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@fiercelymetandloved
"We have a chance to free woman and with her the rest of us"
This image is taken from Duke University's Special Collections Library and their online database of documents from the Women's Liberation Movement. The pamphlet has a number of contributors including Gayle Lynch, Eleanor Holmes Norton and Linda La Rue. The entire digitised script is available here:Â http://library.duke.edu/rubenstein/scriptorium/wlm/blkmanif/
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Emory Douglas, Political Artist Manifesto
"This issue of e-flux journal focuses on contemporary queer culture and art through ten commissioned texts by an international group of authors who reflect on present day counterculture, artistic strategies, philosophical thought, and social activism. The issue asks: Where is the feeling of queer urgency located today? And what is the role of a queer art of resistance?"
Alexander Kosolapov, The Manifesto, 1983
"The dreamer who is still inside the dream of history accepts its logic as inexorable. But at the moment of awakening, when the dream's coherence dissipates, all that is left are scattered images. The compelling nature of their connection has been shattered" (Susan Buck-Morss, Dreamworld and Catastrophe, 2002, p67)
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William Titley's images of Chandigarh and Lahore combined in this artists monograph published by Cafe Royal Books
Jarvis in Chandigarh!
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Exhibition at Istanbul Modern curated by Çelenk Bafra, Levent Çalıkoğlu:
"Modernity? Perspectives from France and Turkey explores the effects of modernity on contemporary art. The exhibition looks into the phenomenon of modernity and the confrontation of artists with the modernity project, which is still valid today.
The works in the exhibition focus on the dynamics of modern life, both criticized and considered as an endless opportunity for research by visual arts. In a globalized world, we are going through a period of diverse, profound, and complex relationships in which uses of new technologies and the social media form intricate structures. Modernity? Perspectives from France and Turkey attempts to remind us how the remnants of modernity, which constantly reappear in various ways, have seeped into our lives in today’s relatively directionless world. Featuring artists from Turkey and France, a role model for Turkey’s modernization, the exhibitionopens for discussion how the remains of modernity can transform the present and the future."
Your Education
From Marshall McLuhan's The Medium is the Massage (1967)
"There is a world of difference between the modern home environment of integrated electric information and the classroom. Today's television child is attuned to up-to-the-minute "adult" news-inflation, rioting, war, taxes, crime, bathing beauties-and is bewildered when he enters the nineteenth-century environment that still characterizes the educational establishment where information is scarce but ordered and structured by fragmented, classified patterns, subjects, and schedules. It is naturally an environment much like any factory set-up with its inventories and assembly lines.Â
The "child" was an invention of the seventeenth century; he did not exist in, say, Shakespeare's day. He had, up until that time, been merged in the adult world and there was nothing that could be called childhood in our sense.
Today's child is growing up absurd, because he lives in two worlds, and neither of them inclines him to grow up. Growing up-that is our new work, and it is total. Mere instruction will not suffice."
Samantha Hardingham speaks on Cedric Prices' proposal The Potteries Thinkbelt, for Stoke-on-Trent
Research Group based at Princeton University
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Stephen Duncomb explores the contemporary relevance of the utopian idea to art and politics in this talk given at the Walker Art Center in 2010.