. She hits âPRINTâ again. Still nothing. Oona releases a string of curses under her breath just as the bell over the office door gives its ugly little clang.
âBe with you in a sec,â she calls without looking up.
âI was told thereâd be boats available.â
Oona closes her eyes for half a heartbeat, rearranges her face into something half delightful and finally looks toward the counter. A man in pressed summer linen is standing there with the faintly aggrieved expression of an individual unfamiliar with problems money doesnât immediately solve.
âWere you told that by us?â
âExcuse me?â
âDid you reserve one through the marina?â
âNo. My broker saidâŚâ
âThen your brokerâs a hopeless optimist.â Oona gives him the customer service version of her smile. âWeâre fully booked.â
âI need something for the week.â
âThen ideally you needed to ring us about six months ago.â
âI just flew in from New York.â His expression tightens.
âSounds lovely.â
Right beyond his shoulder, someone says, âThank you so much. Yeah, this is perfect. Thank you.â
Oona stops breathing. Itâs not dramatic. Nothing falls out of her hand. The room doesnât spin. Her body simply ceases participating in any and all necessary functions for a moment.
Her finger stays suspended above the keyboard. Breath catches halfway into her lungs. Her mind empties with snappy speed.
There are voices people forget. Oonaâs forgotten teachers she once saw every day. Customers who spent whole summers telling her intimate details about their marriages. Women she slept with. Men she drank with. People she once assumed would remain in her life long enough that remembering them would never require effort. But she couldâve requested to have Annie Jacobsonâs voice surgically removed from her brain and some phantom version of it would still be living in her bones.
Oonaâs eyes dart to the doorwayâŚAnd there she is. Annie is just crossing the threshold into the office with her suitcase in tow. The man in linen keeps talking. Oona hears none of it.
Oonaâs eyes catch Annie for perhaps one second. Enough to confirm that her sanity hasnât finally broken from heat exposure. Just enough to see dark hair and a face she knows better than several parts of her own body. Then Oona looks away. Immediately. Hastily.
The man is still speaking. Something about the house heâs viewing and some arrangement his agent apparently promised. Oona fastens her attention to him with the desperate concentration of someone defusing an explosive.
âRight, wellâŚâ she says, although she has absolutely no idea what sheâs agreeing with. âThere arenât any self-drives left. We can put you on our share.â
âWhat does that mean?â
âLike a water cab.â Oona responds exasperated as she wills her eyes to stay locked on this man and not wander to the brunette directly behind him.
âI need to get back and forth whenever I want.â
âBest I can do is suggest you call the number on that card and request a pickup when you need it.â
Oona grabs one of the business cards from the hold and extends it to him. Her eyes go everywhere except Annieâs direction.
âHow long does that take?â
âDepends how busy we are.â
âThatâs not very specific.â
âNeither is âwhenever I wantâ.â
Somewhere behind him, Annie readjusted. Her luggage wheels screech across the floor. Oona doesnât look. She wonât look. Looking would be catastrophic.
Oona picks up a clipboard, takes his name, makes him spell it twice even though she got it the first time, asks for the property address, the number of passengers, his mobile number, whether he requires luggage assistance. She enters each piece of information with meticulous care because this is what her life has become since the girl who unwound her like no one else had before or since has materialized after four years of total silence. Oona prefers to hide inside maritime admin than deal with whatever that entails.
The printer screeches. Oona nearly jumps out of her skin. The man frowns at her.
âCan somebody just take me now?â
Oona grabs the radio.
âMaple. You copy?â
Static. Then: âGo ahead.â
âIâve got one passenger for the Carroway viewing, luggage with him. Can you collect from Slip Five?â
âTwo minutes.â
âCopy.â
Oona puts the radio down. âSlip Five. Straight out, left at the fuel dock.â
Oona gives him a perfectly pleasant smile. The man stares at her. Then, quite unfortunately, leaves. The bell clangs shut behind him. Her and Annie are left alone in the office. Silence follows.
Not actual silence. Thereâs a radio muttering somewhere. Dock lines knock softly against masts outside. The broken printer makes a mechanical racket that suggests itâs considering death again.
But the room Oona is standing in has narrowed to one person. And now she has no choice but to look. Really look. And for one awful, glorious, universe-altering second, she genuinely doesnât understand what sheâs seeing.
Annie stands on the other side of the rental desk.
Real-life Annie. Not one of the old Polaroids Oona has stashed inside a plethora of books and steals glances at every so often. Annie laughing with her head thrown back on the dock. Annie waist-deep in the water, squinting into the sun. Annie half asleep in one of Oonaâs sweatshirts. Annie kissing her cheek while Oona badly aims the camera at both of them. Annie kissing her properly in another, nothing but dark hair and tangled limbs and the edge of Oonaâs stupid grin. Annie caught unaware. Annie deliberately posing. Annie looking straight into the lens with that soft, private expression that had never really been for the camera at all. Itâd been for Oona. Every one of them seventeen or eighteen, sunburned and messy and permanently frozen inside the year Oona got her and lost her. But this isnât a photograph. This is twenty-two-year-old Annie. Flesh and bone. Here. Now.
Oonaâs first coherent thought is that this is deeply fucking unfair.
The Annie Oona knew existed almost entirely in cutoffs and old T-shirts. Messy dark hair. Bare face. Scraped knees. Cheap flip-flops. Oonaâs sweatshirts dragged down over her hands on cold mornings. Sheâd watched Annie rotate through the same three pairs of shorts until one of them practically surrendered at the seams. The fanciest dress Annie brought to Sterling Point became a regular island rag within weeks because Sterling Point had a talent for stripping people of whatever theyâd arrived with.
Oona knew Annie was rich. Undebiably so. Annieâs life in New York had leaked through in stories. Upper East Side apartments. Private schools. Holidays Oona initially assumed had been exaggerated until she realized Annie didnât know they sounded fictional. Restaurants mentioned without thinking. Hotels named casually, then Googled later by Oona out of curiosity and discovered to cost more per night than she sometimes made in a month.
But on Sterling Point, Annieâs wealth had been theoretical. The island had taken Annie out of context. Money didnât mean much when your hair was wet, your thighs were covered in mosquito bites and the only shop within walking distance sold the same sun-faded shirts to everyone. Oona had fallen in love with a girl who swore at splinters, slept with damp hair, stole her ratty clothes and once wore the same faded floral T-shirt for a week because Oona had slept in it first and Annie swore it captured her smell.
That Annie had been breathtakingly simplistic. The version of Annie she knew felt private. Not because no one else saw it. They did. Oona wasnât blind and the rest of the island wasnât either. But Annieâs beauty had seemed incidental to Annie herself. Unarranged. Something that happened while she was busy doing other things. Sheâd walk around with her hair in a knot sheâd forgotten to fix, sunscreen smeared badly over one cheek, somebody elseâs hoodie hanging off one shoulder. And still people stared. Oona knew that girl enough to recognize her footsteps outside a locked room.
The woman standing in front of her now is the same person and somehow an entirely different visual event.
The face remains. Same enormous eyes. Same ridiculous brows Oona used to trace with one finger when Annie was asleep. Same full mouth, although someone has since introduced it to the sort of lipstick designed to look as though thereâs no lipstick involved. Oona can still locate seventeen in the architecture. She knows exactly where that girl she used to know hides. But everything surrounding her has changed.
Her hair falls past her shoulders in polished dark waves, glossy enough that Oona can tell professionals have been involved. Her makeup is controlled to the point of looking almost nonexistent, which Oona has learned from wealthy marina clients usually means it costs more. Cream trousers skim legs Oona remembers almost exclusively bare. A pale blue silk blouse sits perfectly against her body. A beautifully cut jacket rests over one arm as if Annie has arrived from a meeting at a high-rise instead of an airplane.
The bag is Hermès. Oona knows that against her will. Years of rich people abandoning absurdly expensive possessions in boats have given her an involuntary education. She doesnât know the model. She does know one of the women from the east shore once screamed for twenty minutes because lake water got on something remarkably similar.
Then Oona reaches the shoes. She has no idea what they are. She knows only that they look hostile to docks and probably cost more than her boatâs engine.
But it isnât really the display of wealth that unsettles her. That would be low hanging fruit. Itâs the coherence of Annie now. The way all the disparate things Oona once knew about her have finally assembled in one place. The ambition. The goals. The education. The city. The impossible standards. The confidence Annie always possessed but used to wear with all the subtlety of a teenager has settled into something adult now. She stands differently. Holds herself differently. She doesnât seem to be asking the room what it thinks of her anymore. Annie already knows.
Oona had known Annie before the world taught her how to present the facts of herself. Sheâd known her before adulthood gave all that raw confidence tailoring. And fuck, has it tailored her.
Younger Annie had been gorgeous enough to ruin Oonaâs judgment for the better part of a year. This version is worse because Oona can see the girl she loved underneath the woman sheâs never gotten to know. Familiarity and novelty occupying the same body. Every old instinct in Oona recognizes her while every other part is being forced to meet her for the first time.
And sure, Annie objectively got hotter too. But that thought is also far too outlandish for whatâs actually happening. Oona always knew Annie was stunning. What she hadnât known was what Annie would look like once her real life caught up with her.
On Sterling Point, Annieâs wealth and ambition had been trivia. Abstract facts Oona could ignore while Annie sat cross-legged on the dock eating cereal out of a mug. Now those facts have become visible. Theyâve acquired posture. Silk. Professional hair. Four-thousand-dollar skin care routines.
Annie has come back looking like the physical embodiment of every reason Oona once convinced herself she had to let her go. Thatâs the part that reaches in and twists.
Four years ago, Oona had been able to imagine this woman only in fragments. Annie in cities. Annie in rooms where everyone had degrees and surnames that opened doors. Annie becoming important in ways Oona had never known how to picture because her own life had barely extended beyond a boat that leaked when it rained too hard.
Oona had looked at Annieâs future and seen something vast. Then sheâd looked at herself and seen nothng but things that might make Annie smaller. So she let her leave. Now the future Oona saw so plainly has walked into the marina wearing Annieâs face. And it fits her perfectly.
Oona realizes sheâs staring. Worse than that, Annie has caught her staring.
A minuscule flicker of uncertainty crosses Annieâs face, so brief Oona could almost persuade herself she imagined it. Then itâs gone, replaced by a polished composure Oona doesnât remember. Annie has apparently learned, among the thousand other things she learned while Oona wasnât there, how not to let people read the thoughts that cross her mind.
Oonaâs heart is trying to beat itself through her sternum. So she does what she always does when terrified. She smiles. And she talks.
âAnnie, baby.â
It was a poor choice of words. But it was also muscle memory masquerading as confidence.
Annieâs face contorts. Only for a moment. Enough for Oona to see her falter. For Oona to sees seventeen again underneath all that polish. And because Oona is a fundamentally selfish person in several highly specific ways, the sight of it makes her feel almost euphoric.
âHi.â
All this time. And thatâs all Annie gives her.
Oona leans her hip against the counter before her knees can betray her. She lets her gaze travel over Annie once more because apparently self-preservation has packed up and left the building.
Annie glances down at herself then back at Oona. Her eyes take their own slow trip over Oonaâs body.
âAnd youâre veryâŚblue collar.â
âSome of us work for a living.â Oona smiles wider.
âDoes that prevent you from knowing how buttons work?â
Oona looks down. Her shirtâs buttoned wrong. One side sits higher than the other, apparently the result of getting dressed at five-thirty this morning without consulting a mirror.
Annieâs mouth twitches but resists curving into a full smile. Oona refuses to be embarrassed on principle.
âOnly every other day.â
Oona starts undoing the shirt. There are perhaps eight more appropriate ways to fix a misbuttoned work shirt in front of a client who just happens to be your former hookup. Oona chooses none of them. She unfastens the buttons without a shred of modesty, letting the monogrammed shirt fall open while she fixes it. Annie gets an unobstructed view of what years of hauling lines, lifting engines and generally refusing to sit still have done to Oonaâs body. Her stomach is cut hard, abs sharply defined, a deep V disappearing beneath the waistband of her shorts. Sheâd always been lean. This is different. This is Oona being strong. Ripped with intent. Annieâs eyes betray her and drop before she can stop them. Oona catches her looking. So she leaves the shirt hanging open for one entirely unnecessary second longer.
âSoâŚâ She taps the counter. âWhat can I help you with?â
Annie looks around as it the answer to the question was entirely obvious.
âRenting a boat.â
Oona makes a sympathetic face that isnât entirely fake. âAh. Bad news, babyâŚWeâre completely out.â
âNothing?â
âNot one.â
âFuck.â
âPeak season. First come, first serve. And after breakfast it turns into blood sport.â
Annie looks through the window toward the slips as if another boat might materialize through good fortune alone.
