Show & Tell
Sweet Seals For You, Always
EXPECTATIONS
Mike Driver
will byers stan first human second
Lint Roller? I Barely Know Her
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Monterey Bay Aquarium
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Kiana Khansmith

Jar Jar Binks Fan Club
NASA
occasionally subtle
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gracie abrams
I'd rather be in outer space 🛸
One Nice Bug Per Day
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Ellen Catherine Dunn, "The Concept of Ingratitude in Renaissance English Moral Philosophy"

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Luca Signorelli, "The Martyrdom of Saint Catherine of Alexandria" (1490)
Fritz von Udhe, "Christ and Nicodemus"
In 2007, when the London Bridge Experience was being constructed in a vault beneath the southern abutment, the discovery of a sealed chamber containing skeletons (at least 75 adults and 5 children) frightened the builders so much that they refused to work alone.

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Millstones can have many different patterns, but they are all variations on a theme. The furrows do not radiate directly outwards from the centre but are set at a slight tangent, arranged in groups called “harps” or “quarters.” Each harp is made up of a “master furrow” (which runs all the way from the eye to the outer edge) and a number of secondary furrows stemming from the master. The first furrow that is parallel and adjacent to the master arrow (second in length and depth) is called the “journeyman furrow”; the furrow parallel and adjacent to the journeyman furrow (third in length and depth) is called the “apprentice furrow”; and the furrow parallel and adjacent to the apprentice furrow (fourth and length and depth) is called the “butterfly furrow.” The bedstone and the runnerstone are carved identically. The animation shows the pattern produced from the runnerstone rotating on top of the bedstone.
Peter Paul Rubens, "The Sense of Sight" (1617)
David Teniers the Younger, "Archduke Leopold Wilhelm van Habsburg in His Art Gallery in Brussels" (1651)
Know thus far forth: By accident most strange, bountiful Fortune (Now my dear lady) hath mine enemies Brought to this shore. And by my prescience I find my zenith doth depend upon A most auspicious star, whose influence If now I court not but omit, my fortunes Will ever after droop. Here cease more questions. Thou art inclined to sleep. 'Tis a good dullness, And give it way. I know thou canst not choose.
— The Tempest
Giotto's "Last Judgment" fresco in the Scrovegni Chapel (below the enthroned Christ, the Tau cross, and Enrico Scrovegni presenting a maquette of the chapel to the three Marys).

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Peter Schabacker