Finished Bloodborne a while ago. Still thinking about it. It's been a long time since I did a large watercolor piece, and I tried some gouache on this. I don't know if it's entirely successful, but I learned some things.
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@fistfulofgammarays
Finished Bloodborne a while ago. Still thinking about it. It's been a long time since I did a large watercolor piece, and I tried some gouache on this. I don't know if it's entirely successful, but I learned some things.

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birth of venus
this is in excel btw. and this image is exactly half green and half pink. and for each shade of green there is an equal number of "opposite" pink pixels. and this represents a major leap forward in excel macro use by me
the origin of this concept was, oh, what if you were trying to recreate an image as a tapestry? and you had, say, 24 colors of yarn? and you wanted the image to have equal amounts of each color of yarn? how would you effectively use the yarn you had to create the image? you'd have to look at all the colors of the original image, then look at your yarn colors, and find some consistent method for choosing what original colors are replaced with what yarn colors. but then it turns out there's a lot of different rules you could imagine or follow, which produce different-looking images. and you can end up with something like this:
which is cool. and it would be cool to say, find a granny square cardigan pattern with 24 squares, knit these squares, make a sick cardigan. but then i realized i don't know how to knit or anything. and once you accept that there isn't really a clear "application" and this concept lives on a screen, you open yourself up to more possibilities. a la birth of venus.
step 1: python script that looks at the original image and generates an excel spreadsheet the same dimensions (793 x 1322 pixels = 793 x 1322 cells), and each cell is populated with the hex code of the color that appears in that pixel of the original image
step 2: excel macro to generate list of every unique hex code that appears in the excel spreadsheet.
step 3: excel macro to calculate the R, G, B values of each of those hex codes.
step 4: excel macro to fill each cell with the color of that hex code (not necessary, i just like to do it).
step 5: I add in Saturation (the difference between the largest and smallest RGB value) and Lightness (average of all RGB values).
step 6: pick a color palette. i always find myself gravitating towards groovy seventies palettes with warm reds and oranges, so i decided not to do that this time. i looked on coolors and found a color palette that was all dark greens that were similar to each other. there were only like four colors or something in this palette. and to make it truly different from the other project, there should be a small gradient. so i determined the smallest possible change between colors and used an excel macro to color it. i was going to stop here and do the entire image in shades of green (inspired by that guy on tiktok that paints using only one color) but then. idk. i realized the "opposite" of each color was an equally subtly changing pink. so i imagined that the end of this process would be an "abstract" image, with subtle variations of pink and green, that would end up suggesting birth of venus.
so all told, i had 502 unique replacement colors, 251 of which are green, 251 of which are pink. (793 x 1322) / 502 = either 2088 or 2089 of each color.
step 7: find some method for finding the difference between the original colors of the image and my new color palette. I use a method of comparing, R, G, B, S and L:
((abs(R1 - R2) + abs(G1 - G2) + abs(B1 - B2)) / 3) + abs(S1 - S2) + abs(L1 - L2)
and you come up with something like this. on the left, those are colors that appear in the original image. across the top, those greens are the colors i'm replacing it with. in blue, that's the number of each new color i have to work with (it's just blue for contrast). and in the center, this pink area, that's a giant spreadsheet with the "objective" difference between each original color and each replacement color. it's pink because i have some conditional formatting applied, ignore that part.
and in this situation, you have some choices to make. in the original image up there, i used a schema prioritizing light and dark--i.e., i looked at the darkest color (pure black) that appeared in the original image, then found the closest replacement color (i.e., the replacement color with the smallest number). then did the same with the lightest color. then the next darkest, next lightest.
but i'm going to do it slightly differently this time. and i don't know how this image will come out looking.
if you look at the "first" green, closest to the left, and sort by smallest to largest:
you can see that these colors on the left are closest to the "first" green i've decided to work with. that might seem odd. i mean, #7F9800--> #00a94f are pretty close, but #A95400 is red. but that's just a difference in hue. really, #A95400 and #00a94f are very similar in lightness and saturation.