âNothing?âŚI remember sometimes ânothingâ was a gray area.â
âIt is quite black and white today. Unless you fancy a kayak and a very character-building experience with your luggage.â Oona smiles. âWe started doing on-demand launch runs a couple years ago thoâŚGets messy when weâre slammed, but we can get you back and forth. You just might not get to dictate the exact minute. And they stop at ten.â
Annie studies her.
âAre you the one driving people?â
âSometimes.â
Annieâs eyes stay on her for another beat. Oona grabs a clipboard before she can become interested in what those brown eyes are doing.
âFill that out. Name, number, destination.â
Annie takes the form and scans it. Then looks up.
âYou donât remember where I live?â
The question is light. The wound underneath isnât. Oona feels it. She keeps her face blank.
âWe ask everyone.â
Annie continues looking at her. Oona pushes the clipboard slightly closer.
âInsurance loves paperwork.â
Annie lowers her eyes and begins writing. Oona watches despite herself.
ANNIE JACOBSON.
Seeing the name sheâs thought about for so long in Annieâs handwriting does something stupid to her. Then comes the phone number. Oonaâs eyes fixate on it. Digits sheâs not privy to anymore. Not since she deleted Annieâs contact. That lands harder than it has any right to. Annie writes the cabin address next. The same address Oona could reach blindfolded. The same dock sheâs deliberately avoided looking at for almost half a decade.
Annie hands the form back.
âFor that zone, itâs thirty each way. Cash or card?â
Annie stares at her. Not because of the price. Because Oona has apparently committed fully to pretending theyâve never met. Oona can see the irritation building. Sheâs okay with that. Irritation is manageable. The alternative isnât.
âCard,â Annie says eventually.
Annie reaches into her bag. The wallet that emerges looks as expensive as the bag itself.
Oona takes the card. Metal. She shouldnât have expected anything else. She runs it.
âThirty even.â
Annie laughs. Actually laughs. Itâs the only thing she can think of doing under this most absurd circumstance.
Oonaâs brain responds with offending enthusiasm. That sound hasnât changed. Everything else can apparently graduate, move across a continent, acquire expensive makeup and come back wearing an entirely different life, but Annieâs laugh is still Annieâs laugh. Oona hates the relief of it.
âI can get Ellis to take you in a few minutes. Heâs the son of the owner. He can answer any questions you might have about the island.â
Annie is impressed by how set Oona is on the absolute professionalism bit.
âYeah, I have plenty of those.â
Oona picks up the radio.
âEllis. You copy?â
Static cracks through the speaker.
âGo ahead.â
âOne passenger to the Campbell cabin. Pickup Slip Three.â
Oona presses the transmit button harder than necessary. âDo you copy the pickup?â
A longer pause.
âJesus. Yes, I copy. Slip Three.â
Oona sets the radio down. Annie is openly smiling now.
âVery professional.â
The printer chooses that exact moment to resurrect itself with a violent mechanical wail. Both women jump. Six copies of the same invoice begin vomiting into the tray.
âYou vindictive little bastard.â Oona grumbles at it.
âSeems you fixed it.â Annie offers with a smirk.
Oona turns slowly toward the machine. Annie laughs. Oona wants to crawl into the printer and die. Instead she pulls the receipt free, tears off Annieâs copy and extends it across the counter.
âSlip Three. Ellis will be there in a couple minutes.â
Annie reaches for it. Their fingers touch. Barely. Skin against skin for less than a second. Yet Oonaâs entire nervous system reacts as though someone has thrown a live wire into her chest. Annie pulls her hand back first. She felt it too.
For one dangerous beat, the proficiency charade cracks straight down the middle. Oona makes sure to quickly mend it.
âAnything else I can help you with, Miss Jacobson?â
The sentence comes out in the bright, polished tone she uses on tourists. Annie stares at her for a long silent beat.
âNo.â
Oona nods as though this is a satisfactory customer-service interaction. âSlip Threeâs straight out andâŚâ
âI know where it is.â Annieâs reply is sharper than it needs to be.
Annie picks up the handle of her carry-on and settles her bag against her arm then turns toward the door.
Oona has survived the most challenging six minutes of her short life. She should be relieved. Move on. Go about her day. Never think about Annie again. Instead panic begins climbing her throat.
âAnnie.â
Annieâs body grinds to a halt. Turns. Oona has absolutely nothing prepared. So she says the first thing that comes to her mind.
âYouâŚUhmâŚYouâreâŚâ Annie waits. âYou can probably just call Ellis if you need a ride. Or text himâŚIf you still have his numberâŚWhateverâŚHeâll sort you.â
Annieâs expression is impossible to read. Then she gives Oona the same courteous smile Oona has been weaponizing against her for the last several minutes.
âThank you.â
Annie shakes her head and turns away. The door closes behind her. Oona remains exactly where she is.
Ten seconds pass. Then twenty. The printer spits out another invoice for absolutely no reason. Oona glares at it.
âFuck off, you piece of shit.â
Oona abandons the counter and walks to the window. She watches Ellis take Annieâs sleek metal carry-on from her. It looks so absurdly out of place against the battered dock. Annie reaches into her bag and pulls out oversized sunglasses. Expensive, presumably. Everything about her suddenly seems expensive.
Oona watches the wind catch Annieâs hair. Watches her look out over the water. Watches the rigid set of her shoulders loosen by degrees. Then Annie glances back toward the rental office. Toward Oona.
Something inside Oona twists painfully. Sheâd been right. Thatâs the fucking problem. Oona had been right.
Four years ago, sheâd looked at an eighteen-year-old girl with greatness practically vibrating beneath her skin and believed, with the stupid certainty of someone who loved Annie too much and herself not nearly enough, that Annieâs life was going to become enormous. There would be cities. Important rooms. People who knew things Oona didnât. Clothes Oona couldnât pronounce. Jobs that required security badges and dinners with six forks. A world that would take one look at Annie Jacobson and know exactly what to do with her.
Oona had looked at herself beside all of that and seen the mismatch. So sheâd let Annie go. And now Annie has come back looking like proof. Every fear Oona ever dressed up as selflessness is standing on the dock, looking so perfectly at home inside the life Oona imagined for her that itâs almost unbearable.
But Annie looking wildly out of place somewhere that used to be her entire world isnât the worst part. The worst part is that Oona still wants her.
Not abstractly. Not nostalgically. Not in the soft, safely historical way people are apparently supposed to want their first loves after enough time has passed. Oona wants this Annie. This polished, intimidating, absurdly pricey adult version sheâs never met before, with the same eyes and the same mouth and four whole years of herself Oona knows absolutely nothing about. The wanting arrives with such immediate physical certainty that it feels virtually adolescent. Itâs humiliating.
Oonaâs phone buzzes against the counter. She ignores it. It buzzes again, and eventually she drags herself away from the window.
TAMSIN: What are you feeling for dinner tonight?
Oona stares at the screen. For the first time since Annie walked through the door, guilt enters the room. She hasnât done anything wrong. Looked too long, perhaps. Thought several things a woman in a committed relationship should probably not be thinking while her girlfriend is at home planning her next meal. But objectively, Oona has done nothing. If anything, sheâs gone absurdly out of her way to treat Annie like any other customer. She should probably be commended for it.
She types that sheâs fine with whatever and sends it. Then, despite herself, Oona looks through the window again.
The boat is gone. Oona tells herself the feeling that follows is relief. It feels suspiciously like sadness.
Also it's my birthday next Wednesday. Be good children and start thinking about what y'all are gonna get the devoted father who works soooo hard to house you in this ranch, clothe you, keep you fed and intellectually engaged.
Cash preferred. Whiskey acceptable. Boobs areâŚfine I guess :)
I'm sitting at a restaurant waiting for a friend for a late night dinner and I'm deadass trying to be productive and do work on my phone but I can't stop thinking about Oona seeing non-teen, non-island, non perpetually in jean shorts and raggedy tees with messy hair Annie that first time when she gets to the marina four years later. They dated for a whole year yet this remote island was their entire universe. Sheâs never seen Rich Bitch Annie. City Girl Annie. Salon blow out and 3k shoes 5k jacket and 10k purse Annie. AndâŚthats who gets off the plane/walks into the marina straight off the plane and also who is at the bar that night.
Imagine you date this basic ass girl for a year and in theory you KNEWWWWW she existed on some other veryyyyy different tax bracket but you never got to experience it in any tangible way. All you knew was this Annie:
And then four years later OUT OF NOWHERE you get THIS walking through the front door of your job with zero fucking warning:
Imagine falling in love with the 4/10 version of a girl and learning years later sheâs actually an effortless 13/10 in her real life. I'd go into cardiac arrest.
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Ok we need the full 200k you canât leave us hanging like that
Dude it's so much work. I don't have the time. It took me HOURS to clean up those 13k from the mess I initially wrote it in and it's still shitty. Ask me questions if you want. I'll answer anything but I don't think I'll do a lot of full chapters like that. I have real work shit I should be writing. I only did this because I'm procrastinating that. I don't need more excuses to lol
I hate Yelena and Ava together 𫣠(beautifully written and the angst is perfect, but go get your wife)
You know whatâŚyeah YOU go get your wife out of rehab Yelena. Thatâs definitely your job. Tell me how it goes. I'll take notes and share it with y'all lol.
Maks has a second play. They got to a speaking role. Its two lines, but its a role. Yelena has the tickets secured. She and Alexei will be there with Alex. Melina is keeping the baby.
Alexei is very excited. He barley fits in the seat, but he's looming over Yelena and giving shade from a spotlight she desperately needs.
She's checking work emails. She has fifteen tests running and the devices are set to ping her phone as soon as they're done with the results. This is important. This is so so important.
But so is her son's play. She watches the first act. He stood in a corner. He's caked in stage makeup and his costume doesn't fit his gangly body. Bishop genes are kicking in little by little and this is going to be an annoyingly tall kid.
"Everyone is annoying tall when you're barely 5'4, babe." Ava said over breakfast. Yelena didn't dignify that with a response.
She didn't have one.
Act 2 passes - no results yet. Alex needed to use the bathroom and waited so patiently for intermission. Yelena gets her taken care of while Alexei gets them drinks. Maks is back stage vibrating because his scene is up next.
How a theater kid is born out of a scientist and a finance bro is a mystery she can't solve. That would imply she understood sociology and such.
The curtains open, the music starts. The kids do a small number that Yelena smiles at. Her boy is not bad at this. Her smile falters. Kate would be recording and tearing up right now. She'd be preparing the fanciest chicken tender meal for her little man.
Yelena takes pictures to show her on the next visit. She hopes it wont be for petty reasons. She knows it might be.
The narrator introduces her boys scene. The phone vibrates. The tests are done.
Yelena knows she shouldn't. Shes in the middle of her boys play. The play she had to convince him to do because he was scared. The last one led to mommy and mama sleeping in separate rooms. The last one led to mommy almost dying.
These are false, Yelena knows that, but this is a kid and kids have limited ability to understand what's going on in the greater world and so they draw connections with what they have and so Mak drew that theater = dead mom.
Kid would make a great Batman.
Yelena misses the scene entirely. And the rest of the play. She's too engrossed in what her centrifuge has to say. She looks up and sees the sad eyes of her son.
He wanted her to see. And she couldn't put work down. Again.
The ride home is silent. Alexei not speaking is the only concrete way of knowing he's mad at Yelena. The kids are in the back. McDonald's sits between them untouched. Happy Meals are out of place in this car.
Alexei doesn't yell at her when the kids go to sleep. He doesn't say anything for a long time. Melina knows there's tension in the room, but she decides to finish putting the baby to bed after Yelena had a chance to see and kiss them.
She loves them all. She knows they know that.
"I'd say I'm disappointed in you, but that would imply I'm surprised." Alexei says quietly.
She wishes he just back handed her like she was an unruly teenager.
"I know science is important to you. It is important to Melina. The children, however, they should be more important."
"They are-" he raises a hand to shut her up. The tears are huge in her eyes, but shes keeping them in. The shakes are trying to start, but shes not letting them.
"I know its only two lines. I know theater is dumb to many. I also know that boy hasn't smiled like that in a long time. He deserved to have a parent see him perform. That is all." Alexei kisses her head, gathers Melina, and they walk out the door with assurance he will be by to help watch the kids tomorrow after school.
Yelena doesn't let the kids see her cry. She goes to text Ava, but is too ashamed of it. A teacher of all people isn't gonna take pity on this.
She shakes the whole night.
Can I send you my therapy bill??? What the fuck was that????????????
