Gillian Anderson as Dana Scully THE X-FILES (1993-2018) • S01E07 “Ghost in the Machine”
Noah Kahan
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d e v o n
$LAYYYTER
YOU ARE THE REASON
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"I'm Dorothy Gale from Kansas"

Kiana Khansmith
Sweet Seals For You, Always
EXPECTATIONS
TMBGareOK. The Official They Might Be Giants tumblr
Phantogram Three
art blog(derogatory)

Game Changer & Make Some Noise
I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her

tannertan36

Love Begins
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seen from Germany
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@exquisite-pain
Gillian Anderson as Dana Scully THE X-FILES (1993-2018) • S01E07 “Ghost in the Machine”

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Stevie Nicks 1977
do u ever miss your own energy. like damn what happened to me
do u ever miss your own energy. like damn what happened to me
i think anne magills paintings and Edward hoppers are like .. exact opposites. hoppers has the distinct clarity to it, a sharpness in the lines and the angles that contributes to an overwhelming sense of loneliness in almost every one of his paintings. even in his paintings that dont portray isolation there is a feeling of separation
loneliness vs. aloneness
magill, on the other hand, has this haziness to her paintings that emanates a warmth even when the subjects in her paintings are alone.
both paintings feel so comforting, and even in the second one where the girl is alone she is still in the presence of the visceral world around her - there’s a familiarity in magills painting that she captures nicely.
i guess i just think it’s interesting because hopper and magill are two of my favorite artists and they paint similar scenes with very different tones -
I’ve always thought that hoppers paintings are a snapshot of urban loneliness - the distinctness of it, the use of cool colors, the stark contrast between the people and their settings - whereas magills paintings seem almost like memories - their use of haziness and blurriness is exactly how someone wild remember something, indistinct, full of feeling and lacking detail

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“from the vault” songs from fearless (taylor’s version)
Shasei sōka moyō (Patterns of Grasses and Flowers Drawn from Life) - Furuya Kōrin - 1907 - via LACMA
Anya behind the scene of Emma
Pat’s Miniatures - Victorian Gothic Cottage

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Édouard Bisson
French, 1856-1939
Les messagères de l'Amour (detail)
The Secret World of Arrietty 借りぐらしのアリエッティ 2010 | dir. Hiromasa Yonebayashi
Swansea, Tasmania // Kelvedon Beach // (2019)
Details: Water Lilies II, by Claude Monet.
https://www.instagram.com/p/CLwuU7mDQgd/

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the light in these illustrations by Kyuate Lee is everything ✨
i don’t want a job i want to read good books and drink good coffee and get kissed on the neck