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Flattr Plus from Sebastianbap on Vimeo.

Revolutionizing Stock Footage from Filmsupply on Vimeo.

Filmsupply represents the world's best filmmakers for footage licensing. filmsupply.com

Agencies, brands, and independent filmmakers alike now have quick access to thousands of stunning clips needed to complete their stories. Sourced by a global team of visionary cinematographers, Filmsupply licenses a highly curated catalog of ready-made scenes and facilitates the creation of custom footage to round out any project.

Start browsing clips or make a custom request at filmsupply.com

License footage from this film: Variable - filmsupply.com/filmmakers/variable/53 Chris Fenner - filmsupply.com/filmmakers/chris-fenner/19 Venture Visuals - filmsupply.com/filmmakers/venture-visuals/37 Ben Jacks - filmsupply.com/filmmakers/ben-jacks/34 Hunter Hampton - filmsupply.com/filmmakers/hunter-hampton/39 Hillsong Film - filmsupply.com/filmmakers/hillsong-film/45 Abandon Visuals Musicbed Films

ANII INSTITUCIONAL from enanomaldito on Vimeo.

cliente ANII agencia LA DIEZ

direccion PABLO MARCOVECCHIO prod. ejecutiva MARIA NOEL CACHENAUD diseño NENE FELIZ & ENANO MALDITO 3d & Animacion SANTIAGO GONZALEZ / JOAQUIN COSSIO / LUCIA GUIMARAENS comp LEANDRO PEREYRA

facebook.com/EnanoMalditoPost/

How to Create the "Micro Jelly" frame using SSS, GSG HDRI Studio and Octane from Greyscalegorilla on Vimeo.

What's the Future of the Sony A7x Series? An Exclusive Interview at Sony HQ from cinema5D on Vimeo.

Johnnie Behiri from cinema5D was invited to Sony's HQ and among other activities, had a chance to make a quick interview with Iwatsuki-san who is a senior manager for product planning at Sony industry consumer electronics.

Time Stood Still - An Extreme Low Light Video - Sony a7SII & SLR Magic 50mm f/1.1 from Johnnie Behiri on Vimeo.

This was supposed to be a normal comprehensive lens test/review of the new SLR Magic Cine 50mm f/1.1 made with a production unit we received from the manufacturer about 2 weeks ago. After working with the new lens, we've raised our concerns to the manufacturer especially about the softness of the image at the corners of the picture when shooting with a wide open aperture and setting the focus point to infinity.....

Danny Cooke Director & Cinematography Reel 2015 from Danny Cooke on Vimeo.

Danny Cooke- DP, Director & Freelance Filmmaker Showreel 2015, For more information please visit dannycooke.co.uk

4k Video Test - Lumix G7 - Pennsylvania from Dan Herbas on Vimeo.

The Girl And The Robot from Röyksopp on Vimeo.

A7SII SLog3 / Osiris LUTs / Metabones / Canon 35mm f2 from Tim Williams on Vimeo.

- These clips were shot either in 4K, 1080 60fps, or 1080 120fps from various places I had been in the past 5 days. - Metabones Smart Adapter IV and a Canon 35mm F/2 Lens. - All handheld. - Some have been shot in SLOG3 and some using the Neutral Profile. - They all have a LUT applied to them with some color adjustments as well as exposure to taste. - Auto ISO was used for each shot. - Some funny artifacting happened in the first shots with the LUT, you can see it in the mountains. Not sure what happened there... - This was a personal test. To experiment how to color grade these clips . Coming from a 5D3, it's so much better. - It was awesome to see how this camera handles color and 5 axis stabilization is a dream. - Exported using the H.264 Codec only because I don't have a pro account, and the 422 version was over 5GB's. So there's that.

Hamburger Hummus (Making of & Project) from Sebastianbap on Vimeo.

Hamburger Hummus it’s a website to promote tourism in Israel to Americans citizens. Lobulo and I were in charge of making the background for it, but not any kind of background, a video looping background made entirely in paper were everything needed to be perfectly though beforehand.

Here you can take a look of the final project made by Tool of North America: hamburgerhummus.com

Ben Arditti (Reach) brought this job to Lobulo and after he heard the word “in movement” he called me to get in to make it together. We were lucky to have amazing professional friends who made a great team.