Also, lolâŚhand on heart SWEAR TO GOD this was my verbatim thought process while I was reading this: âWhy is Kate not there? OOOOOOOOH is that bitch STILL in rehab??? lmaoooo hashtag free my girl. Someone should get on getting her out.â And then I realized the âsomeoneâ is me. I have to get her outđŽâđ¨đŽâđ¨đŽâđ¨
1. That first time she made love to Kate. Not frenzied "you're fucking STUPID and I want you" sex. This is "you make me feel feelings and I hate it, but I want it, but I hate it" slow thrusts of the strap into Kate. Making this former hoe mewl and whine when Yelena thrusts in just so. Riding out orgasms like they're luxury trains and not the last helicopter out of stress land. Kate has to wear turtle necks and high collars for the rest of the week because those hickeys are DARK and her back is scratched and her biceps have teeth marks on them. Yelena smirks like a demon when she sees kate stumble a little trying to walk the next morning.
2. The wedding night. Yelena was not in a rush. They had an ordeal. She wants to savor removing this suit from her wife's body. She wants to choke her a little with the tie. She wants to rake manicured nails across those shoulders. Kate suggests she top because she wore the tux, and Yelena can't help how hard she laughs at this. She places those eager, calloused hands on her ass and starts working her way through this woman like she has a lifetime to fuck her.
3. She cried. Ava felt her fucking slowly instead of destroying her, and got curious. Looked up from where her head was being fucked into a pillow seconds prior and saw this tiny blonde milf crying. She missed her wife. She missed her home. She missed their biggest argument being that she missed a stupid play where her kid played a tree and Kate thought that was more important than the RNA replication study Yelena was performing. Yelena missed shitty pancakes in the morning and kissing a woman 3 kids had ravaged while she was at the lab. Her therapist wouldn't say how they felt hearing Yelena call one of her kids' events trivial. She loves them, the therapist knows that. Or hopes, some days.
4. They're in their 20s again in the dream. Kate, all abs, liquor, and dumb decisions, spread out before her like a prize. Yelena, harnessed, strapped, and hungry for her prize. She takes her time. Circles Kate's clit like she likes. Thrusts slow and deep. Every stupid muscle her stupid gay brain loves is bitten and fondled like they're gonna run away. She wakes up wet and sad. She hears one of the kids call for her. Nightmare. She throws on a cartoon and makes them some cocoa. She texts Ava and feels guilty about it. Its friday night sure, but shes dating a lovely woman and having wet dreams about her ex wife. She snuggles the kid, hoping they're being honest with the therapist about their feelings. They're her kid though, so she knows they're not.
5. Ava requested slow. She always has to request it. Yelena can't do it outside of that parameter. Her body demands release. The rush of endorphins that say everything isn't totally fucked. Her hips are trained for these motions. Her body stronger than most would suspect from a scientist that birthed 3 kids. Ava writhes underneath her, lost in the sensation of Yelenas hands roaming her body and the strap slowly going in and out. Yelena goes slow. She doesn't want slow, but she wants to make Ava happy.
HAPPY WEDNESDAY TO USSSSSS! *chefâs kiss* I hope you hit all green lights today and your pillow is cool on both sides for the rest of the year.
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Ok but the new girl looking so similar to Annie! Not even in a blink and you kiss it kind of way. Annie trying not to be visibly jealous or cocky about it. Oona refusing to acknowledge it because no she definitely didnât spend the last few years hoping that Annie would come back before she met this girl.
They end up being at the bar at the same time as Annie, and the new girl is oblivious to them seeking out the others eyes the whole time.
Annie leaves at the end of the week but refuses to sell the island because at the end of the day she still cherishes those memories. Oona being conflicted because she likes this girl but now she canât stop seeing the similarities.
I'm very doubtful I'll post the full almost 200k I've already written for them/this AU but this was the ask that sent me down the rabbit hole so I'll at least post this as a thank you to whoever sent it on Monday. This first chapter is 13k but I kept hitting post length limit to be able to do it in one go so I'm just going to post it in two halves on the same post. I'll reblog this same ask with the other 6k+ words.
Anyway...suffer with me.
---
By ten-thirty, Annieâs already made three mistakes. The first was coming here at all. The second was ordering tequila when sheâd eaten half a lobster roll and approximately six French fries since noon. The third is looking up when the door opens.
She recognizes Oona before she actually sees her. Some stupid, humiliating part of Annieâs nervous system would recognize that blonde head of curls in any crowd they dropped her into. Her shoulders tense. Her stomach turns over. The hand wrapped around her glass goes still.
Four years, and apparently her body remains a fucking traitor.
The bar is crowded in the loose, sweaty way Sterling Point gets crowded at during summer. Open windows. Damp skin. People carrying drinks between tables because nobody has respected the fire code here since the Clinton administration. Someone has dragged two speakers onto the back deck, where the music is loud enough to rattle glasses against tabletops. The floorboards are sticky. Half the people inside look like they came straight off greasing boat engines and the other half look like they own those boats.
Annie told herself she wanted one drink. A normal drink. In a normal bar. Around normal people. Proof that she could come back to the island without every square inch of it reaching inside her rib cage and squeezing.
Then Oona walks in. And she isnât alone. The woman beside her is beautiful. That registers first. Then Annie gets a better look and nearly chokes on her tequila.
âOh, youâve got to be fucking kidding me.â
Ellis looks over from the stool beside her. âWhat?â
Annie doesnât answer.
The girl is brunette. Thatâs the first problem. Dark curls, enormous brown eyes, pale skin burnished gold from the beginning of summer, strong brows and delicate features arranged with a familiarity Annie finds immediately offensive. From across the room thereâs something distressingly recognizable about the architecture of her face, although Annie canât decide whether the woman actually resembles her or whether sheâs simply developed a debilitating case of narcissism in the last ten seconds.
Ellis follows her stare.
âHave you met Tamsin yet?â
Tamsin. Even the name feels wrong.
âNo,â Annie says. âNo, I havenât met Tamsin.â
âSheâs the best. Youâre going to love her.â
Quite possibly the worst thing Ellis could have said.
âHey! Oona!â
Ellis lifts a hand.
Annie grabs for his wrist. âWhy would youâŚâ
Too late. Oona has already followed the familiar voice. Her gaze finds Ellis first, then moves naturally to the person beside him. And stops. Annie watches the moment happen.
Oona was laughing at something Tamsin said. The laugh remains on her face when she sees Annie, but something goes out of it. Thereâs a microscopic pause, a hitch so brief nobody else would bother attaching meaning to it. Nobody but Annie. She notices.
Sheâs spent four years trying to forget every expression Oona has ever made. Apparently sheâs preserved them instead.
Oonaâs gaze drops briefly to the glass in Annieâs hand. Then lower. And this time it stays there.
Annie had changed before coming out tonight for absolutely no reason whatsoever. Thatâs the story sheâs telling herself, anyway. The stark white dress had been buried beneath the appropriate clothes sheâd packed for a week on an island. Itâs long and narrow and cut close through her body, rising high at the throat before abandoning both shoulders completely. No sleeves. No unnecessary detail. Just one clean line of white jersey that leaves nowhere for the eye to go except Annie inside it.
Apparently Oonaâs eye gets the memo. Her gaze travels down the dress before she can stop herself. Slowly enough that Annie catches it. Slowly enough that Oona knows Annie catches it. Something small and vicious uncurls inside Annie. Oona looks back up, and that fucking mouth curves into the smug little smile Annie has always hated. Or loved. Sheâs never been especially successful at telling the difference.
Annie takes a slow drink without looking away. Oonaâs smile deepens. Tamsin says something beside her. Oona turns, breaking eye contact. Annie hates her instantly. Tamsin, not Oona. Well. Both.
Oona starts toward them with Tamsin in tow, which gives Annie enough time to notice something else. Tamsin is wearing a black dress. A black halter dress. Annie blinks. No. Absolutely notâŚIt isnât the same dress. Annie can tell that much even from here. Hers is Louis Vuitton. Tamsinâs is decidedlyâŚnot. Hers is also shorter, ending above the knee where Annieâs falls long. Her neckline dips instead of climbing high against her throat. The fabric is different. The cut through the waist is softer.
Completely different. Obviously different. Except both dresses skim the body in the same spare line. Both leave the shoulders entirely bare. Both reduce the women wearing them to dark hair, pale skin and narrow silhouettes.
And the closer Tamsin gets, the worse the face situation becomes.
Annie turns very slowly toward Ellis. Heâs seen it too.
âOh,â he says.
Annie narrows her eyes. âOh?â
Ellis looks at her with an expression of strenuous innocence.
âYou just said âoh.ââ
âI didnât.â
âYou absolutely did.â
âI said nothing.â
âYou made a sound.â
âPeople make sounds.â
Ellis takes a drink just as Oona and Tamsin reach them. And Oona finally gets a proper look at Annie. That turns out to be a mistake.
From across the room, sheâd registered the obvious things. Dark hair. White dress. Bare shoulders. The fact that Annie Jacobson had apparently spent four years becoming even more offensively beautiful out of pure spite. Up close itâs worse. Seventeen is still hiding beneath the adulthood Annie has grown into. Itâs there if Oona knows where to look. And, unfortunately, Oona does know exactly where to look.
Annie has the same enormous brown eyes. Same ridiculous eyebrows. Same mouth that always seems half a second away from saying something clever and irritating. But Annie has sharpened somehow. The softness of adolescence has left her face. Her cheekbones sit higher. Her hair is longer. Thereâs a composure to her Oona doesnât remember, something polished and self-possessed that speaks of expensive education, impossible expectations and four years spent becoming exactly the woman Annie had always announced she intended to become. The woman Oona let her walk away to become. And here that woman is.
Oona steps toward Ellis.
âDidnât know you were coming out tonight.â
She hugs him, but her eyes remain on Annie over his shoulder.
âI wasnât planning to,â Ellis says. âAnnie dragged me out.â
Oona releases him. Her gaze makes the trip down Annieâs body once more before she can stop it. Annie notices. Of course she fucking notices. Something tiny and pleased touches one corner of her mouth. Oona and Annie stare each other down for a beat. Oona relents first.
âJacobson. Look at you. Slumming it with the rest of us mortals.â
Oona waits. Annie says nothing. That throws Oona for half a second, which is precisely long enough for Annie to enjoy it. Then Tamsin shifts beside her. Oona remembers she exists.
âThis is Tamsin.â Oona glances toward her. âBaby, this is Annie.â
Baby.
It never occurred to Annie that Oona might call anyone else that again. Objectively, she knows the word was neverâŚhers. Oona used it before Annie ever set foot on Sterling Point. Oona used it on everyone. Bartenders, old women, attractive customs officers, injured birds. It wasnât something sheâd invented for Annie.
But nearly a year of hearing it murmured against her ear, breathed into her hair, thrown across rooms when Oona wanted her attention had apparently convinced some deeply stupid part of Annie that possession laws applied. Apparently not.
âNice to meet you, Tamsin,â Annie says. âLovely name.â
âThank you.â Tamsin smiles. âI havenât seen you around before.â
âI just came once. Years ago.â Annie lets her eyes slide toward Oona. âStayed quite a while. Then I was kind of forced to leave for college. This is my first time back.â
âForcedââŚThe word detonates something inside Oona. Her jaw tightens so slightly nobody but Annie could see it. Which means Annie absolutely does. But before Oona can decide whether to take the bait, she takes in the scene before her and dry swallows.
She sees Tamsin standing beside Annie. Really sees them.
For fuckâs sake.
The resemblance is more than a little uncanny. Then she notices the dresses. Theyâre not the same dress. Oona knows because she isnât blind and because she very suddenly needs the distinction to matter. Theyâre completely different dresses on completely different women. Obviously. Except both skim the body in the same spare line. Both accentuate their bare shoulders. Both women look fantastic in them.
Standing beside each other, they donât look like sisters. That would be less humiliating. They look like somebody had been given Annie as a reference for Tamsin and instructed to make enough changes to survive the lawsuit.
Oona reaches for Tamsinâs hand. Grips it. Annieâs eyes move from Tamsin to Oona. Then back to Tamsin. She sees it. Oona watches her see it.
Annie looks back at her and thereâs that almost-smile again. Not enough to accuse her of anything. Just enough to make Oona understand that Annie Jacobson has arrived at the most unbearable possible conclusion and intends to privately enjoy it for the rest of the evening.
Absolutely fucking not.
Oona laughs and slips her arm around Tamsinâs waist.
âSheâs Ramonaâs sister.â Oona clarifies for Tamsin before placing a soft kiss on the side of her head.
Annieâs eyes drop to the arm. Only for a second. Oona feels the look as distinctly as if Annie had touched her. And because Oona is apparently an emotionally mature woman whoâs grown enormously in the past four years, she immediately settles her hand low against Tamsinâs hip. Just on the curve of her ass.
Annie looks back up. That does it. Barely. Most people wouldnât catch the change at all. Annieâs face remains composed, pleasant, perfectly civilized. But Oona remembers every version of that face. She knows exactly what Annie looks like when she wants to commit a felony.