and this also calculates the number of times that color actually appears in the original image. that first specific green, #7F9800, only appears twice. but some colors, like actual black #000000, appear something like 46,000 times. and if you add all the numbers in the "frequency" column, it should exactly equal the sum of each replacement color (2088 ish x 502).
step 8: excel macro again. this one is complicated. basically it sorts that first "green" column (column E in my spreadsheet) from smallest to largest. then it adds each cell in the "frequency" column until it reaches or surpasses the blue cell above column E, which for this particular color is 2089. it copies those "original image" colors and their respective frequencies over to another sheet. for the color that surpassed 2089, it splits in two. then it deletes that column E. Then it makes sure "frequency" and "replacement color sum" still total. then it runs again on the new column E, until the whole spreadsheet is used up. and it generates something like:
[color from original image] [number of times that color appears] [replacement color, filled in]
and there's approximately 8000 lines of that.
i have the replacement colors in the order above. starting with vivid green, slowing transitioning to dark green, switching abruptly to bright pink, slowly transitioning to pale pink.
step 9: another excel macro. this one looks at original image broken down into hex codes, then looks at the generated list and replaces each [original] color with the replacement color, that exact number of times.
end result of these macros, following different "rules" of assigning replacement colors to original colors, is this:
which looks different, obviously. but it is the exact replacement colors, and same number of each replacement color, as the original up there.
at maximum efficiency, it took about 20 minutes to complete step 8 and 9. i have a vision of creating a series of these, each time "starting" with the next replacement color, and then making a gif of it. idk how to make gifs though
@magnetictapedatastorage seems up your alley
did someone just reinvent the jacquard loom in excel
05.29 - Blue Blade
I just finished Safe Harbor and it was so so good!! Do you have any thoughts of continuing it or Passcode on ff.net? Or any side stories to go along with them?
I really love both of those worlds you’ve created, they’re so fantastic!!
Thank you! It's awesome to hear people are still enjoying these! I do have ideas for continuing both those stories and would like to eventually write them, but no idea when it might actually happen, unfortunately.
My beautiful porcelain creatures 💕
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distribution
shit shit shit it's march i forgot to promote this print to yall:
read it carefully lol it's the callout of Caesar
i should emphasize, I did NOT write the original post, that was done by @heresmyfiddlestick and they get a cut of the sales from these prints.
I'm not sure how to format image IDs when they're this long so I hope this is right:
[image ID: A sheet of calligraphy print with gold and purple vinework and red daggerlike flowers. In the border there is a torn, purple lined bit of cloth meant to read as a toga and there it begins with a large drop capital F in red. the text reads as follows
Friends, mutuals, countrymen, do not scroll past;
I come to cancel Caesar, not to stan him.
The cringe posts that men make live after them;
The nuance oft interred with their bones;
So let it be with Caesar. The noble Brutus
Hath told you Caesar was problematic:
If it were so, it was a grievous fault,
And grievously hath Caesar answer’d it.
Here, under leave of Brutus and the rest–
For Brutus is an honourable man;
So are they all, all honourable men–
Come I to comment on Caesar’s call-out post.
He was my mutual, faithful and just to me:
But Brutus says he was problematic;
And Brutus is an honourable man.
He hath brought many hot takes to my dash
Whose notifs did the general discourse fill:
Did this in Caesar seem problematic?
When that anons have cried, Caesar hath wept:
Toxicity should be made of sterner stuff:
Yet Brutus says he was problematic;
And Brutus is an honourable man.
You all did see that on the Tumblr Blaze
I thrice presented him a kingly crown,
Which he did thrice refuse: was this problematic?
Yet Brutus says he was problematic;
And, sure, he is an honourable man.
I speak not to start discourse with Brutus,
But just to provide some context on his call-out post.
You all did stan him once, not without cause:
What cause withholds you then, to follow him?
/.End ID]
Quality time with this gloriously golden goblet of the deep ⭐️✨️
The fingered goblet sponge (Heterochone calyx) is one of the largest sponges on the Pacific coast. We have observed dense gardens of Heterochone and other sponges on Sur Ridge, offshore of Central California. But in some places, Heterochone grows together with other sponge species to form massive reef structures.
