Fanning The Flames

What’s your favorite kind of romance trope? Enemies to lovers? Friends to lovers? Slow burn? Claiming Kent is pure slow burn with a twist of mutual denial. 📖 Read on Amazon

In early drafts, Kent was more guarded — almost too guarded. Letting the cracks show made him human. And that’s when the story really started to breathe.

The town where Kent and Mark meet isn’t real — but it’s stitched together from all the places that shaped me. Small-town quiet, big-sky summers, and that feeling that everyone knows your business.

Have you ever had someone challenge the way you see yourself — and you liked it? Kent’s attraction to Mark isn’t just desire. It’s a mirror. 📖 Claiming Kent on Amazon

The first scene I wrote for Claiming Kent was actually the last scene in the book. I didn’t know who these people were yet — but I knew where they’d end up. Everything else was just finding my way there.

Mark wasn’t supposed to be permanent. Kent wasn’t supposed to notice. Claiming Kent is about the moments that undo you — and the people you can’t stop thinking about. 📖 Read on Amazon

Do you prefer slow-burn romance or love-at-first-sight? 💬 Drop your answer below! In Claiming Kent, tension builds long before either character admits what’s really going on. 📖 Claiming Kent on Amazon

Mark was never supposed to be more than a side character. But the moment he walked onto the page, everything shifted. Sometimes the story tells you who it’s really about. 📖 Claiming Kent on Amazon

“Desire wasn’t the problem. It was what came after — the part where he might have to feel something.” Claiming Kent explores what happens when feeling becomes unavoidable. 📖 Claiming Kent on Amazon

Would you risk your reputation for love? Kent isn’t sure — but Mark isn’t someone you forget. 💭 Tag someone who loves slow-burn romance with emotional stakes. 📖 Claiming Kent on Amazon

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We’re in immediate danger now that the crabs know that we know.

Until who came? Fred or Mark? Seriously, I’m having to learn to be a better writer so I can do this. 

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