âOh! Stanford, right?â Tamsin says. âYeah, I remember.â
Annieâs attention snaps to her. âWho mentioned that?â
âRamona. She talks about you all the time.â
âRight.â
Again, barely anything changes in Annieâs face. But Oona catches the microexpressions. The tiny recalibrations. The need to know whether Oona had been the one talking about Stanford. Whether Oona had said Annieâs name inside the house where they shared a bed. Whether Oona had ever admitted enough for Tamsin to understand what Annie had been to her.
Oona is drunk enough already to enjoy denying her the answer.
âT, baby.â She turns toward Tamsin. âDance with me.â
Then, because sheâs petty and apparently interested in setting fire to her own life, Oona leans in and presses a succession of soft kisses along Tamsinâs neck before taking her hand and pulling her toward the crowd.
It wipes the smugness clean off Annieâs face. Oona smiles at her success. And disappears into the bodies on the dance floor.
Ellis is left beside Annie, looking after them. Then at Annie. Then toward Tamsin. Then back at Annie. He wisely says nothing.
âHow long have they been together?â Annie asks without taking her eyes off the crowd.
âCouple years.â
Annieâs head whips towards him.
âA couple years?â
âOn and off at first. Pretty steady for most of it, though.â
âHmm.â
Ellis digests. Annie finds Oona through the crowd where she presses her body against Tamsinâs. Smiling. Kissing her. Annie fucking hates that smile. Sheâs thought about that smile at least three thousand times.
âIâm getting another drink.â She says it too quickly and is already walking before Ellis can answer.
It takes Oona perhaps ten seconds to notice. She looks toward the spot beside Ellis. Empty. Her stomach stupidly drops. Her eyes circle the room until she finds the slim white silhouette leaning against the bar.
âIâm getting us drinks,â Oona whispers into Tamsinâs ear.
Tamsin nods and steals one last kiss before letting her go.
Oona crosses the room.
Annie is waiting for the bartender to notice her when a familiar scent reaches her. Clean wood, smoke, something bright underneathâŚOonaâs cologne.
Annie turns. Oona is standing much too close. At five-eight, she gets to look down at Annieâs five-four with the sort of pleasure that has always made Annie want to kick her in the shin.
Annie lifts her chin. âDid they not give you a refresher on personal space during college orientation?â
âNever went to college.â Oonaâs mouth hooks at one corner. âCouldnât tell you what happens in orientation.â
Annie hums. There are perhaps twelve things she could say. She chooses none of them. They study each other instead.
Four years becomes a strange quantity from this distance. Impossible and irrelevant at once. Oona has new lines around her eyes when she smiles. Annie notices those. Oona notices the gold earrings Annie never used to wear. Annie notices a row of silver hoops in Oonaâs ear. Oona notices the faint scar near Annieâs chin she doesnât remember. Proof of lives and moments lived elsewhere. Away from each other.
Oona laughs softly.
âSomething funny?â Annie asks.
âNo.â
âYouâre smiling.â
âAm I?â
âYes.â
âMaybe Iâm happy to see you.â
Annie laughs once. Thereâs absolutely nothing amused about it.
âSure.â
She turns back toward the bar. Away from Oona. Oonaâs smile disappears. Four years. Sitting right between them. Oona opens her mouth, already feeling the argument theyâve been circling since Oona walked in here begin to gather shape.
Then a man slides into the space beside Annie.
âSorry,â he says to her. âWere you waiting?â
Annie turns.
Heâs handsome. Annoyingly so. Tall, dark-haired, broad through the shoulders, with the kind of jawline that suggests God occasionally gets bored and designs men for catalogues.
He nods toward the bartender. âIâve been trying to get his attention for ten minutes. Think he likes you better.â
Annie glances toward Oona. Finds Oona glaring at him. Interesting.
Annie smiles at the stranger. âMost people do.â
The man laughs. Oona does not.
âWhat are you drinking?â he asks.
âTequila.â
âDangerous.â
âI like a challenge.â
âThen let me give you one and find out.â
âWhatâs the challenge?â
âShow me how wild you can get.â
Oonaâs tongue presses briefly against the inside of her cheek. Annie sees it.
âChallege accepted.â
The bartender finally appears. The man orders four shots of tequila. Oona stands there. Neither of them acknowledges her. That, more than anything, is what grinds her gears the most.
For the first time since Oona walked into the bar, Annieâs full attention has shifted to someone else.
The man says something Annie doesnât catch. She laughs anyway. A proper laugh. Not the shallow thing sheâs been using all night.
Oona feels suddenly and irrationally furious with him. He hasnât done anything. Which somehow makes it worse. The shots arrive.
He lifts his glass toward Annie. âTo whatever terrible decision brought you here.â
They drink. Then Annie reaches for the second drink heâs bought her, turns back toward Oona and finally seems to remember she exists.
âOh.â Her eyes widen with vicious innocence. âWere you waiting for something?â
Oona stares at her. Annie stares back.
âYou dance?â The man whispers into Annieâs ear, completely not noticing Oona.
Annie looks at Oona one last time.
âTonight I do.â
Annie lets him take her hand. And walks away with two free drinks in her and a new dance partner.
Oona remains standing at the bar like a fucking idiot. For three full seconds. Then she orders six shots. She slams four before bringing the other two back to Tamsin.
From there, the night becomes an arms race.
Tamsin dances like somebody whoâs never once wondered what her body looks like from across a room. Loose. Happy. Unselfconscious. Oona moves around her with the lazy confidence Annie remembers with painful specificity, all long limbs and careless rhythm and that infuriating ability to look like she isnât trying when Annie knows exactly how much Oona enjoys being watched.
And Oona is being watched. By Annie. Thatâs the entire point. Oona knows it. So she gives Annie something to watch.
A hand around Tamsinâs waist. Her mouth against Tamsinâs ear. Tamsin laughing when Oona turns her beneath one arm and pulls her back in. Oonaâs cheek resting for a moment against Tamsinâs temple. Another drink. Another kiss. Another slow drag of her hands down Tamsinâs sides that would look perfectly ordinary to anyone who didnât know Oona was checking over her shoulder afterward.
Annie knows. Thatâs the problem. And Annie, never one to lose a competition nobody agreed they were having, retaliates.
The manâs name is Ben. At least thatâs what she thinks she heard. Heâs twenty-four, from Boston, staying with friends for the week, and blessed with the uncomplicated confidence of a guy whoâs never had reason to believe a beautiful woman accepting his drink might secretly be using him as artillery.
Heâs also easy to flirt with. Almost insultingly easy.
College has taught Annie many useful things. Econometrics. Behavioral finance. How to survive a full work day on two hours of sleep. How to sit through a four-hour seminar while violently hungover. How to look someone directly in the eye and make them believe sheâs fascinated by whatever theyâre saying while thinking about something (or someone) else entirely.
Ben buys her a cocktail. Then they do more shots.
Annie laughs too loudly at something that isnât that funny and lets her hand settle against his chest. Across the room, Oonaâs head turns just as Annie does.
Ben mistakes her touch for encouragement. His hand settles at Annieâs waist. She lets it. Oona drains the rest of her drink.
Annie catches it out of the corner of her eye and leans closer to Ben. Heâs saying something about Boston now. Or real estate. Or maybe his friendâs sailboat. Annie has lost the narrative almost completely about fifteen minutes ago. Doesnât matter. Heâs useful.
Oona dances harder. Annie can tell without looking directly at her. Oona does look directly at her. Tamsin has her back against her now, laughing, one arm lifted above her head while Oonaâs hands sit low on her hips. Oona says something into her ear. Tamsin smiles and turns her face toward Oona.
Oona kisses her. Then looks straight at Annie. Annie feels something vicious and childish bloom beautifully inside her.
Fine. Fire can fight fire.
Ben is in the middle of saying something uninteresting when Annie reaches up, takes him by the front of his shirt and kisses him. He makes a surprised sound before deciding, with admirable speed, to participate.
Annie closes her eyes. For perhaps two seconds. Then opens them. Finds Oona staring. Annie doesnât find jealousy. Itâs worse. Oona is almost wounded. Itâs gone so quickly Annie might have imagined it. Then Oona looks away. Annie smiles into Benâs mouth.
Across the room, Oona turns back to Tamsin and reaches blindly for someone elseâs drink. She doesnât know why the man bothers her more. Thatâs a lie. She knows exactly why.
Annie with women belongs to the same impossible, secret architecture Oona once inhabited. Something hidden. Something complicated. Something that had required Annie to make choices about herself and what she wanted.
Annie kissing this random hot man in a crowded bar looks easy. It looks like a life Oona could have no place in.
A husband one day, perhaps. Some insufferably perfect man with degrees framed on the wall and a mansion on a hill. Children with Annieâs eyes. Christmas cards. Careers. Dinner parties. All the clean, sensible architecture of a future Oona had convinced herself Annie deserved more than she deserved Oona. The thoughts arrive drunk and ugly and unwanted. Oona kills them with another shot.
//
By midnight, everybody involved is making excellent decisions. Excellently terrible, at least.
Oona is drinking like sheâs trying to erase Annie from the room molecule by molecule. Annie has decided that if Oona can turn Tamsin into performance art, she can absolutely do the same with a man whose name sheâs already forgotten.
They orbit each other without coming within five feet.
Oona sits on the railing with Tamsin between her knees. Annie leans back against Benâs chest while he says something near her ear. Oona kisses Tamsinâs shoulder. Annie lets Brent run his hand down her arm. Oona laughs too brightly. Annie takes another shot she doesnât need.
Every time Annie thinks Oona has finally stopped looking, she catches her. Every time Oona seems to decide sheâs finished participating, Annie touches Ben somewhere that drags her right back in.
Tamsin notices none of it. That makes Annie feel worse. Because seems Tamsin lovely. Annoyingly lovely. Sheâs funny without performing it. Easy with people. The kind of woman who greeted the bartender by name and thanked somebody for moving past her. Annie watches her laugh at something Ellis says and experiences the deeply inconvenient realization that thereâs absolutely nothing wrong with herâŚExcept her face. Her face remains unacceptable.
At some point Tamsin ends up beside Annie while Oona is getting drinks.
Up close, the resemblance is obscene. Not exact. Tamsinâs face is a little longer. Her mouth softer. There are faint freckles across her nose that Annie doesnât have. But Jesus Christ. Same eyes. Same brows. Even the same slightly oversized smile. And in these fucking dresses? Annie could sue.
âIâm glad you came back.â Tamsin offers with a genuine smile.
Something about that gets under Annieâs ribs.
âMe too.â
âAre you staying for long?â
Before she can answer, Oona appears beside them carrying drinks. She looks from Tamsin to Annie. And there it is again. The side-by-side comparison.
Annie sees Oona see it this time. Actually sees her brain spinning. Oonaâs eyes move from Tamsinâs black dress to Annieâs white one. From one head of dark curls to the other. From Tamsinâs face to Annieâs.
Annieâs mouth twitches. Oona eyes narrow.
âYou look concerned.â Annie declares sweetly.
âIâm not.â
âGood.â
âBrilliant.â
Tamsin looks between them. âDid you guys hang out a lot when Annie was here last time?â
âYes.â Annie responds.
âNot really.â Oona says simultaneously.
Silence. Then Tamsin laughs. Neither of them does.
Tamsin takes the drink from Oonaâs hand and kisses her cheek.
âThank you, babe.â
The moment breaks. Oona is staring directly at Annie over Tamsinâs shoulder.
Annie lifts her glass. Oona does the same. A private toast across three feet and four years.
Then Oona turns and kisses Tamsin. Not a chaste kiss. Not the absent, affectionate press of lips people give someone theyâve been dating long enough to stop thinking about it. A proper kiss. Oona slips one hand behind Tamsinâs neck and draws her in. Tamsin laughs into it, startled, then melts easily against her.
Oona glances toward Annie. Finds her staring. Their eyes meet. Annie doesnât look away. Neither does Oona. Then Oona puts both hands on Tamsinâs hips.
Annie laughs quietly until Ben appears at her shoulder.
âYou disappeared on me.â
Annie turns toward him. Something in Oonaâs face changes. Ben offers Annie another shot. She takes it.
âI was thinking of kissing you again.â
Annie feels Oonaâs eyes on her. It would be so easy not to stoop to Oonaâs level. She does anyway.
Annie cups Benâs face this time and kisses him hard enough to make him stumble half a step.
The effect on Oona is immediate. Her entire face empties. No anger. No smirk. Nothing. That frightens Annie more than anger would have. Oona stares for one second too long. Then turns away.
âCome on,â she says to Tamsin.
Tamsin blinks. âWhere?â
âHome.â
âAlready?â
âYeah.â
Oona doesnât wait for agreement. She finishes whatever is left in her glass, takes Tamsinâs hand and starts for the door.
