Jekyll / Sam / Frey / Radar. mixed race, genderqueer, 20. They/them. I block anyone for anything, mcu fans i want you dead actively.
I DON'T LIKE THE MCU AND I DON'T LIKE FANS OF THE MCU. HAVE YOU HEARD OF A THING CALLED A COMIC.

JBB: An Artblog!
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Monterey Bay Aquarium

izzy's playlists!

PR's Tumblrdome

Kaledo Art
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almost home
Sade Olutola
i don't do bad sauce passes
taylor price

shark vs the universe
Aqua Utopia|海の底で記憶を紡ぐ

❣ Chile in a Photography ❣

Product Placement

Janaina Medeiros
Mike Driver
Peter Solarz

sheepfilms

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@faacethefacts
Jekyll / Sam / Frey / Radar. mixed race, genderqueer, 20. They/them. I block anyone for anything, mcu fans i want you dead actively.
I DON'T LIKE THE MCU AND I DON'T LIKE FANS OF THE MCU. HAVE YOU HEARD OF A THING CALLED A COMIC.

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do champions dream of dynamax wooloo
gonna be fucked up for a moment and say that idgaf when a parental figure apologizes for shit like. a decade after the fact. like you did nigh-irreparable damage to me during my developmental years and changed the way i see the world (and myself) and interact with every other human being alive. But cool that you are “sorry”. Now.
you want forgiveness? Damn that’s crazy. anyways
megan fernandes
[ Text ID:
TIRED OF LOVE POEMS
But we never tire of them, do we? We wish to worship more than just each other. We put a god first, sometimes a tree, write a sonnet to a bird in the black of night or offer a light to a stranger and not call it love. But it is. To pull out a chair is more than manners. What we tire of is that we never tire of it. How it guts us. How it fails, then reappears. Because what is the bird compared to you? The bird is replaced each morning. You approach on a red bike in summer and the poem takes shape. I entitle it anything but Love, anything but what it is. ]
i don’t care that you’re a transgender communist you shouldn’t be using the r word
i’m not talking about “rape”!!!!! i’m talking about the slur for mentally/intellectually disabled people!!!!

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STOP SCROLLING, MY BABY QAIS’S WOUND OPENED AGAIN BEFORE MY EYES.
I started using torn, worn-out clothes instead of medical bandages for my baby Qais, and his wound became infected and opened again because I cannot afford proper supplies anymore.
Tonight, I tried cleaning the blood from his small body with shaking hands while he cried in pain, and I realized I no longer have anything left to ease his suffering.
I beg you as a devastated mother in Gaza, watching her child break apart in front of her without being able to save him.
Please donate now and help me keep my baby Qais alive.
TRAGICALLY, tonight my baby Qais lost consciousness again after his wound reopened and the bleeding returned, and I felt completely helpless watching his small body collapse in my arms. Please, I beg you, donate now and help me save him.
this is my little sisters favorite post she sends it to me like once a week
fandom confession blog simulator
post 1: i hate female character
post 2: i hate this pairing. she isnt good enough for him
post 3: i hate it when people assume im a misogynist based on the media i like
post 4: i hate this other female character
Francis Alÿs, Nightwatch, 2004.
Surveillance cameras observe a fox exploring the Tudor and Georgian rooms of the National Portrait Gallery at night.
"Dogwhistles" are called that based on real "dog whistles", many of which are pitched too high to be audible to most humans, but are still perfectly audible to dogs.
Rhetorical dogwhistles are things that most people would not be able to identify as bigoted because they're INTENDED to have plausible deniability.
The wording changes are meant to be subtle enough that people really can mix them up accidentally when they don't have much information!
So when the gender critical movement calls trans women "transwomen", they're hoping for 2 things.
this usage will spread enough among people who don't know any better, to give transphobes the plausible deniability of not LOOKING like a frothing bigot constantly.
the usage grammatically places trans women in a different category than other women; it's changing "trans" from an adjective to part of a noun to make this distinction.
The more we can avoid this usage, the less deniability have transmisogynists have when using it, and the less rhetorical ground we cede to the degendering and misgendering of trans women.
I don't actually think ceding this ground is LESS divisive than pointing it out politely.

