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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Percy Bysshe Shelley, from "Epipsychidion" in The Collected Poems of Percy Bysshe Shelley
@ryebreadgf / The Truth About Grief, Fortesa Latifi / bone deep, m.v.e / Sidewalk, Richard Silken / unknown / 60 hours, m.v.e / @itsblackleader / Salt, Nayyirah Waheed / @heavensghost

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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James Baldwin, from Another Country [ID'd]
Stephanie Foo, What My Bones Know: A Memoir of Healing from Complex Trauma
She wanted to scream, but a person who is alone—alone in the absolute sense of the word—does not scream out her despair; it is useless. Deserts do not hear. But she can do things with her hands which even a desert must notice. She can tear at the sand until the desert bleeds.
– Stig Dagerman, from “Men of Character,” The Games of Night (Quartet, 1986)
hearts of darkness (1991) dir. eleanor coppola, george hickenlooper, fax bahr

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Marjane Satrapi, Persepolis
Camille Claudel. The Waltz, 1889-90.
"Mission", Leonard Cohen
Maram al-Massri, from A Red Cherry on a White-Tiled Floor (trans. Khaled Mattawa) [ID'd]
Rodin sculpture and couple, Tate Modern, London, 1993 - by Elliott Erwitt (1928), French/American

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Mirror, 1981
Will Barnet
Maram al-Massri, from A Red Cherry on a White-Tiled Floor (trans. Khaled Mattawa) [ID'd]