By this point, Ellis had abandoned every attempt to participate socially and sits at the bar watching the four of them like heâs accidentally been seated at the most confusing tennis match in human history.
Annie catches him staring and immediately returns her attention to Ben.
Ellisâs eyes track toward Oona. Then Ben. Then Annie. Then Tamsin. His brow furrows.
Annie sees the machinery beginning to turn. Slowly. Very slowly.
Before it can arrive anywhere useful, Oona reaches the door.
Annie feels Oonaâs body brush against hers without saying a word. Feels the pause. She turns. Oona stands beside Tamsin with one hand wrapped around hers. For half a heartbeat neither woman moves. Oona looks wrecked. Not dramatically. But in a way nobody else would see. Annie does.
Then Oonaâs face closes. Starts speaking a language Annie hasnât learned. One Annie canât decipher. She catches Tamsin around the waist, pulls her in for one last kiss and drags her through the door. The door slams shut behind them.
Annie turns back to Ben. He smiles.
âSo. Your place or mine?â
âNo.â
His brow furrows, confused. âWhat?â
âIâm going home.â
Annie reaches for her bag. Ben looks genuinely baffled.
âBut I thoughtâŚâ
âYeah. Sorry.â
âYou okay?â
âPerfect.â
She kisses his cheek, which somehow feels crueler than not kissing him at all.
âGoodnight, Ben.â
âItâs Brent.â
Annie closes her eyes.
Of course it is.
âRight. Sorry.â
She walks away before he can answer.
Ellis catches up with her halfway down the road.
âAnnie.â She keeps walking. âAnnie.â
âWhat?â
âWhere are you going?â
âHome.â
âYouâre going the wrong way.â
She stops. Looks around. Turns a hundred and eighty degrees. Starts walking again. Ellis follows.
âThank you.â
âYouâre really fucking drunk.â
âIâm fine.â
âYou were walking toward Toronto.â
âI knew where I was.â
âYou absolutely didnât.â
They walk in silence for a while.
Sterling Point is quieter away from the bar. The music recedes behind them until all that remains is insects, water, the occasional clink of rigging from the marina ahead. The night air is cooler than Annie expected. She folds her arms over herself.
Ellis glances at her.
âYou havenât changed.â
Annie laughs.
âIâve changed a lot.â
âYouâve at least gotten meaner.â
âStanford does that.â
âSo you liked it?â
âLoved it.â
âYeah?â
âI loved it a lot.â This time her smile is real. âBest years of my life.â
Ellis looks at her. Thereâs no bitterness in the answer. No performance. That matters more than Annie wants it to.
âWhat was your major again?â
âEconomics. Double major actuallyâŚEconomics and public policy.â
âOverachiever.â
Ellis smiles.
For one brief moment, something old returns. Easy. Familiar. A version of them Annie hasnât let herself think about because thinking about one person from Sterling Point inevitably led to the one she was avoiding.
Ellis shoves his hands into his pockets.
âYou couldâve called, you know.â
Annie turns away. Looks ahead.
âI know.â
âConnor did.â
âThatâs shocking information.â She thinks about it. âAlthough he did really like you, so maybe not that shocking.â
âYou liked me.â
âI still like you.â
âCouldâve fooled me.â
âI was busy.â
Ellis nods. He doesnât push. That somehow makes it worse.
They reach the marina. Annie slows. Her eyes sweep the slips automatically. Once. Again. Nothing.
âWhereâs Oonaâs boat?â She hates herself before the question even leaves her mouth.
âWhat do you mean?â
âHer boat isnât here.â Annie scans the slips again. âWhere is it?â
Ellis studies Annie as she looks toward the water.
âHer and Maple moved it farther down.â
âHow far?â
âA few miles.â
âWhy?â
âThey sort of have a house now.â
Annie turns.
âSort of?â
âNot theirs. This family from Manhattan bought that massive white place on the west side. Theyâre hardly ever there. Oona started looking after it a couple years ago. Property, boats, maintenance, all of that. Eventually they told her and Maple they could stay there whenever theyâre not using it.â
âAnd when they are?â
âOona and Maple move back onto the boat.â
âSo she lives there most of the year.â
âPretty much.â
Annie nods. Silence.
âDoes herâŚâ She stops. Ellis waits. Annie hates him for it. âThat girl. Does she live there? With them?â
âTamsin?â
âI know her name.â
âYou called her âthat girl.ââ
âDoes she?â
âSometimes.â
Annieâs stomach twists.
âSometimes.â
âShe stays over a lot.â
âHow much is a lot?â
âWhy do you care?â
âI donât. Iâm asking a question.â
âWhy?â
âBecause Iâm curious.â
âYou were never curious about anything just because.â She glares at him. He relents. âTamsin lives with her family in Port Haven.â
âHow far?â
âTwenty minutes by boat. Forty-five if the waterâs rough.â
âSo she doesnât live with Oona all the time.â
âI literally just said she doesnât.â
âBut she sleeps there.â
âSometimes.â
âTonight?â
âHow would I know that?â
But Annie knows. Annie already knows the answer. She watched them leave together. She looks away.
âForget it. Can you give me a ride to Oonaâs⌠Please?â
She starts walking down the marina. Ellis doesnât follow immediately.
âAnnie.â She keeps going. âAnnie.â
âWhat?â
Annie turns. Ellis is standing exactly where she left him. His expression is strange. Not amused. Not confused anymore either. Just processing. He studies Annie. Then the dark water. Then back to Annie.
âIt wasnât Ramona, was it?â Annieâs heart stops. She says nothing. Ellis takes one step toward her.âIt was youâŚAll these years.â
âI donât know what youâre talking about.â
âYou do.â
âI really donât.â
âOona.â
Annieâs jaw tightens. Ellis looks almost offended by the revelation.
âShe wasnât fucked up over Ramona.â His eyes widen as the entire history rearranges itself in his head. âShe was fucked up because of you. She was a disaster after you left.â Annie says nothing. Ellis stares at her. âWere you two together?âNothing. âWhile Ramona was in New York?â Silence. âAnnie, were you and Oona together?â
âLower your voice!â
âHow long?â
âNone of your business.â
âDoes Ramona know?â
âNo.â
âWowâŚYou dated the girl your sister was in love with.â
âRamona was gone.â
âThat doesnât make this any better.â
âWe werenât trying to hurt her.â
âHow long?â
âEllis.â
âHow long?â
Annie looks away.
âThat whole year.â
His mouth falls open.
âThat wholeâŚWhat happened? Whyâd it stop?â
âPeople break up.â
âNot like that. She wasâŚâ Annie goes still. Ellis stares at her. âYou left.â
Her face hardens immediately.
âI went to college.â
âYou did.â
âThen donât say it like that.â
Ellisâs expression shifts. The surprise leaves. Something more serious replaces it.
âShe was really bad for a long time, Annie.â Annie doesnât answer. âI mean really bad.â
âCouldnât have known.â She folds her arms tighter. âShe blocked me.â Ellis looks at her confused, silently pressing for more information. âInstagram. Everything. The day I went back.â
âYou two havenât spoken at all since then?â
âNot one wordâŚNot until this morning.â
Ellis holds her gaze. Then continues more quietly.
âWell, she was fucked up. Barely slept. Drank all the time. Sheâd disappear for days. Maple was scared to leave her alone for a while.â
Annieâs chest tightens. She tries not to let it show. Ellis sees anyway.
âThen she got betterâŚTamsin helped.â Annie looks down at the dock beneath her feet. âSheâs good for her.â
âGreat.â
âShe is.â
âGood.â
âTheyâre actually really fucking good together.â
âLove that for them.â
âAnnie.â
âWhat do you want me to say?â
âI just want you to leave her alone.â
Annie looks up. Ellis doesnât flinch.
âIf youâre going back toâŚwherever in a week, leave Oona alone.â
âI havenât decided what Iâm doing.â
âYou came here to sell the island.â
âI came here to decide whether to sell the island.â
âSheâs finally got something stable.â
Annie laughs once without humor.
âStable.â
âYes.â
âWith my stunt double.â Ellis starts to refute that statement. Annie cuts him off before he can. âShe looks exactly like me!â
âI wouldnât say âexactlyâ.â
âYou said âohâ when you saw us standing beside each other.â
âI didnât.â
Annie scoffs and turns toward the water.
âYouâre just as bad of a liar as you were back then.â
The alcohol is sitting hot and reckless behind Annieâs eyes now. She can still see Oona at the door. That face. The blankness when Annie kissed BenâŚBrentâŚwhatever his name was.
Four years of silence and Oona still knows precisely how to hurt her. Which means Annie still knows precisely how to do it back.
âTake me to her.â
âNo.â
âPlease.â
âAbsolutely not.â
âI need to talk to her.â
âYou need water and a bed.â
âNo.â
Annie starts toward the edge of the marina. Ellis grabs her arm. Pulls her back.
âWhere are you going?â
âTo Oonaâs.â
âYouâre not operating a boat.â
âThen you operate it.â Ellis shakes his head. Firm. âFine.â
Annie starts pulling off one shoe. Ellis stares at her.
âWhat the fuck are you doing?â
âSwimming over.â
âYou donât even know where the house is.â
âYou said west side and that they keep the boat there. Iâll swim until I see a giant house and Oonaâs boat.â
âThat would take hours.â
âThen drive me.â
âIâm not going to.â
Annie kicks off the second shoe. Ellis looks toward the sky as if there might be a god available for consultation. There isnât.
âWhy are you like this?â
âGenetics.â
âI know your family. That explanation doesnât work.â
âEllis, please.â
âNu uh.â
Annie steps closer.
âIâm going over there. You can either help me or not.â
âYouâre drunk.â
âYes.â
âAnd angry.â
âVery much so.â
âYouâre jealous.â
Annie points at him.
âCareful.â
âYou know I know Iâm right.â
âTake me.â
âWhat are you going to say when you get there?â
âI donât know.â
âGreat start.â
âIâll figure it out.â
âAnd if Tamsinâs there?â
Annieâs face goes still. Ellis waits.
âIâll be very, very quiet.â
He huffs a laugh.
âWouldnât make much difference anyway. She sleeps like sheâs dead.â
âWhat?â Ellis immediately realizes he shouldnât have said that. âWhat does that mean?â
âNothing.â
âEllis.â
âSheâs just a heavy sleeper. Forget I said anything.â
âHow heavy?â
âExtremelyâŚWeâve thrown crazy parties in that house that sheâs slept through.â
Annie bends and picks up her shoes.
âIâm jumping into that water in ten seconds if you arenât taking me. Ten..NineâŚâ
Ellis sighs deeply.
âI hate both of you.â
âYou love me.â
âI used to.â
That admission takes both of them aback. They glance at each other. Gloss right over it.
//
Twenty minutes later, theyâre cutting across black water. Ellis drives. Neither talks.
Annie sits at the bow with her knees pulled up, shoes beside her, dark hair whipping across her face as the boat slices through the night. The alcohol has moved past warmth and into dangerous clarity, that particular stage of drunkenness where every terrible idea begins to feel not only reasonable but morally necessary.
The island passes in fragments of darkness and expensive houses buried behind trees.
âThat one.â Ellis points ahead.
Annie sees it.
The house is, in fact, enormous. Modern. Mostly glass facing the water. A long dock extends into the cove. Oonaâs unmistakable boat is moored alongside it. No light burns through the trees save for the single porch light.
âTHAT is where she lives?â
âMost of the time.â
âJesus.â
âRich people.â
âDisgusting.â
âYou own the island the rich peopleâs house is built on.â
âThatâs different.â
Ellis laughs.
âHow?â
Annie has no answer. Ellis pulls alongside the dock. Annie is out before he finishes tying off.
âAnnie.â She keeps walking. âAnnie.â
âWhat?â
She turns. Ellis looks at her from the boat. For once thereâs no lightness in his face.
âDonât destroy her just because you finally figured out you miss her.â
The words feels like she got struck in the gut.
âIâve never not missed her.â
Ellis goes quiet. So does Annie.
At least one truth was spoken tonight.
Annie turns toward the house. Climbs the steps toward the house. Ellis mutters something behind her. She doesnât hear it. Her mind races with too much.
Four years of not calling. Four years of being blocked. Four years of deliberately choosing schools, internships, jobs, people, cities, anything that filled the space where Sterling Point and Oona used to be. Four years of convincing herself that missing someone and wanting them back were entirely different things.
Annie reaches the front door. Raises her fist. And pounds hard enough to wake the dead...
Okay...here's part 2. It picks up right where Part 1 ends.
---
Annie reaches the front door. Raises her fist. And pounds hard enough to wake the dead.
Once. Twice. Three times. She waits approximately half a second before doing it again, pauses long enough to consider whether sheâs perhaps crossed some invisible line between determined and deranged, then decides the distinction no longer matters and knocks some more.