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By wearing this watch you confirm that you are not Anish Kapoor
The Fence has published an exposé on Stuart Semple (of Anish Kapoor 'feud' notoriety) which they have been working on for six months.
investigation reveals Semple / his studio / his partner Emily Mann (who's described as acting as his 'enforcer' in his business) :
mishandled £400k grant of public money intended for a public gallery, allowing the money to flow freely between the public project, his own personal studio and personal projects such as Culture Hustle (his online business selling paint etc)
underpaid or failed to pay many of his assistants to the tune of several thousand pounds each.
former assistants have taken him to court and he simply hasn't bothered to show up and he's threatened to sue former assistants who asked for their back pay
repeatedly funds ambitious projects that never see release eg Abode, an 'Adobe-rivalling' suite of creative software (he claims he still intends to release this)
encouraged a cult-like atmosphere at his studio in Bournemouth
was frequently in debt and having to negotiate with bailiffs etc for his debts while at the same time crowdfunding various projects
ran fake social media accounts boosting Semple and his work
The portrait that emerges is one of decades-long scam artistry tbh and someone who's juvenile, manipulative, narcissistic.
The Fence btw is a decent fairly small-circulation quarterly magazine from the UK which specialises in satire, investigative journalism, culture, and fiction. You can read the piece in its entirety if you register (which is free).
a few links:
The Fence's newsletter from April discusses this article & how Semple has tried to muddy the SEO waters
Semple threatened to sue The Fence for publishing this story - many of you are American so here's the relevant UK law on defamation.
& the subreddit r/culturehustle is worth a look to get an idea of just how badly run his paint business is
internet archive / cover photo
john berger
[Text ID: Desire, when reciprocal, is a plot, hatched by two, in the face of, or in defiance of, all the other plots which determine the world. It is a conspiracy of two. End ID]
Do you like this song? #828
Yes I like it, I already know it
Yes I like it, first time listening
No I don't like it, I already know it
No I don't like it, first time listening
Bastille - Pompeii 2013
"Pompeii" is a song by British indie pop band Bastille. It is the fourth single from their debut studio album Bad Blood and was released on 11 January 2013. The song's title and lyrics refer to the Roman town of the same name that was destroyed and buried in the eruption of Mount Vesuvius in AD 79. "Pompeii" became the band's breakthrough hit, peaking at number two on the UK Singles Chart and became the eleventh best-selling song that year and, until June 2014, was the country's most streamed single of all time. It was also successful worldwide, reaching the top ten in fifteen countries, including number one in Scotland and Ireland, number two in Italy, and number five on the US Billboard Hot 100. It was nominated for British Single of the Year at the 2014 BRIT Awards.
According to lead singer Dan Smith, the song is written as a conversation between two victims of the eruption of Mount Vesuvius, stating in an interview, "I was reading a book that had some picture of the people who got caught up in the volcanic eruption. And it's just such a kind of dark powerful image, and it got me thinking about how boring it must have been emotionally after the event. To be sort of stuck in that same position for hundreds and hundreds of years. So, the song is sort of an imaginary conversation between these two people who are stuck next to each other in their sort of tragic death pose."
Belgian singer Heleen Uytterhoeven recorded a cover version in Latin. Bustle magazine noted that the Youtube video contained commenters arguing in Latin over the accuracy of her translation. The "eheu" chanted throughout the song is a Latin interjection commonly used by ancient Roman authors to express sorrow, grief, pain, or fear. It translates to "alas" or "oh no", or in the words of the Youtube commenters, "oh shit".
The lyrics are referenced in an in-game achievement for the video game Civilization VI, as part of the Gathering Storm DLC. The achievement requires the player to lose a city's population from Vesuvius' eruption while playing as the Romans. In August 2020, the song's chorus became an Internet meme involving a before and after shot of countries, states or provinces viewed on a map, usually disappearing or changing after the line "But if you close your eyes" is sung, as well as a major meme in the NASCAR and Formula One community over similar events that look almost exactly the same, such as finishes or crashes. The cast of Glee performs "Pompeii" as the closing number of the season 5 finale.
"Pompeii" received a total of 84,7% yes votes!

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would you eat it
yes
no
behind the post: I found this while reading the wikipedia page for sandwich and after expending a nonzero amount of effort finding the actual image since it was replaced soon after the thread was made I was confronted by the fact that the sandwich i had just eaten looked identical to the so-called absurdly offensive image (if you replace the bologna with ham and remove the milk) so to this wikipedia user and ~280 of you I ask what's your problem with my lunch
I Don’t Want To Be A Spice Store
By Christian Wiman March 25, 2019
I don’t want to be a spice store. I don’t want to carry handcrafted Marseille soap, or tsampa and yak butter, or nine thousand varieties of wine. Half the shops here don’t open till noon and even the bookstore’s brined in charm. I want to be the one store that’s open all night and has nothing but necessities. Something to get a fire going and something to put one out. A place where things stay frozen and a place where they are sweet. I want to hold within myself the possibility of plugging one’s ears and easing one’s eyes; superglue for ruptures that are, one would have thought, irreparable, a whole bevy of non-toxic solutions for everyday disasters. I want to wait brightly lit and with the patience I never had as a child for my father to find me open on Christmas morning in his last-ditch, lone-wolf drive for gifts. “Light of the World” penlight, bobblehead compass, fuzzy dice. I want to hum just a little with my own emptiness at 4 a.m. To have little bells above my door. To have a door.