Andulka
Today's Document
Love Begins
trying on a metaphor
YOU ARE THE REASON
if i look back, i am lost
Jules of Nature
h
noise dept.
One Nice Bug Per Day
PUT YOUR BEARD IN MY MOUTH
shark vs the universe
Noah Kahan
Sweet Seals For You, Always
tumblr dot com
he wasn't even looking at me and he found me
taylor price
art blog(derogatory)
seen from Canada
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seen from Malaysia
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seen from Colombia
seen from United States
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@fototensioni
Ciò che chiamiamo fascino è il momento esatto in cui un'anima smette di sembrare spiegabile.
edonesya
A harmonic of this quite trite post, steps beyond cliches and reiterates a fundamental truth. And also the picture is a wonderful version of an already seen image.
C'è un armonico di questo post un po' trito, che sale oltre il cliché e ripete una verità fondamentale. E anche la foto: è la versione migliore di un'immagine vista mille volte.
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“The highest cannot be spoken; it can only be done.”
- Ludwig Wittgenstein, as quoted in The Age of Atheists: How We Have Sought to Live Since the Death of God by Peter Watson
Art (not entertainment) and Spirituality (not religion), represent something exceeding our limits as humans; it's evident that words (language itself being a limited whole) couldn't but scratch the surface of a dimension we are not masters of. We are ships on an ocean we didn't create, that we don't fully know nor comprehend, but on which we live and die.
L'arte (non l'intrattenimento) e la spiritualità (non la religione) rappresentano qualcosa che trascende i nostri limiti umani; è evidente che le parole (il linguaggio stesso essendo un tutto limitato) non possono che sfiorare la superficie di una dimensione di cui non siamo padroni. Siamo navi su un oceano che non abbiamo creato, che non conosciamo né comprendiamo appieno, ma di cui viviamo e moriamo.
perché si.
Stigma by Antoine d'Agata
this photo dangles over my head every night
A poem is not made of words.
It is made of everything that happened before the words.
Abhilasha, "Can AI replace poets?"
A.i. is creative if - and only if - you don't search beyond the surface of things; in facts a.i. ends where art starts: with a recombination of signs. That act of recombining is driven on the human side by curiosity, pleasure and by a stubborn selection of models; while on the machine side, by algorithms and statistics on the widest possible models, spiced up with stocastic and fuzzy aromas to simulate some human feel.
L'i.a. è creativa se - e solo se - non si va oltre la superficie delle cose; l'i.a. finisce infatti dove inizia l'arte: con una ricombinazione di segni. Quest'atto di ricombinazione è guidato, sul versante umano, dalla curiosità, dal piacere e da una selezione ostinata di modelli; mentre, sul versante meccanico, da algoritmi e statistiche sui modelli più ampi possibili, conditi con aromi stocastici e sfocati per simulare il tocco umano.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Self-Portrait, New York, Photo by Harry Callahan, 1942
In terms of motive, it's a couple of decades ahead of Friedlander, although slightly off-center, in terms of approach.
In termini di motivo, è avanti di un paio di decenni rispetto a Friedlander, sebbene l'approccio sia leggermente fuori asse.
Flag, New York City, Photo by Lee Friedlander, 1965
If it wasn't for him, photos like this one would have never made it to the fore...
Se non fosse per lui, foto come questa non sarebbero mai venute alla luce...
an immortal gesture (I only object against the bokeh looking a bit phoney)
un gesto immortale (c'è solo che l'effetto bokeh suona un po' falso)
Prima di vantarvi di quando prendevate 9 in italiano...
Before flaunting your old A- in English....
Katsushika Hokusai
Breaking Waves, Edo Period, 1847
ink and colour on silk
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Anna et Bernhard Blume - De la série 'Im Wahnzimmer', 1984
The Blumes are always worth it.
Coi Blume ne vale sempre la pena.
Henri Matisse - Panel with Mask (Le Panneau au masque), 1947, gouache on paper, cut and pasted, 110 x 53 cm
Robert Frank, 1949
You are made of what you resonate to.
True as hell.
sorry, not sorry - plenty of ad people miscalculating...
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
From the age of 6 I had a mania for drawing the shapes of things. When I was 50 I had published a universe of designs. But all I have done before the the age of 70 is not worth bothering with. At 75 I'll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am 80 you will see real progress. At 90 I shall have cut my way deeply into the mystery of life itself. At 100, I shall be a marvelous artist. At 110, everything I create; a dot, a line, will jump to life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokusai, but today I sign my self 'The Old Man Mad About Drawing.
Katsushika Hokusai (c. 1760-1849), the renowned Japanese woodblock printmaker and printer from the famous period of ukiyo-e.
Katya Kalyska
"it ain't watcha write, it's the way atcha write it" Jack Kerouac
(-> It matters not what you take a photo of, what matters most is the mood the picture elicits. // Non conta tanto ciò cui fai una foto, quanto le emozioni che l'immagine è capace di suscitare).