A light snaps on inside. Footsteps rush down a staircase.
The alcohol in Annieâs blood seems to sober all at once. Her stomach plunges so violently she almost turns around. She could still leave. Ellis is sitting in the boat twenty yards away. She could walk back down the dock, climb in, blame tequila and temporary insanity, and spend the rest of her life wondering what wouldâve happened if sheâd stayed.
She considers it. Then the door opens.
Oona stands there barefoot in a T-shirt that hangs halfway down her thighs, blonde curls crushed wild on one side from sleep, eyes narrowed against the porch light.
For half a second, she looks eighteen again. Then she sees Annie. And wakes up. Neither of them moves.
Oonaâs gaze travels over her slowly. The white dress. The heels dangling from one hand. The hair that looked considerably better three hours and approximately ten drinks ago. Whatever drunken conviction got Annie all the way here begins evaporating beneath the inspection.
Oonaâs eyes return to her face. She then looks past Annie and spots Ellis idling beside the dock.
âHey.â Ellis lifts one hand.
âWhat the fuck are you doing here?â Oona presses.
âIâm apparently an Uber now.â
âYou can go,â Annie says.
Oona turns her attention back to her.
Ellis looks at Oona, then Annie, then back to Oona. Thereâs an entire silent conversation happening between the three of them that nobody seems interested in translating.
âRightâŚâ Ellis finally says. âWell. This feels healthy.â
âGo,â Annie repeats.
âYou can get yourself home?â
âYes.â
Oonaâs mouth twitches.
âGood luck.â
âFuck off.â Oona almost barks.
âYep.â
The engine growls. Ellis pulls away from the dock.
Annie watches until the boat disappears around the bend, mostly because it gives her another few seconds in which she doesnât have to look at Oona.
When she finally does, Oona is leaning against the doorframe. Staring at her. And that fucking smile is back. Small. Crooked. Infuriating.
âWhat are you smiling at?â
âIâm not smiling.â
âYou are.â
âI do that when Iâm tired.â
âThatâs bullshit.â
âYou wouldnât know.â
Annie cackles once, sharp and humorless.
âIâve seen you tired plenty of times.â
Oonaâs smile disappears. One sentence and suddenly theyâre both standing in another year. Annie glances past Oona before she can stop herself.
âLooking for someone?â
âIs she here?â
âWho? Maple?â
âDonât play dumb.â
âIâm half asleep, love. Youâll have to narrow it down.â
âThe girl whose tongue was in your mouth an hour ago.â
Oonaâs eyebrows lift.
âOh. Her.â
Annie wants to kill her.
âYes. Her.â
âWhat about her?â
âIs she here?â
Oona studies Annie for a moment. Really studies her. Then something quietly vicious enters her expression.
âYou came all the way across the water at two in the morning to ask whether my girlfriendâs home?â
Girlfriend. The word lands exactly where Oona intended it to. Annieâs jaw tightens.
âYour âgirlfriendâ? Didnât have you down as the domestication type.â
Oona tilts her head. âYou had me domesticated for the better part of a year.â
âPlease. You were always feral.â
âYou seemed to like me feral.â
Annieâs mouth goes dry. Oona smiles.
âWhat the fuck is so funny?â
âYou. Standing on my doorstep pissed out of your mind, asking whether my girlfriendâs in my bed.â
Neither moves. A long second passes in which Annie becomes acutely aware that she has no reason to be here she could offer without humiliating herself.
âThis was stupid.â
She turns. Oona catches her arm. Every nerve in Annieâs body fires at once. She looks down at Oonaâs hand. Oona lets go immediately.
âYouâve never done anything stupid in your life.â
âThanks.â
âWasnât really compliment.â Annie glues her eyes to hers. Oona steps outside, easing the door shut behind her. âSo why start now? Why come here at two in the morning, knock like the bloody police, interrogate me about where my girlfriend sleeps, then disappear because youâve suddenly remembered you donât belong here?â
âI donât belong here.â The answer comes much too quickly. Oona goes still. Annie feels the regret almost before the words have finished leaving her mouth. âNever have,â she adds, because apparently when Annie begins digging a hole she believes in seeing the project through.
Oona looks at her for a long moment.
âNoâŚSuppose you donât.â Oona adds softly.
That hurts far more than Annie was prepared for. Oona turns and starts toward the side of the house.
âCome on.â
âWhere?â
âSomewhere you can continue this crashout without waking everyone.â
âI thought she sleeps like sheâs dead.â
Oona stops. Turns slowly.
âHow would you know that?â
Annie realizes her mistake.
âEllis.â
âEllis told you how my girlfriend sleeps?â
Thereâs something almost impressive about Oonaâs ability to make the word âgirlfriendâ more irritating each time she uses it.
âHe mentioned it.â
âWhen?â
âOn the way here.â
âWhat were you asking Ellis on the way here?â
âNothing specific.â Oona squints, disbelieving. âI just asked where you lived.â
âWhy?â
âBecause I wanted to talk to you.â
âSo you asked where I lived.â Annie shrugs. âWhether Tamsin lived with me.â Annie says nothing. âAnd apparently whether she could sleep through you turning up in the middle of the night.â
âHe volunteered that part.â
âDid he?â
âYes.â
âChrist. Poor Ellis.â
âWhy?â
âHeâs still getting unknowingly dragged into our shit.â
Our. Annie catches it. So does Oona. Oona starts walking again before it can be discussed. Annie follows.
âWhy are you making this weird?â
Oona actually laughs. âMe?â
âYes. You are.â
âYou show up here absolutely off your shit after spending the entire night practically mounting some bloke directly in my eyeline and Iâm the one making things strange?â
âI wasnât âmountingâ him.â
âCouldâve bloody fooled me.â
âWhy were you looking?â
Oonaâs mouth shuts. Annie smiles. Point to Annie.
âI was in the same room.â
âYou seemed busy.â
âI managed to multitask.â
âMaybe you shouldâve devoted more attention to your girlfriend.â
Oona stops so abruptly Annie nearly walks into her. Something shifts. Hideous. Hot. Treacherous enough that both women recognize it immediately.
âCareful.â
âWith what?â
âThat thing youâve been doing since I walked into the bar.â
âUse your words, Oona.â
Oona stares at her. For one second Annie thinks she might. Instead Oona huffs through her nose and turns away.
âStill fucking impossible.â
Theyâve reached the water now. The house rises behind them in dark planes of glass and cedar, absurdly expensive and entirely asleep. A broad deck stretches along the shoreline. Outdoor furniture sits around a firepit no one seems to have touched in months, silvered by moonlight.
Oona drops onto the edge of a lounger. Annie remains standing. Oona looks up at her.
âWhy are you here?â
âI told you. I wanted to talk to you.â
âSo talk.â
Annie opens her mouth. Nothing comes out. Oona waits. Annie hates her for waiting.
âMy brother wants to sell the island again.â Oona doesnât react at first. Annie keeps going. âI think he can get Ramona to agree.â Something changes in Oonaâs face. âIâll probably say yes.â
The bomb lands between them. Oona nods once.
âAppreciate the heads up.â
âConnor wants the money.â
âOkay.â
âHe wants to start a company.â
âUnderstood.â
âIt doesnât make sense for us to keep it.â
âThen donât.â
Annie frowns. âThatâs it?â
Oona looks at her. âWhat response were you hoping for?â
âI wasnât hoping for anything.â
âBullshit.â
âIâm telling you whatâs happening.â
âAnd Iâm saying sell it.â
Annie stares.
Oona spreads her hands. âWhat?â
âYou donât care.â
âAbout your real estate portfolio? Not particularly, no.â
âThe island.â
âThe island isnât mine.â
âYou live here.â
âIâll survive.â
âYou love this place.â
âAnd?â
âAnd somebody else could own all of it.â
âBaby, somebody else owned all of it before you.â
âThatâs not what I mean.â
âWhat do you mean?â
âI donât fucking know.â
âThatâs becoming a theme tonight.â
âYouâre being deliberately obtuse.â
âAnd you came all the way over here to tell me something you couldâve sent in a DM.â
Oonaâs eyes sharpen. Annie looks away.
Four years. Four fucking years, and this is what she gets.
Sheâd imagined seeing Oona again so often that some of the fantasies had acquired the texture of memory. Oona running toward her on the dock. Oona refusing to look at her. Oona slapping her. Oona kissing her. Oona fucking her senseless against the cabin wall. Oona marrying her. Oona gone completely. Oona exactly the same. Oona completely different. Oona standing within armâs reach with another woman asleep in her bed. Never this.
âCouldnât have DMâd you, actually. You blocked me.â
âWhat?â Oonaâs brow furrows.
âOn Instagram. You blocked me.â
âFour years ago.â Oona adds matter of factly.
âI know when.â
âThen why are you bringing it up like I did it Tuesday?â
âYou blocked me the day I left.â
âYeah.â
âWhy?â
Oona looks at her as if Annie has just asked why rain is wet.
âAre you serious?â
âYes.â
âYou left.â
âI went to college.â
âYou left!â
âI got into Stanford.â
âCongratulations.â
âWas I supposed to not go?â
âI never asked you not to.â
âNo...â Annie laughs bitterly. âYou made very fucking sure of that.â
Oonaâs fists tighten and loosen. Annie sees it. She keeps going because sheâs drunk enough that stopping no longer feels possible.
âYou acted like you didnât care.â Annie presses.
âI didnât act like shit.â
âYou barely spoke to me that last week.â
âBecause weâd broken up.â
âThatâs some lovely revisionism.â
âOh, is it?â
âYOU broke up with ME.â Annie spits out with venom.
âWe were sneaking around behind your sisterâs back.â
âI didnât care.â
âWell, I did.â
âNo. You got scared.â
Oona lets out a sharp laugh. âFuck you.â
âYou did.â
âYou were leaving.â
âNot if youâd asked me not to.â Silence. Oonaâs face empties. Annie hears the sentence after she says it. Really hears it. But thereâs no taking it back now. âAll you had to do was ask.â Oona stares at her. Annieâs voice lowers. âI wouldâve stayed.â
Oona laughs once.
âJesus Christ. You really believe that.â
âI know it.â
âYouâd have thrown Stanford away because I asked nicely?â
âI wouldâve at least deferred.â
âWhy would you ever do that?â
âFor you.â
âFor how long?â
âI donât know.â
âExactly.â
âThat doesnât meanâŚâ
âNo, baby. Thatâs the entire fucking point.â Oona stands. Theyâre nearly chest to chest now. âYou wanted me to ask you to stay because then Iâd be the reason you didnât go.â
âI wanted you to want me enough to be selfish one time.â
âI loved you enough not to be.â Something fractures across Oonaâs face.
âThatâs convenient.â Annieâs eyes burn as she says it.
âConvenient?â
âYou get to call it love because that makes abandoning the whole thing sound noble.â
âAbandoningâŚAbandoning.â
âYou didnât fight for us.â
âWhat the fuck are you talking about? I was eighteen years old.â
âSo was I.â
âYou had Stanford. A whole lifeâŚâ
âAnd I wanted you.â
âNo.â Oonaâs voice sharpens. âYou wanted the illusion of choice. Thereâs a difference.â
âSo you made the choice for me.â
âSomeone had to.â
âThat wasnât your fucking decision.â
âApparently my job was to beg an eighteen-year-old girl to torch everything sheâd spent her entire life working for so I could feel chosen.â
âYou were chosen.â
âI was never going to be.â
Annie recoils. Oona sees it and immediately regrets the cruelty. Doesnât apologize. Neither of them has enough pride left for kindness but far too much for mercy.
âYou had your internships,â Oona continues, quieter now. âYour plans. Your fucking ten-year roadmap for becoming president of the universe. You had a life that was moving. I had a shitty boat and likeâŚfifteen bucks to my name.â
âYou couldâve been part of mine.â
The sentence drops between them with almost no volume at all. It still manages to silence the entire night. Oona looks away first.
âNo.â
âWhy?â
âBecause that isnât me.â
âYou donât know that.â
âI know exactly who I am.â
âWe had time.â
âTo what?â
âFigure it out.â
âFrom California?â
âYes.â
âWith you at your fancy school and me here?â
âPeople do it.â
âPeople do loads of things. Doesnât mean they survive them.â
âWe never got to find out.â
Oona turns back.
âThatâs what youâre angry about?â
âIâm angry because somehow I was old enough to know I loved you, but you decided neither of us was old enough to know whether it could work.â
Oonaâs head snaps toward her.