Agency: SS+K Direct Client: Tool of North America Representation: Reach (Ben Arditti)

Directors: Lobulo & Sebastián Baptista

Rum Drunk Drum from Sebastianbap on Vimeo.

This is a super simple project done for the online course I created in Domestika. I needed to create several easy clips using all the different technics I explain in the course. All the project had to be done in less than one hour.

domestika.org/es/courses/88-animacion-y-motion-graphics-con-after-effects/sebastianbap

EOSHD Shootout - Canon 1D C vs Samsung NX1 in glorious 4K-o-vision from Andrew Reid on Vimeo.

A shootout of two 4K flagships – Canon 1D C versus Samsung NX1 on EOSHD - eoshd.com/2015/07/shootout-of-the-4k-flagships-canon-1d-c-versus-samsung-nx1/

floats from Misha Shyukin on Vimeo.

things that float. music: summoning ritual by heroin party.

Sennheiser - Reshaping Excellence Making-Of from Sehsucht on Vimeo.

After one year of working on Sennheiser’s interactive Reshaping Excellence campaign, we’re proud to see the final stage launch on November 3rd. Phase two of the project witnesses the completion of the monument to sound—a vast interactive sound-sculpture created over the past six weeks by over one million people worldwide. Our spot is a supersensory odyssey that presents the formation of the monument in all its monolithic glory, and finally reveals it as the foundation of Orpheus; a personal sound experience unlike any other. Discover how we did it...

Credits:

Director: Mate Steinforth

Client: Sennheiser electronics GmbH & Co. KG Director Global Marketing / Brand Marketing: Uwe Greunke Director Global Marketing Communications: Uwe Cremering Key Communication Global Manager: Anne Hildebrandt

Agentur: Philipp und Keuntje Creative Director: Mike John Otto Agency Producer: Laura Popiol, Stefanie Voss Project Manager: Karolina Kurzaj

Interactive / WebGL: Artificial Rome GmbH

Production: Sehsucht Berlin GmbH & Co. KG Director: Mate Steinforth Technical Director: David Weidemann Producer: Christopher Lenz, Konrad Weser Design Department: Saskia Kretzschmann, Christian Zschunke, Christoph Strohfeld 3D Artists: Florian Raphael Panzer, Christoph Strohfeld, Alexander Walker, Christian Zschunke, Oliver Latta, Roman Hinkel, David Weidemann Matte Painting: Julius Brockelmann Compositing: Christina Agapitou, Ian Hutchinson, Sebastian Wirbelauer

Original Music for Website and Campaign: Imogen Heap

Sound Design for Website and Campaign: Hofkapellmeister Sebastian Müller, Marcel Cloidt

Sennheiser - Reshaping Excellence from Sehsucht on Vimeo.

After one year of working on Sennheiser’s interactive Reshaping Excellence campaign, we’re proud to see the final stage launch on November 3rd 2015. Phase two of the project witnesses the completion of the monument to sound—a vast interactive sound-sculpture created over the past six weeks by over one million people worldwide. Our spot is a supersensory odyssey that presents the formation of the monument in all its monolithic glory, and finally reveals it as the foundation of Orpheus; a personal sound experience unlike any other.

Credits:

Director: Mate Steinforth

Client: Sennheiser electronics GmbH & Co. KG Director Global Marketing / Brand Marketing: Uwe Greunke Director Global Marketing Communications: Uwe Cremering Key Communication Global Manager: Anne Hildebrandt

Agentur: Philipp und Keuntje Creative Director: Mike John Otto Agency Producer: Laura Popiol, Stefanie Voss Project Manager: Karolina Kurzaj

Interactive / WebGL: Artificial Rome GmbH

Production: Sehsucht Berlin GmbH & Co. KG Director: Mate Steinforth Technical Director: David Weidemann Producer: Christopher Lenz, Konrad Weser Design Department: Saskia Kretzschmann, Christian Zschunke, Christoph Strohfeld 3D Artists: Florian Raphael Panzer, Christoph Strohfeld, Alexander Walker, Christian Zschunke, Oliver Latta, Roman Hinkel, David Weidemann Matte Painting: Julius Brockelmann Compositing: Christina Agapitou, Ian Hutchinson, Sebastian Wirbelauer

Original Music for Website and Campaign: Imogen Heap