'til the end of the line...

Good morning! I’m salty.

I think we, as a general community, need to start taking this little moment more seriously.

This, right here? This is asking for consent. It’s a legal necessity, yes, but it is also you, the reader, actively consenting to see adult content; and in doing so, saying that you are of an age to see it, and that you’re emotionally capable of handling it.

You find the content you find behind this warning disgusting, horrifying, upsetting, triggering? You consented. You said you could handle it, and you were able to back out at any time. You take responsibility for yourself when you click through this, and so long as the creator used warnings and tags correctly, you bear full responsibility for its impact on you.

“Children are going to lie about their age” is probably true, but that’s the problem of them and the people who are responsible for them, not the people that they lie to.

1) chosen to go onto AO3 in the first place

2) chosen the fandom you wish to read about

3) had the chance to filter for the things you do want to see like a specific pairing or a specific AU

4) had the chance to specifically filter out any tags you don’t want to see like, oh I don’t know, incest and non-con and dub-con and paedophilia

5) had the chance to set the rating level if you wish to remove any explicit content at all

6) have read the summary of the story, which aren’t always great but are the only indicator of what the story will be like writing wise so something about it was good enough for you to click on it.

7) have read the tags of the story which will tell you what is actually in the story. If you have used filters to remove stories with things you don’t want then there shouldn’t be anything in here that’s a shock to you but maybe there is. That’s why the tags are there for you to check for yourself.

8) Then you have to actually click on the story. You cannot see anything other than the summary or the tags without personally deciding that you are going to open and read this story.

9) Only here, at step number nine, do you get to the adult content warning pictured above. You have been through eight different steps, the last six of which have also been opportunities for you to see that this has adult content. And AO3 has *STILL* stopped you to ask one last time “are you sure you want to read this because it has things that only adults should see in it”.

If after this point you are reading incest and paedophilia then it’s probably because you specifically went looking for it.

Higher, further, faster.

I love this moment.  I love it, because Agent Carter she is historically accurate.

American servicemen serving in the UK were issued pamphlets reminding them that the UK women had been in that war longer than the Americans had and deserved their respect:

A British woman officer or non-commissioned officer can and often does give orders to a male private. The men obey smartly and know it is no shame. For British women have proven themselves in this war. They have stuck to their posts near burning ammunition dumps, delivered messages afoot after their motorcycles have been blasted from under them. They have pulled aviators from burning planes. They have died at the gun posts and as they fell another girl has stepped directly into the position and “carried on.” There is not a single record in this war of any British woman in uniformed service quitting her post or failing in her duty under fire.

Now you understand why British soldiers respect the women in uniform. They have won the right to the utmost respect. When you see a girl in khaki or air-force blue with a bit of ribbon on her tunic - remember she didn’t get it for knitting more socks than anyone else in Ipswitch.

what? i have no idea what you’re talking about. i’m guessing you have a preconceived idea of what a latine should look / sound / do based on the “classic” latines that you see in the media all the time, like:

and they’re great, but there’s also white latines, like:

and don’t forget about the black latines, such as:

and the indigenous latines are also very important:

and there’s also chinese latines, like Harry Shum, Jr. yeah, thay guy from glee and the shadowhunters (the netflix show). i don’t know if he self identifies as latino, but he was born in Costa Rica and lived there for six years, so that makes him latino by definition.

in fact, there’s presence of many asian racial / ethnic groups, but they’re not very common in the media. that’s why i’m not including any pictures. but they’re here and we love them.

and let’s not even talk about the mixing going on with all of the above because this post could go on for years

so bottom line: 

latinoamérica is a big beautiful melting pot of everything

latine is not a skin color, it’s an ethnicity

there’s no such thing as “looking latine”. all latines are different

POWER OF REPETITION                   ↳ The Raven Cycle ⟶  “Depending on where you began the story…”

Dear courageofhorses,

I have also seen CALM DOWN THE HAWK which is a perfectly appropriate title.

Following is spoilers for TRK

spoilers

spoilers

no seriously

spoilers

CAVEAT: I’m going to answer this with how I interpret Adam’s character, but in the end, the books live without me, so it’s what makes it on the page and into your interpretation that counts.

THAT SAID. I’m not sure I would call Adam’s final move in The Raven King an attempt to repair the relationship, because it’s not about his parents, it’s about him. It’s about what he needs to say and do in order to feel he has the moral high ground; it’s what he personally requires to allow himself freedom.

By the time we get to that final scene of his in TRK, he’s been living on his own for quite awhile, a high school senior who fled his childhood home under duress. In that time, he’s lived through a helluva lot of traumatic and brilliant events. He’s seen his mentor die, he’s fallen in love, he’s dreaded his best friend’s death, he’s learned that he can be a good friend. 

The only time he’s seen his father in that time is when he comes busting through the door of his apartment with violence and Cabeswater intervenes. 

Otherwise, it has been only Adam and his memories of his parents, and if there is anything Adam doesn’t trust throughout the series, it’s his own interpretation of events. He’s been trained his entire childhood to doubt himself. 

So him returning to TRK isn’t about him genuinely trying to repair a relationship, to accept his parents back into his life despite all the’ve done to him. Instead, it’s about him — for the first time, ever — walking back to the trailer he grew up in without fear. He’s just come from graduation, and he’s closing the books behind him. He’s choosing to be blunt with his parents, without fear, older, wiser, more powerful. He knows he can trust whatever he sees as he walks back through that door under his own steam. It will be the truth, not what his battered emotional thoughts whispered to him for 800 pages.

Adam returns to see if, now that he knows himself, these people he saw as monsters still look like monsters. He wants to see if he becomes monstrous in their presence. He wants to feel for the first time in his life the glorious glow of the absolutely certain high ground while looking at his father. 

He wants to exorcise the memory of a fearful man who controlled his life for 17 years by instead facing him with the full knowledge that he has no control over Adam whatsoever. 

And as to the rest: shit, man. Even if your parents beat the crap out of you, it can be hard to make the decision to walk away completely. The voices whisper that maybe it wasn’t that bad –

But Adam says what he came to say.

He came to see if he ever had parents. If, once he didn’t hate himself, they might be different. And guess what: he’s the only thing that changed. They didn’t. 

He fled that trailer last time he left. Like the scared kid he was. But now he just walks out, like the man he became.

So to me, that scene is about Adam coming back to the trailer to realize this about his past:

And this about his future:

And walking out as Adam Parrish, son of no one, only himself.

tl;dr: abuse is a complicated creature with many different roads to closure. Is what Adam does right? I can’t say that. Is what I think Adam did in that scene what you think he did in that scene? I can’t say that either.

But I reckon that’s what I was thinking when I walked him out that door for the last time.

urs,