âYou donât get to say that.â
âWhy?â
âBecause you left.â
âI went to fucking college!â
âAnd never came back!â That one stings. Annie goes still. Oonaâs anger doesnât. âChristmas. Summers. Easter. Long weekends. Four whole fucking years, Annie.â
âI was busy.â
âYeah.â Oona laughs quietly. âI know. So busy, baby. The most important woman on Earth. Couldnât possibly take a weekend.â
âStop acting like you know what my life was.â
âIâm not.â
âYou are.â
Oona looks directly at her.
âNoâŚIâm acting like you couldâve called.â
âYou blocked me.â Annie doubles down.
âPhone numbers still work.â
âYou changed yours.â That stops Oona. She frowns. âI called.â Something shifts in Oonaâs face. Annie presses on. âSome man answered. Really nice guy, actually. Said heâd just been given the number.â
âYou called me?â
âYes.â
âWhen?â
âDoes it matter?â
âYesâŚWhen?â Oona repeats, more firm this time.
âThree weeks after I left.â
âI didnât know.â
âObviously.â
âYou couldâve asked Ellis.â
âI wasnât asking Ellis for your number.â
âRamona.â
âDefinitely not asking my sister for the number of the girl she was also in love with.â
âWhy the fuck not?â
âBecause you fucking blocked me!â
Annieâs voice carries across the water. Both women stop. Oona looks toward the house. No lights. Nothing. When she turns back, Annie is laughing. She doesnât know why. Maybe because this is insane. Maybe because sheâs twenty-two and standing beside a Canadian lake arguing with the first person who broke her heart about Instagram etiquette like any of this was ever about Instagram.
âI remember Iâd had the shittiest day. It was so bad. I thought about quitting every second of that first month. I just wanted to come back. I needed to hear your voice. So I swallowed my pride and I calledâŚand you changed your number.â
Oona begins laughing too. Quietly at first. Then helplessly.
âGod,â she says, rubbing one hand over her face. âWeâre fucking pathetic.â
âYouâre pathetic.â
âYou came here.â
âYou kissed her like you were trying to climb inside her mouth.â
Oonaâs smile disappears. Then she says, âAnd you noticed.â
Annie rolls her eyes.
âYou made sure I noticed.â
âMaybe.â
Thereâs the smirk again. God, Annie hates that smirk.
âAsshole.â
âYou started it.â
âI walked into a bar.â
âYou walked into MY bar looking like that.â
âLike what?â Oonaâs eyes move over her. Slower this time. Annieâs breath catches. Oona notices that too. âDonât look at me like Iâm one of the random women you pick up when youâre bored.â
Oonaâs gaze lifts to hers.
âYou never were.â The answer is so immediate Annie has nothing ready for it. Oona smiles faintly. âBesides, you liked me looking.â
âMaybe four years ago.â
âDidnât seem like that tonight.â
Annie steps closer. âSo you were watching me.â
âEveryone was watching.â
âNot what I asked.â
âYou always this needy now?â
âYou always this full of shit?â
âOnly around you, baby.â
Theyâre too close. Both know it. Neither moves. Annie can smell alcohol on Oonaâs breath. Soap. Lake water. The woody night cologne Oona sprays on right before bed that she remembers with humiliating accuracy. Oona looks at her mouth. Annie sees it happen. Her entire body tightens.
âYouâre dating the discount store version of me.â
Oona bursts out laughing. Annie shoves her.
âFuck you.â
Oona catches her wrist. And doesnât let go. The laughter disappears. Everything does. Annie looks at Oonaâs hand around her wrist. Then up. Oonaâs thumb moves once over the inside of Annieâs skin. Infinitesimal. Almost nothing. Annie feels it everywhere.
The word comes out differently this time. Not flirtation. Warning. Annie feels her knees threaten to buckle anyway.
âTell me to leave.â
Oona gapes into her eyes. âGo home.â
Annie doesnât move.
âThat wasnât convincing.â
âIâm not performing for you.â
Annie laughs.
âBut you put on quite a show for me tonight.â
Oonaâs jaw flexes. She looks at the water. Annie steps closer again. Close enough that her toes touch Oonaâs bare feet.
âYou want me gone?â
âYes.â
âLook at me and say it.â
Oona doesâŚOr tries. Her eyes make it to Annieâs face and fail somewhere around her mouth. Annie sees the failure.
âGo,â Oona forces herself to whisper.
âNo.â
Oona looks back up.
âAnnie.â
âNo.â Annie repeats, more firmly.
âThis isnât funny.â
âIâm not laughing.â
âTamsin is inside.â
âThatâs been established.â
âShe loves me.â That lands differently than girlfriend. Annieâs face changes. âSheâs been good to me.â Annie nods. âShe hasnât done anything to deserve this.â Annie nods again. âIf I kiss you, Iâm cheating on someone who has never once done anything to let me down.â
Annieâs throat tightens. No alcohol to blame. No accident to hide behind. No pretending they wandered into something before either of them realized what it was. Oona has named the door. All Annie has to do is walk away from it.
âThen donât kiss me.â
Oonaâs expression shifts.
âYou stood in that bar half the night trying to make me jealous.â
Annie smiles. âClearly worked.â
Oonaâs mouth twitches despite herself. Then it disappears.
âThis is shittyâŚâ Annieâs eyes dart to Oonaâs lips then back to the green eyes staring at her. âYouâll leave.â
Annie doesnât answer. But thatâs it. The real reason theyâre in this position. Oona laughs once, devastated.
âSee? You canât even deny it.â
âThat doesnât mean I want this less.â
âMakes it worse.â
âI know.â
âYou always know everything, donât you?â
âNo.â Annieâs voice falls several octaves. âBut I know Iâve thought about you since the day I left. I know I came back and saw you with someone else and hated her before she even spoke.â She swallows. âI know exactly who she is. I know exactly what this makes me.â Oona doesnât move. Annie leans into the last inch between them. âAnd Iâm still standing here.â
Something breaks behind Oonaâs eyes.
âIâm standing here too.â
The last excuse dies. Oonaâs grip on her restraint loosens.
For one second they simply stand there, four years reduced to the distance between two bodies that have spent an entire night pretending not to remember each other.
âI fucking hate you,â Oona whispers.
âI hate you too.â Annie retorts while shaking her head.
Oona looks at her. That stupid smile appears. Tiny. Mischievous.
âYou donât.â
âNu-uh.â
âI donât hate you either.â
Annie kisses her. Or Oona kisses Annie. Neither could say later. Maybe thatâs another lie theyâll tell themselves.
It happens too fast to assign ownership. One second thereâs air between them and the next Annie has both hands buried in Oonaâs hair and Oona is pulling her in so hard Annie nearly loses her footing.
It isnât romantic. It isnât careful. It isnât anything like the versions Annie let herself remember. Itâs four years of anger and missing and jealousy and repression finally losing structural integrity.
Oona breaks away first.
âFuck.â Annie catches the front of her shirt. Oona pulls back another inch. âWe canât.â
âWe just did.â
âThatâs absolute bollocks, love.â
âYouâre still standing here.â
âSo are you.â
âWeâre terrible people.â
âSeems so.â
Neither moves. Annie looks at Oonaâs mouth. Oona looks at Annieâs.
âThat should bother me more,â Annie whispers.
âIt will once the sunâs up.â
âMight not.â
Oona gives her one last chance.
âGo.â
Annie kisses her again instead.
After that, whatever argument remained doesnât survive very long. They stumble farther down the deck, away from the house, colliding with furniture and shushing each other between badly suppressed laughter that keeps collapsing back into kissing. Itâs graceless in places. Annieâs heel catches between two boards. Oona bangs her hip against the edge of a table and swears directly into Annieâs mouth.
âYouâre still an asshole,â Annie whispers as Oona struggles with the zipper at the back of her dress.
âYou crossed open water to tell me that?â
Annie nods.
âAnd to tell you you talk too much.â
âSo shut me up.â
Annie does.
Oonaâs hands find her again with the confidence Annie remembers and the hesitation she doesnât. That contradiction undoes her more than anything else. Oona remembers where to touch, how to tease, exactly where Annieâs body betrays her, but every so often her hands pause as though asking permission from the woman Annie became while she was gone.
Annie gives it. Again. Again. Again. Oonaâs mouth finds the spot beneath Annieâs ear that used to make her lose her mind. Annieâs breath catches. Oona smiles against her skin.
âSame as everâŚâ
âDonât be smug.â
âBit late for that.â
Annie catches Oona by the face and kisses her hard enough that Oona stumbles backward. Oona laughs into her mouth. For one stupid, dangerous second, Annie laughs too. And there they are. Not twenty-two. Not women whoâve spent years becoming strangers.
Eighteen again. Sneaking around, having insane amounts of sex in empty rooms. Annie with one hand clamped over Oonaâs mouth because Oona always found the exact wrong moment to make her laugh. Or come. Or laugh while she was coming. Oona grinning against Annieâs palm because being nearly discovered had apparently been one of her favorite hobbies.
Then Oona looks at her. Really looks. The laughter dies. Her hand rises and pushes a strand of hair away from Annieâs face. Itâs such a gentle touch that Annie almost recoils. Tenderness is more dangerous than hunger. Hunger can be blamed on tequila. Jealousy. Memory. Years without touching the person your body still insists it belongs to. This cannot.
A hundred questions crowd Annieâs throat. Did you miss me? Did you hate me? Did you compare everyone to me? Does she know? Would you have come if I called? Would you come now?
She kisses Oona before any of them escape. Oona reciprocates immediately. Desperately. Good. This Annie can survive.
âI hate this fucking dress.â Oona grows increasingly frustrated with the zipper.
âYou liked it at the bar.â
âI liked taking it off you in my head.â
Annie stops. Oona does too. Their eyes meet.
âYou thought about that?â
The question is quieter than Annie intends. Oona studies her.
âHard not to think about you without clothes on, baby.â
The joke is there. Barely. Something far more honest sits beneath it. Annie reaches for the knot at Oonaâs waist. Her fingers fail twice.
âJesus Christ.â
Oona laughs softly against her mouth.
âStanford education and youâre being defeated by string.â
âShut. Up.â
The knot eventually loses. So does everything else.
Years of carefully constructed distance begin coming apart in pieces. Clothes abandoned somewhere behind them. Shoes forgotten in the dark. Oonaâs fingers tangled in Annieâs hair. Annieâs mouth pressed against Oonaâs shoulder because suddenly sheâs frightened of what she might say if she lets herself breathe properly.
Their bodies remember each other with an efficiency that feels almost cruel. Every old instinct returns. Every shift in breathing. Every minuscule involuntary response that once served as its own private language between them.
There are changes too. That hurts. Annie discovers new reactions she doesnât remember. Places Oona has learned to like being touched while Annie was somewhere else. The realization passes through her with distinct dissatisfaction. Because someone else discovered these things. Someone else learned these things. Someone upstairs knows them better.
Oona feels Annie tense. Her mouth curves.
âI can feel you thinking about her.â
âFuck you.â
âI believe thatâs whatâs happening.â Oona adds with a soft chuckle.
Annie bites Oonaâs lip. The smile disappears.
âStill funny?â
âNo.â
After that, thereâs considerably less talking. They find one of the enormous loungers eventually, or fall into it. Annie isnât entirely certain. A big cushion slides free and lands on the deck with a thud.
Both women freeze. They listen. Nothing from the house. Oonaâs shoulders begin shaking with silent laughter. Annie clamps a hand over her mouth.
âDo you ever actually justâŚshut up?â
Oona kisses Annieâs palm. The gesture hits somewhere Annie isnât prepared for. She pulls her hand away. Oona frowns. Doesnât ask. For once, she lets Annie have the escape.
Then theyâre kissing again. Slower now. The alcohol and adrenaline have begun burning away, leaving something infinitely more dangerous behind. Recognition.
Annieâs fingers slide into Oonaâs curls. Oona closes her eyes. Annie remembers how Oona used to love this. She used to lie beside Oona after sex and trace lazy circles over her scalp until the blonde fell asleep. Oona denied enjoying it with almost religious commitment during daylight, then somehow managed to place her head in Annieâs lap again every night.
Annieâs fingers stop. Oona opens her eyes. There are years inside this silence. Other beds. Other mouths. Other hands. Other people asking what they wanted and neither woman knowing how to explain that what they wanted was impossibly specific. Someone thousands of miles away. Someone who hadnât called. Someone who had blocked them on fucking Instagram.
Oona touches Annieâs cheek. Annie leans into it before she can stop herself. And whatever morsel of composure remained vanished.
Theyâre less frantic now yet somehow more desperate. The performance is gone. The bar is gone. Tamsin isnât gone, not really, and that knowledge sits at the edge of everything they do, but neither woman allows it enough oxygen to stop them. They chose this already. Thatâs the ugliest part. And maybe the most honest. Oona kisses Annie like sheâs starving.