Fingered goblet sponges support bustling communities of life. Much like coral reefs in tropical waters or the old-growth forests on land, countless critters make their home in sponge gardens.
Decisions we make in our everyday lives can affect all animals, even in out-of-sight places like the deep sea.
Increased demand for metallic minerals could lead to mining in pristine areas of the deep sea, harming animals like Heterochone. Mining equipment plowing across the seafloor could damage sponges, and the plume of sediment from mining waste could clog their filtering mechanism.
Life moves at a slower pace in the ocean’s frigid depths. It can take years for Heterochone and other deep-sea sponges to recover from disturbance, in turn threatening all the animals that depend on sponges.
I suppose most people are more familiar with pet dogs than with falconry and therefore calling a dehumanized mech pilot a "hound" is more immediately evocative than calling it a "hawk," but you gotta admit the vibe of the handler as falconer and the pilots as their birds of prey absolutely slaps. If anyone ever does something like mechsploitation but with scifi fighter jets instead of giant robots, pleeeease call the pilots hawks
If i may
Exactly
Ancient Wisdom III
Woodcarving
Last sculpture of 2025

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Tagged by @eponymous-rose!
Currently craving:
Cherries. Probably because I'm sick of winter.
Currently reading:
Alien Clay, by Adrian Tchaikovsky. I'm just barely far enough in to where I think I see where he's going with the premise, and I'm enjoying it. I generally think he's stronger at worldbuilding than he is at character writing, but there's a distinct voice here.
Currently watching:
I don't really watch shows, I guess. Uh, listening to a lot of Well There's Your Problem episodes?
Currently playing:
Bloodborne, many years late to the party!
Currently listening:
Legion of the Damned - Contamination. Scratching my current itch for thrash.
Tagging anyone who would like to answer!
Destiny 1 + D2 warlock 💫✨
Which one do you prefer?
I really miss drawing super unique Destiny characters with their personalised gear!🥹
it was so fun seeing everyone’s individuality coming through.
Please do enquire if you’d like your own original artwork of your favourite or personalised game character! 🫶
When finishing Safe Harbor again, I keep coming back to the fact that I can't decide if Keith's welcome home would be mostly happy or INCREDIBLY STRESSFUL FOR ALL INVOLVED. On the one hand: Home! Friend! Safe! On the other hand: oh wtf why do you look like that?? Compels me
Trust me, I too am compelled.
(Thank you! I personally lean on the "stressful and complicated" side of this hypothesis because that's what I find interesting, but there are potentially satisfying outcomes for both those scenarios.)
the number of spacecraft failures recently has been absolutely insane and it all comes down to tech bros barging into the industry going "it's not that hard wtf is nasa so bad" and then completely skipping out on any testing
Recently, a privately funded asteroid mission failed immediately after launch. Here are some choice excerpts from the company's blog post about it:
they cost that much because they do integration testing
.....by skipping integration testing
"skipping integration testing was the right move actually"
come fucking on.
AND YOU FUCKING LAUNCHED ANYWAYS
it failed immediately you dipshits
or you could. i don't know. do integration testing?
source
Hey, Fuckchop: If you did it for 10% but you have to do it 10 times? You fucking failed AND didn’t save any goddamn money.
Even if you had the money to throw away, why would you launch with known problems? What are you possibly learning from this? Were they just hoping those wouldn't matter? "Yeah, whoops, blew up an expensive payload because we figured it was worth rolling the dice on problems we already knew about instead of waiting for a new launch window!"
Launching-as-part-of-iterative-design only makes sense for a kid's model rocket you don't have other testing methods for. Or for things that don't explode.
Launching substandard low-cost products to low earth orbit is a decent way to make a lot of improvements fast. I say this as someone who has directly designed/built/flown over 700 smallsats at a couple different startups. New teams don't realize how difficult troubleshooting in space is until they've done it at least once (or in Planets case.... A half dozen times). But the trick is to do it in low earth orbit which is relatively benign (fuck you solar maximum) and decently accessible for communication.
