taking a break from writing about javier by drawing jvier

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Not today Justin
YOU ARE THE REASON


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@felassanis
taking a break from writing about javier by drawing jvier

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And that's the part that's making me lose my fucking mind.
We lost an entire section of the MAIN STORY.
The livestream literally told us Valko's release was going to reveal more about the Aethercoreâone of the biggest mysteries in Love and Deepspace and something that's been central to the plot from the very beginning.
So now what?
You think they can just delete him and nothing changes?
Do people genuinely think you can rip out an entire story arc without consequences?
Everything that was supposed to be revealed through Valko now has to be rewritten, redistributed, or outright cut. The main story is going to have to be retconned. Future updates are going to have to be reworked. Characters may have to be rewritten just to fill the gap he leaves.
If you're celebrating this because you "won," I sincerely hope you understand what you've actually cheered for.
You guys fucking derailed the story.
What is this witch doing at dusk?
Where Winds Meet (2025) dev. Everstone Studio Assassin Tian Ying
UNCLE I NEED YOU BACKKKK!!!!!!

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my bad dawg
The Demonsbane of Avernus
POV: impđż
Yes to all of this, but I'm also pro-Laura who just does not want kids and wants to have sex
all I wish is gone away â Da'Numin Lavellan

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I genuinely wonder if people realize how many projects get abandoned because the readership "wasn't there", when in reality, the readership just stayed silent. It's a big thing in trad pub that book series get discontinued because readers pirate the books or wait until the series is finished to buy a copy, leading the publisher to think that nobody actually wants the book enough to continue the series, but it happens with indie creators too.
I've discontinued a lot of free, online series because it's not worth putting 3-5 hours a week into posting a project for no readers. Sometimes I finish the series for me but just never post it again, other times I don't finish it at all because it feels more worthwhile to put my time into other things. Sometimes I hear from readers who are sad or upset that I didn't finish something they were liking, but the *reason* it never got finished is because I didn't know anyone liked it. If you like something, tell the creator, tell your friends, make some noise about it. If you would be sad if a story never finished, make that interest known because one of my biggest considerations before discontinuing a series is "will people miss this? Will I be letting people down" and 9/10 times, I come to the conclusion of "no, it doesn't even seem like anyone's reading this" only to learn after I've moved on that apparently someone was.
I've said this before in a different way, and this post said it so well. With real examples. If you like something, tell people.
If you want more content from an artist or author, if you like their stuff, tell them. It will give them creative fuel to keep going. And often it gives them other resources as well. Recommend a work to other people. Leave a comment or a review. It doesn't have to be long, just genuine, a sentence or two. Not many people know that a book's success is judged by book reviews as well as sales. Review the book on Amazon or another site to help it pass the metric of success and be recognized by publishers and retailers.
How to Fix Underwriting
1. Slow down at emotionally important moments.
Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.
2. Add reactions, not explanations.
Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.
3. Ground every scene in the senses.
If a scene feels thin, add one or two sensory detailsâsound, texture, smell, or temperatureâto make the moment feel lived-in.
4. Let thoughts interrupt action.
A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.
5. Expand consequences, not events.
You donât need more things to happenâyou need to show what matters. Focus on how events change relationships, decisions, or self-perception.
6. Strengthen setting where emotion peaks.
The environment should echo or contrast the emotion of the scene. Setting is not decorationâitâs emotional reinforcement.
7. Add specific details instead of general ones.
Underwriting often relies on vague language. Swap âthey arguedâ for one sharp line of dialogue or a specific breaking point.
8. Let dialogue breathe.
Short dialogue exchanges without pauses can feel flat. Add beatsâsilence, gestures, interruptionsâto give the conversation weight.
9. Show transitions between scenes.
If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.
10. Clarify stakes early in the scene.
If readers donât know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.
11. Use the âwhat are they feeling right now?â check.
After each major beat, ask what emotion is dominant in that moment. If itâs missing on the page, the scene is likely underwritten.
12. Expand scenes that feel âtoo clean.â
If a scene resolves too neatly or quickly, it probably needs more tension. Messy emotions and unresolved feelings add depth.
Anyway. These two scenes? These two scenes. His partner caressed the same cheek his son would later stab. Something something...if only he hadn't walked away from his family....something...something....I'm gonna be sick.
Oh....
Oh I did not forget.
Funny how Haytham says "I won't caress your cheek and wonder what might've been" in this moment, almost like looking at Connor reminded him of KaniehtĂ:io. And the imagery of caressing the face was remembered and even applied here.
Haytham you could've had it all. Bastard man.
omg the knife guy

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Iâm slowly forgetting your face.
Bad men that deserve each other