Alisa U Zemlji Chuda
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let's talk about Bridgerton tea, my ask is open
Three Goblin Art
Not today Justin

tannertan36
I'd rather be in outer space 🛸
tumblr dot com

titsay
Game of Thrones Daily
RMH
occasionally subtle

if i look back, i am lost

ellievsbear

blake kathryn
Keni
Sweet Seals For You, Always
Show & Tell
TVSTRANGERTHINGS
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@fairdevotee

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Jean Paul Gaultier
Femme
The Dogs After A Brushing,
Sally Bennett Jones

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Children dancing around the Maypole, c. 1915
Hans Bellmer
The Palace of King Ubu
1936
“A witch is, actually, a successful (in the sense of surviving) deviant. You have a cultural, ideological, social, what-not pattern which is, for that society in question, normal (and, importantly, this is understood as a synonym for natural). Most people survive because they conform to these patterns, because they behave normally. […] But then suddenly you get a deviant which survives, and since it does not draw its support from the normal pattern, […] that deviant is understood as drawing its support from “unknown,” “supernatural” sources. […] If we cannot survive without our order, how can she [the witch] survive in solitude? Hers must be indeed a very powerful order to exist so independently, without all the inter cooperation and individual compromise which we have to go through to survive. And if it is so powerful, then it could destroy us. We must try to destroy it first.”
— Maya Deren, “From the Notebook of Maya Deren”, c.October 1947, vol. 14: pages 21–45.
Georgina Gratrix (South African-Mexican, b. 1982, Mexico City, Mexico, based Cape Town, South Africa) - Midlands Meander Still Life, 2017, Paintings: Oil on Canvas

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Fernanda Gomes, Installation, Kunstmuseum Bonn (1999)
Betty Tompkins “Sagging Tits" acrylic on paper; 5.5 x 8 inches; 2016
https://www.instagram.com/p/BLWV8PsALly/
Slave_4_U_.Britney_Spears.mmp3

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