The problem is this gives these idiots the idea that they can apply the same rapid design to things that are multiple orders of magnitude more difficult. Anything that requires being outside earths atmosphere???? Fuck me man. It's awful.
I'm landing a sensor on the moon next year and every fucking week I have to argue with the CTO that no, we cannot skip this environmental test. Why? Well the last three tests revealed fundamental flaws in our understanding of the expected thermal repercussions of the estimated lunar environment. This next test, which will be off actual telemetry data from a comparable location currently on the moon is also non-negotiable. And it has to happen on the flight model so if we find a big fuck up we have a chance to fix it before delivery.
No it cannot be fixed after shipping by "pushing software".
As someone who has built crewed vehicles under the NASA safety system and built uncrewed NASA instruments there are things I'm willing to be a little looseygoosey with in build-fast-break-things mentality of low earth orbit. I'm not willing to take that risk anything higher than MEO because it's a waste of their money and my time.
"For just 7% of the cost, we can make something that blows up instead of doing the job it was built for!"
Gilbert et al. (2025)
No you don’t understand. This is the actual graphical abstract for an actual paper published in the journal Cell, one of the top three journals for all life science (at the same level as Nature and Science). Incredible.

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Malenia
Actually, I just realized my watch list document was created a year ago today, so here’s my international-horror year in review for 2024, out of order but still:
(Bolded favorites)
Africa:
His House (2020); UK/Sudan; English, Dinka
The Tokoloshe (2018); South Africa; English, Zulu
The Soul Collector (2019); South Africa; English, Tswana
Ile Owo (2022); Nigeria; English, Yoruba
Living in Bondage: Breaking Free (2019); Nigeria; English, Igbo
The Origin: Madam KoiKoi (2022); English, Yoruba (note: 2-part film)
Americas:
The Old Ways (2020); US/Mexico; Spanish, Nahuatl, English
La Llorona (2019); Guatemala; Spanish, Kaqchikel, Ixil
A Girl Walks Home Alone at Night (2014); US; Farsi
The Wind (2018); US; English, German
Candyman (1992); US; English
Interview With the Vampire (1994); US; English
Asia:
Under the Shadow (2016); Qatar/Jordan/UK; Farsi (note: set in/about Iran)
Djinn (2013); UAE; Arabic, English
Suzzanna: Kliwon Friday Night (2023); Indonesia; Indonesian, Javanese
Revenge of the Pontianak (2019); Singapore/Malaysia; Malay
Susuk (2023); Indonesia; Indonesian
Qorin (2022); Indonesia; Indonesian (note: has really low ratings due to review-bombing by users who didn’t like the subject matter, I promise it’s not actually 2-stars quality)
Kaali Kuhi (2020); India; Hindi
Bulbbul (2020); India; Hindi
Ghost Stories (2020) India; Hindi (note: short film anthology)
Detention (2019); Taiwan; Taiwanese
Goedam (2020); Korea; Korean note: short film anthology)
Svaha: The Sixth Finger (2019); Korea; Korean
Europe:
Without Name (2016); Ireland; English, Gaeilge
Suspiria (1977); Italy; English, German
Suspiria (2018); US/Italy; English, German
Deep Red (1976); Italy; English, Italian
Verónica (2017); Spain; Spanish
Hermana Muerte (2023); Spain; Spanish
El Laberinto del Fauno (2006); Spain; Spanish (note: technically not filed as a horror movie but tbh it very much could be)
TV:
Creature (2023); Türkiye; Turkish
Interview With the Vampire (2022- ); US; English, French
Girl From Nowhere (2018-2021); Thailand; Thai
Evil (2019- ); US; English
As a bonus, I also watched and enjoyed the documentary Woodlands Dark and Days Bewitched: A History of Folk Horror (2021), which covered international folk horror, and watched and did not enjoy the documentary Nightmares in Red, White and Blue (2009).
@mystery-moose