do y’all see a difference or do you want me dead
noise dept.
sheepfilms
Phantogram Three
The Bowery Presents
Sweet Seals For You, Always
The Bright Sessions
h
🩵 avery cochrane 🩵
d e v o n
tumblr dot com

roma★
occasionally subtle
Fieri Frames

#extradirty

ellievsbear

Love Begins
Show & Tell
Sade Olutola
Keni

seen from Spain

seen from Italy
seen from Brazil

seen from South Africa

seen from Malaysia
seen from Russia
seen from Türkiye

seen from Singapore

seen from Spain
seen from Saudi Arabia
seen from Indonesia
seen from Ecuador
seen from United States
seen from Malaysia

seen from United States
seen from Poland

seen from Malaysia

seen from Canada
seen from United Kingdom

seen from Türkiye
@forgottenmydevotion
do y’all see a difference or do you want me dead

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sorry for saying bitches in my last post i love women and i am a misandrist #ilovewomen
some of these bitches don’t have content labels on their shit with their nips out and i’m getting violation warning for my (appropriate) bcs… fuck y’all actually
i love when my hip bones stick out like yes i’m so skinny and sexy and perfect
:3 bc #2

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the hurt here
what i fucking love about this scene is that we know it's not really ryan, naim knows it’s not really ryan. there's no part about this that is naim being lulled, being seduced, being tricked, being gotcha!'d. it's not him but it wears his face; it talks like him, it caresses like him, it comes close and smiles and laughs like he would. naim is leaning in despite the danger, moth to flame, knowing full well what's in front of him and craving it anyway.
this is queerness as fantasy—what we could be if not for circumstance. it's queer desire in a world determined to treat us as aliens. more than any other moment in the film, this scene exemplifies leviticus thematically in one brutal, efficient stroke. they want us separate and alone and scared, but we don't have to be. loving hurts, and we love anyway.

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leviticus (2026)
post-nut giggles
2012.
✄ ┈ fashionista
SABRINA CARPENTER Coachella 2026

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