I hear nothing. Not even a sound on the streets of New York, just the beat of my own heart. I have mail. From you.
YOU’VE GOT MAIL (1998) dir. Nora Ephron
Sweet Seals For You, Always
Claire Keane
Keni
Monterey Bay Aquarium
almost home
macklin celebrini has autism

oozey mess
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Cosimo Galluzzi

Kiana Khansmith
Lint Roller? I Barely Know Her
Doug Jones
KIROKAZE
One Nice Bug Per Day
taylor price
Fai_Ryy
official daine visual archive
let's talk about Bridgerton tea, my ask is open
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@francobrothers
I hear nothing. Not even a sound on the streets of New York, just the beat of my own heart. I have mail. From you.
YOU’VE GOT MAIL (1998) dir. Nora Ephron

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bradley cooper doesn’t have the artistic integrity to just commit and piss the stage
SPIKE LEE Best Adapted Screenplay - BlacKkKlansman 91st Annual Academy Awards | February 24, 2019

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Can not believe mahershala ali won a second oscar for moonlight!! Wow.
REGINA KING Best Actress in a Supporting Role - If Beale Street Could Talk 91st Annual Academy Awards | February 24, 2019
Beautiful Boy (2018) dir. Felix van Groeningen
This is the most boring and uneventful Oscars I’ve ever experienced. I have like no skin in the game this year aside from maybe two awards. I hate it.

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BRIE LARSON 91st Annual Academy Awards | February 24, 2019
thank you oscars montage for this brief mamma mia here we go again representation
I honestly can’t deal with second hand embarrassment in tv shows and movies very well I’ll literally pause it, internally scream, and come back in ten years
Of course I love you. But do you like me?
Lady Bird (2017) dir. Greta Gerwig
Saoirse Ronan and Timothée Chalamet being cute on The Graham Norton Show

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Rami Malek by christiandolenc (on Insta)
Lady Bird (2017) Director’s Commentary
This is for me the turning point of the movie in some ways, and there’s a moment where you see on Saoirse’s face that she sees Lucas, playing Danny, as a person for the first time. She doesn’t see what she can get out of him, or what he is to her, but that he’s in the middle of his own–his own opera, and his own things that he’s going through. And all of a sudden, you just see it flash across her face, like, “Oh, this is not about me”. (…) And that’s such an important part of growing up, is seeing other people as separate from you.
And this scene between Marion and Stephen [Henderson] …. They [Lady Bird and Marion] are both able to be so tender to other people, but they have so much trouble being tender to each other. And, you know, it won’t always be that way, but that’s the way it is right now.