Not the playful Oona from the bar. Not the woman who spent half the night making sure Annie saw exactly how happy she is with someone else. This Oona is raw. Her hands tremble. Her breath catches whenever Annie pulls her closer. She keeps breaking the kiss long enough to look at her, as though some part of her still expects Annie to disappear if she closes her eyes for too long.
Annie canât stand it. She covers Oonaâs eyes with one hand.
âYouâre a creep.â
âFour years, baby.â Oona catches her wrist and lowers Annieâs hand. âIâm fucking looking.â
Annie kisses her to shut her up. Oona makes a sound into her mouth. Too loud. They freeze. Oonaâs eyes widen. Annie clamps a hand over her mouth. For half a second they stare at each other. Then Oona begins laughing beneath Annieâs palm.
âYouâre unbelievable.â Annie offers, fake annoyed. âIf she wakes up, Iâm leaving you here to explain this.â
Oona pulls Annieâs hand down far enough to whisper, âI could easily explain why Iâm naked on the patio. Gets rather more complicated when they ask why YOU are also naked on the patio.â
Annie gives her a look. Oonaâs grin turns feral. Then she does.
Not carefully. Not elegantly. Nothing about this is elegant. Theyâre intoxicated and jealous and furious and so hungry for each other that every touch seems to trip over the next one. Each remembers precisely which small things can make the other lose composure and the absurd necessity of keeping quiet turns it into another contest neither of them has admitted theyâre having.
A muffled laugh. A bitten shoulder. Annieâs hand over Oonaâs mouth. Oona returning the favor seconds later with unbearable satisfaction. Annie has never found anyone more attractive.
The humor eventually burns off too. Everything does. They fall completely into muscle memory. And Annie feels the realization happen in real time. Oona slows. Watches her face. Annie pulls her down and kisses her again, but thereâs nowhere left to hide inside it. Every movement has become familiar. Every breath. Every tiny involuntary reaction. Oona still knows when Annie is pretending something isnât affecting her. Annie remembers the precise moment Oonaâs confidence becomes performance because sheâs losing control. They learned each other when they were barely adults. Apparently their bodies kept the notes.
Oonaâs forehead drops against Annieâs. Annie runs one hand down her back. Oona closes her eyes. Her voice drops to almost nothing.
Annie stops breathing. Oona seems to realize what she said at the exact same moment. She doesnât takes it back. Annie touches her face.
âI know.â
Itâs perhaps the cruelest answer she could give.
Oona laughs once. âCourse you fucking do.â
Oona looks away. Annie catches her chin. Turns her face back. Forces Oona to look at her.
âYou couldnât have possibly missed me more than I missed you.â Annieâs thumb moves over her cheek. âCouldnât have.â
Oona kisses her before the final word has completely left her mouth. After that, time seem to collapse all at once. Not disappear. Nothing so merciful. A complete disintegration. All that distance becoming weight instead.
They keep finding each other and remembering each other at the same time. What hasnât changed. What has. The things neither forgot. The things they resent having missed.
And somewhere inside all of it, without saying so, both women stop pretending this is merely sex. That makes it worse. That makes it impossible to stop.
//
By the time they finally lie still, theyâre tangled together on the oversized lounger overlooking the water, half the cushions on the deck and the first trace of morning beginning to bleach the horizon.
Annieâs head rests against Oonaâs chest. Oonaâs fingers move lazily through her hair. No words are necessary. They should stop now. Get dressed. Get Annie home. Decide they were drunk, lonely, furious and temporarily out of their minds. Build a neat little lie around the whole thing and live inside it. That would be the sane thing.
Instead Annie lifts her head. Oona looks down. And that exasperating lopsided smile slowly returns. Annie kisses her. Apparently theyâre not finished. Not even close.
//
When Annie starts to come to, sheâs freezing. Her head hurts. Her mouth tastes like death. Thereâs a bird screaming somewhere nearby and she immediately decides she hates Canada.
She opens her eyes. Looks around. Water. Sky. Oona. TreesâŚBacktracks. Oona?
Oh.
FuckâŚ
Oona is asleep beside her, curled against the back of the lounger with one arm stretched across Annieâs stomach.
Annie stares at the arm. Then Oona. Then the house.
âOh, fuck.â She says it alound this time.
Oona doesnât move. Annie elbows her.
âOona.â Nothing. âOona.â A groan. âOona, fucking wake up.â
âNo.â
âYour girlfriend.â
Oonaâs eyes open. Instantly awake.
âOh, fuck. What time is it?â
Annie searches for her phone and finds it under the lounger.
âSix forty-three.â
Oona sits up so quickly she nearly falls off.
âFuck.â
Annie watches her gather herself. Hair destroyed. Underwear goes on twisted and backward. One bare foot searching for a sock that appears to have ceased existing sometime around three.
Despite everything, Annie smiles. Oona catches her. Annieâs smile widens. For one tiny second, Oona smiles back. Then reality returns. Oona looks toward the house. Annie does too.
âYou need to go.â
âI donât have a boat. Ellis drove me, remember?â
Oona closes her eyes. Groans.
âIâll take you back.â
âYou donât have to.â
âWhatâs the alternative? You swimming?â
âI could.â
âYouâd drown.â
âIâm a strong swimmer.â
âYouâre hungover and wearing a dress.â
âIâd take the dress off.â
Oona looks at her. Annie realizes what sheâs said approximately one second too late. Oonaâs mouth twitches.
âGet your mind out of the gutter for five seconds.â
âI didnât say anything.â
âYou were about to.â
âI was thinking it.â
âWorse.â
They dress as properly as circumstances allow. Neither talks much.
By the time they reach Oonaâs boat, the sky has fully brightened. Annie climbs in. Oona unties them. The engine starts and the house begins shrinking behind them.
For several minutes thereâs only water and engine noise.
Annie sits near the bow, watching Oona drive. Eventually she breaks the tense silence.
âAre we gonna talk about it?â
âNo.â
âOkay.â
Another minute.
âEver?â
âNo.â
âCool.â
âBrilliant.â
Annie looks toward the shoreline. Then back at Oona.
âAre you going to tell her?â
Oonaâs hands tighten on the wheel. Annie wishes she hadnât asked.
âNo.â The answer hurts in a way she didnât expect. Oona glances at her. âWhatâd you think Iâd say?â
âI donât know.â
âYou usually do.â
âNot today.â
Oona looks ahead again.
âShe doesnât deserve this.â
âNo.â
âSheâs been good to me.â
âSo Iâve heard.â
Oona winces at Annieâs tone.
âWell. Whatever you heard is true.â
Annie flinches. Oona sees it. Regrets it immediately. Doesnât verbalize it.
Annieâs cabin appears ahead. She stands before theyâre fully docked. Oona kills the engine. Annie steps onto the dock, then turns. Oona stays on the boat. There are maybe four feet between them. Feels like four years again.
âLast night wasâŚâ Oona starts.
Annie cuts her off. Doesnât need to actually hear it.
âObviously.â
âIâm serious about her.â
âOkay.â
Annieâs eyes rise to hers.
âAnd youâre leaving. So we canâtâŚâ
Oona looks at her. Annie looks back. Neither is remotely convincing. Finally Annie steps away.
âBye, Oona.â
She turns.
âAnnie.â
She stops. Looks back. Oona is staring at her with the same expression she wore the first day Annie arrived at Sterling Point aged seventeen. That same impossible confidence. Except Annie knows her now. Knows what lives underneath.
âWelcome home, baby.â
Oona smiles. Crooked. Soft. So fucking smug.
Annieâs heart stops. Oona reaches for the ignition.
âDonât go.â
Oonaâs hand stops. Annie doesnât move. Oona looks at her. Annie swallows.
âI wish youâd said that to me back thenâŚSo Iâm saying it now.â Annieâs voice trembles despite her best efforts. âDonât go. Not yet.â
Oona ponders for a long time. Annie starts walking up the steps toward the cabin. The boat shuts off. A moment later, Annie hears Oona behind her.
By the time they reach the door, whatever agreement they might have made about the night being over is dead before Annie gets the key into the lock.
Oona steps inside behind Annie. The cabin smells exactly as she remembers. Old wood. Lake air. Dust warmed by morning sun. That nearly undoes her.
Annie closes the door. Turns. And kisses her.
Thereâs none of the reckless secrecy from the night before. No girlfriend sleeping upstairs. No sister down the hall. No fear that a laugh or breath might travel through an open window. No crowd to perform for. Nothing between them now except choice. And daylight makes the choice uglier. Clearer. Neither stops.
What begins against the front door migrates through the cabin as though they are trying to reclaim the entire geography of what they lost. The kitchen counter. The old couch. The narrow hallway where they once spent a year sneaking past Ramonaâs bedroom. Somewhere along the way they start laughing again, not because anything is particularly funny but because memory keeps ambushing them in stupid places.
âYou remember that?â Annie asks about something at one point.
Oona gives her a look.
âI remember everything.â
That shuts Annie up.
//
Hours lose definition.
At some point they end up in Annieâs old bedroom. At some point they fall onto the bed. At some point hours pass without either noticing. And eventually exhaustion wins.
Annie falls asleep with Oona beside her and one impossible thought moving through her mind with the soft certainty of a wish fulfilled.
She stayed.
//
When Annie wakes again, the room is different. The light has shifted. Her mouth is dry.
Her body aches in the unmistakable way of having made several catastrophic decisions in rapid successionâŚAnd of having had a lot of sex.
For one warm, disoriented second, she doesnât remember where she is. Then she reaches across the bed. Cold sheets.
Annie opens her eyes.
âOona?â
Nothing. She sits up. The room is empty. So is the hallway.
âBaby?â
Annie gets out of bed and pulls on the first shirt she finds.
Kitchen. Empty. Living room. Empty. Deck. No boat. Nothing but water. Her heart begins doing something she refuses to name.
âOona?â
Nothing. She finds her phone beneath a cushion. No messages. No calls.
She looks all around the apartment. No note. Nothing.
Annie checks all of it again. As if Oona might materialize or a message might appear if she refreshes hard enough.
Nothing.
The first feeling is embarrassment. Hot, immediate, childish. Of course. Of course Oona left. What did Annie think would happen? That Oona would wake up after cheating on the woman she had just described as good, kind and undeserving, roll over, look at Annie and decide the last four years had been a clerical error?
Annie sits on the edge of the bed and the second feeling washes over her. Guilt. That one takes longer. It arrives without adrenaline to soften it.
Tamsinâs face at the bar. Iâm glad you came back. Her easy smile. The black dress. The way sheâd thanked Oona for bringing her a drink. Annie presses both hands over her face.
âFuck.â
Thereâs nobody there to answer. The cabin suddenly feels grotesque. Not haunted. Worse. Familiar.
Every room holds some version of Annie and Oona from four years ago, and now theyâve laid fresh wreckage directly over the old. Annie looks toward the other side of the bed.
Cold. No note. No message.
Oona regretted it. And the truly humiliating part is that Annie isnât angry. She understands. That hurts more.
//
By four oâclock, Annieâs packed.
She moves through the cabin with terrifying efficiency, a skill Stanford sharpened into a reflex. Clothes folded. Chargers found. Toiletries swept into bags. Every object reduced to a task so she doesnât have to think about what happened in each room.
Connor answers on the second ring.
âYouâre alive.â
âBarely.â
âHowâs the island?â
Annie looks through the window toward the water.
âStill there.â
âHave you made a decision?â
She thinks of the bar. Oonaâs face at the door. Tamsin. The lounger. Donât go. Cold sheets.
âYes.â
A pause.
âAnd?â
âIâm not selling.â
Connor groans immediately. âAnnieâŚâ
âI said Iâd give you an answer.â
âYou said youâd think about it.â
âI did.â
âFor one day?â
âIâm efficient.â
âThis is insane.â
âProbably.â
âCan we at least talk aboutâŚâ
âNot right now.â
âAnnie.â
âI have to go.â
âGo where?â
She looks at the suitcase beside her.
âTo call my new boss. Iâm taking the job in San Francisco.â
Annie ends the call before he can answer.
//
Annie doesnât call Ellis. Doesnât call Ramona. Doesnât call Oona. That last one would be impossible anyway. She still doesnât have the number. Thereâs something almost elegant about that.
Four years later and theyâve managed to sleep together multiple times without acquiring basic contact information.
//
By sunset, Sterling Point is shrinking beneath her.
Annie sits beside the window of the sea plane and watches the island become shoreline, then shape, then color, then nothing recognizable at all. She tells herself leaving is the decent thing.
Oona has Tamsin. Oona has a life. Annie arrived like weather and tore through both. Leaving now isnât abandonment. Itâs restraint. Itâs respect. It is, Annie tells herself with increasing conviction, exactly what Oona did four years ago.
That thought should comfort her. Instead it feels like being cut open.
Annie closes the shade.
Four years ago, Oona loved her enough to let her leave. This time, Annie decides, she will return the favor.