pleurer en couleur (to cry in color)
[prints]

@theartofmadeline
Monterey Bay Aquarium
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@fil3t
pleurer en couleur (to cry in color)
[prints]

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If you could grow old, would you find a reason to smile?
First Talon of Maison Dessendre duelist | dualiso
whee whoo days
hid the layer esquie's crown is on and
round

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monday
disaster family modern au
secret ending wip
lumière s'éteint (light dies)
[prints]
pour ceux qui ne cessent de s'aimer (for those who never stop loving each other)
E33 screenshot sketch dump: Gustave edition

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[...] Turgon said: 'Fight not against doom, O my children! Seek ye who may safety in flight, if perhaps there be time yet: but let Tuor have your lealty.' But Tuor said: 'Thou art king', and Turgon made answer: 'Yet no blow will I strike more', and he cast his crown at the roots of Glingol. Then did Galdor who stood there pick it up, but Turgon accepted it not, and bare of head climbed to the topmost pinnacle of that white tower that stood nigh his palace. - The Fall of Gondolin
Tolkien in Color: The House of Finwë (part 13/x) < part 12 ||
rest(er)
treat for @fadesense in this year's Viperquin exchange.
[prints]
E33 screenshot sketch dump: Verso edition
Nicole Parker (American, b. 1994, based Mount Airy, MD, USA) - Bedtime, 2021, Paintings: Oil on Linen-wrapped Panel
But in that hour, Finarfin forsook the march, and turned back, being filled with grief, and with bitterness against the House of Fëanor [...] and many of his people went with him, retracing their steps in sorrow [...] But his sons were not with him [...] - The Silmarillion, "Of the Flight of the Noldor"
Tolkien in Color: The House of Finwë (part 12/x)
< part 11 || part 13 >

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Revenant for @tolkienrsb 2025 in collaboration with @mossquitoman. Here's part of the original art prompt:
Whether it's the Oath's effect upon the Sons of Fëanor or the Rings' corruption of the Nine, the legendarium is rife with characters who have been twisted or otherwise corrupted by forces beyond their control. Despite this, some traces of what these poor creatures originally were must still be in there somewhere... right? Do they struggle against themselves? Can others around them see what remains? Or are they just forever trapped, screaming into the void?
Elena Yushina, (Ukrainian b.1958), Where Broken Dreams, Oil on canvas