OMG???? FUCKING EMERGANCY

Love Begins

❣ Chile in a Photography ❣
Monterey Bay Aquarium

tannertan36
One Nice Bug Per Day
Claire Keane
🩵 avery cochrane 🩵
RMH
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almost home
"I'm Dorothy Gale from Kansas"

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Fai_Ryy
macklin celebrini has autism
I'd rather be in outer space 🛸

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let's talk about Bridgerton tea, my ask is open
The Bright Sessions
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@fantasmalresplendent
OMG???? FUCKING EMERGANCY

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Maria Del Pilar, Joana Choumali, 2022.
*looks at polyamorous triad* so which of you is the soldier and which is the poet and which is the king
this is the perfect reblog post cancelled
Why are you fat?
cause everytime i fuck your dad he makes me a sandwich
and every time we kiss i swear i could fly
I love it when video essayists want to make a video about a conspiracy or something, and obviously the most engaging title is to ask the central question of the conspiracy, but they're clearly worried that people glancing at titles and not watching the videos will take the question title as support for the conspiracy and possibly introduce new people to it who will take it as fact (since a video essayist they trust told them), so they put the answer right there on the thumbnail like

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this is great. slowly we will build a house
Thats crazy dude mind if i join you
What kind of Millennial™️ are you?
Avocado toast millennial
I am bird watcher now.
I ran a marathon for fun?
Yes, I am currently working on five fiber art projects…
Other millennial stereotype that I will write in the tags.
I am unfortunately not part of the greatest generation aka here for the result
Please share!
Who misses OFMD??
I do! I do!
[image description: an illustration of Taako and Magnus’ shadowy silhouettes, floating in space, arms outstretched to grab the other’s hand. On either side of the image there are portals: an orange one on Taako’s side and a blue one on Magnus’s. The background is taken up by the large Bureau of Balance logo (two isosceles triangles on their sides on each side, to form a diamond in the middle). There’s a triangle-shaped gap at the top of the image which shows a dark starry sky. In the foreground, there’s a dark choppy sea with the silhouette of someone’s head poking out and arm reaching upwards.]
straight white people making a romance movie: haha what if it was illegal to have sex? wait what's lawrence v texas. wait what's mclaughlin v florida. wait what's loving v virginia
As preposterous and stupid as this fucking movie's premise sounded (for a light-hearted rom-com, and not The Handmaid's Tale) I didn't want to think about it too much until the movie actually came out, and then I could see if it was somehow more intelligent and subversive than the trailer let on, but guess what, it's even worse!
If this is what it takes to get a rom-com greenlit these days, maybe we should just let them die.
Sex workers are thrown under the bus, shown only as thieves who fleece men in the woods at night, while queer sexuality is relegated to a few scenes with Allie’s roommate (a woefully underused Quintessa Swindell) and a handful of pans past blurry same-sex extras making out in the background. “This night is for the straights,” Swindell’s character says to Allie, before saying that queer people have worked around straight laws for centuries. This is supposed to be a nod to queer resilience, but largely comes off as straightwashing the history of anti-LGBTQ legislation in this country that led towards raids of queer clubs and incarceration of queer people in the not-too-distant past (let alone the current barrage of anti-Trans and LGBTQ legislation currently in the works and on the books). It’s also ignorant of the long and fraught fight for the normalization of age-of-consent laws, which, by the way, did not happen in all states in this very country until 2003. Yes, that’s not even thirty years ago. By the end, our intrepid protagonists have not had sex with anyone, because this is a film about Romance with a Capital R (and I guess sex is not part of romance!) and for that very same reason they ultimately embrace the fascist state of things. They aren’t the only ones who refuse to fight back. No one in this cursed film is protesting this mandate beyond “repeal” signs in various windows and some creative graffiti (...) (...) If we are supposed to believe that the film is making some subversive statement about the state of sex and bodily autonomy in this country, it cannot end with its leads embracing their chains. That’s just warmed-over conservatism running around in sheep’s clothing.
yeah i wrote this post having only seen the trailer, but jesus christ. was this movie a psyop LMAO??
also, for the unaware: mclaughlin v. florida was a 1964 supreme court case that struck down a florida anti-miscegenation law that criminalized cohabitation (and thus, as implied, sex) between white people and people of color of opposite genders. anti-miscegenation laws made marriage and sexual relationships between white people and people of color, most often specifically black people, a FELONY in several states in the united states up until the 1950s and 1960s. though it was already struck down by the supreme court, the state of alabama didn't repeal their law until 2000! there were THREE ATTEMPTS at codifying anti-miscegenation into the us constitution!
like yes, the issue here is partially straight white people's ignorance on the united states's history of homophobic policy, but it's also really important to recognize that arguably the majority of the issue here is straight white people's ignorance of the united states's history of codifying eugenics and antiblack racism.
the premise could have been interesting as a serious dystopian story, especially taking that history into account, but it wasn't written that way at all. this movie should never have been a fucking romcom making light of the violence the united states (and many other countries) has enacted on any kinds of sexual relationships it deems undesirable.
can y’all maybe reblog this version i feel like people are forgetting about the racism and just focusing on the homophobia

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imagining knowing someone so well like that
died and came back wrong and no one could tell the difference
died and came back wrong but only to myself. died and came back and nobody noticed i died. died and people think i came back better. died and came back wrong only in a specific sense of "wrong". died and fought like hell to come back and everyone thinks it was easy. died and came back mentally wrong and physically fine and tearing myself apart from the inside. died and hiding everything that went wrong. died and trying so hard to show what is wrong and nobody notices.
Daydreaming a story idea about someone adopted as a young child who comes of age to realize they have been raised, and loved, by the villains. And they're the survivor of a massacre their adoptive parents committed.
Just. A fun thought idea.
We love divided loyalties...
The slow realization that they have been loved not like a child, but as a trophy. But it was love nonetheless. Wasn't it?
it's usually morally correct to make fun of the usa but whenever i hear british people do it it feels kinda tone deaf. idk if we have the high ground here guys. its like your mom making fun of your mental illness like ma'am where do you think i got it from.
every day i learn and grow, too

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