I really need to listen to some more Gullah-Geechee music
Monterey Bay Aquarium
Cosmic Funnies
Cosimo Galluzzi
TVSTRANGERTHINGS

Love Begins
untitled
Xuebing Du
$LAYYYTER
cherry valley forever
RMH
KIROKAZE

PR's Tumblrdome
The Stonewall Inn

trying on a metaphor

pixel skylines
tumblr dot com
ojovivo
Lint Roller? I Barely Know Her
One Nice Bug Per Day

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@evergreenlistenstomusic
I really need to listen to some more Gullah-Geechee music

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"It was sad when that great ship went down"
The version I have been listening up to this day was really crunchy and I couldn't hear him playing autoharp on this so this is a treat
Very few people go out to sail in the way the protagonist of this song does but it feels timeless, atleast to me.
lyrics
A very rare but very incredible piece of funk! That intro with the drums and the killer bass!
Fun fact: this singer was likely gay and definitely a drag performer/female impersonator. This is the last song he recorded before retiring from show biz! What a track to go out on!
Here is him ten years before the above came out, on video
I finally found a clip of old time legends Pete& Lillie Steele performing!

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Playlist....of the previous month!!! Not very coherent but I love these songs dearly. The main song and inspiration for the design itself is La Porte En Arriere by D.L Menard
Song of the day
Oh boy - Buddy Holly
Probably my favourite song by him. It's passionate, it's got his typical sound with crispy guitar and drums. Overall a lot of fun.
Song of the day
This is a super fun song with the skronkliest sax solo ever.
It's catchy and groovy and most importantly, "They call me Speedo, but my real name is Mr Earl" is one of the coolest catch phrases ever. It just is
Song of the day
Valley of tears- Fats Domino
Despite being a Fats Domino fan, I actually heard the Buddy Holly cover first(it taught me the valuable lesson to always research who covered whom because the covers by white artists are, more often than not more famous than the original by a black artist, I don't know however if this is the case here) which has a nice electronic organ part. The original meanwhile seemed, while beautiful unusually barebones for a Fats Domino song, whose music always is incredibly luscious, thanks to producer and basically coperformer Dave Bartholomew. The song radiates a sad dizzyness of not wanting to leave a beautiful place against your better judgement. Only recently I found out that I have been listening the wrong version, because the initial version of the song had absolutely beautiful backing vocals that kind of feel like a choir of angels(thanks to a kind of ghostly tone they create) that gently wail as you traverse the valley of tears.
In conclusion, my experience with this song has been humbling, because even if Buddy Holly didn't make "Valley of Tears" more successful than Fats Domino, the bitter aftertaste of the times where the white coverer became more famous remains.
Song of the day
Lloyd Price-Question
An incredibly well written and fun song about some of the great questions on life. While it isnt as evocatively story telling as Stagger Lee (also by Lloyd Price), it is still incredibly clever.
But the melody is also very catchy, and the performance by Price, the band and the backing vocals is stellar in the way they almost...punctuate whenever he sings "Question"

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song of the day
Be Mine- Lance Fortune
A small gem from one of the dozens of clean cut UK Rock n Roll idols, a genre I usually dislike) from the turn of the decade ('50/'60). It shares the fun string and gutar style arrangements with some Adam Faith songs.
Fun fact: this is the first solo production effort of legendary producer Joe Meek, who probably gave the record that echoey, whispy feeling.
song of the day
Lovers Question, Clyde McPhatter
Clyde McPhatters voice is truly unique in the best way possible. In this beautiful and catchy song it is accentuated with gorgeously arranged backing vocals.
In general, Clyde is a must check out for fans of early rock, as he is often pushed out of the spotlight by more eccentric (and occasionally white performers)
Lloyd Price- The Exiting Lloyd Price And what an exiting album this is indeed! It takes the listener on an emotional Rollercoaster and demonstrates very well why Lloyd Price is considered a pioneer of rock n' roll. The sound of the album is defined by the New Orleans RnB sound that was popularised by Dave Barthomlew and Fats Domino, who produced/ played on "Lawdy Miss Clawdy", a track I will come back to. Lloyd Price also draws great inspiration from Big Band Jazz, most audible on the Gershwin Brothers penned "Foggy Day". The two most famous tracks on the album, Stagger Lee(1959) and Lawdy Miss Clawdy (1952) probably demonstrate why Lloyd Price is great as he is. "Lawdy Miss Clawdy" is a track that put New Orleans RnB on the map in all of America, with the session performers being a downright star parade of what would become the 50s rock n roll scene. The pianist and the trumpetist/producer were already on their way to become the most successful act of the 50s, after Elvis, and it would be easier to list the artists that legendary drummer Earl Palmer didn't play with than those he did. But in order to explain why I love Lawdy Miss Clawdy so much I don't need to list all the people that were on it. Let me say one thing…when the piano intro is over and the vocal starts it feels like im ascending to heaven. There is just a sense of magnificentness that this song radiates. "Stagger Lee" is thematically very different. It tells a story based in truth: On Christmas in 1895, "Stag" Lee Shelton shot William "Billy" Lyons, allegedly over Lyons taking Sheltons expensive hat as gambling debt. The story quickly became the subject of folklore, and with that music. Songs about this murder predate recorded music and many iconic blues and jazz singers have sung their take on what happened that day. There aren't really any specific lyrics to the song, so this is a Lloyd Price (and his co-writers) original. (And not a Blues or Jazz song). What I love about this song however is not the subject, as many rock musicians of the time drew from folklore and urban legends. The story here is told with many beats similar ti a western story, with dramatic entrances and broken glasses. What makes this song a hit however is the arrangement. The saxophone underlines each action, and Lloyd Price narrates the story with his powerful booming voice, while the background singers either dis-or encourage Stagger Lee, depending on how you hear it. By using very theatralic arrangements and vivid imagery that is probably familiar to most listeners, he creates what feels like a mini musical or play. But now that I've sung the praises of the two big hits ob the album, let's talk about the rest. If you know anything about 50s music your forehead is starting to sweat and your knees begin to shake. Through clenched teeth you ask… "I-is it just f-filler?". This is where I answer…"No :-)". While the rest of the songs don't match the two Big Ones, they are still exquisitley performed songs that show the singers emotional range. Not to mention all the fun hooks that got stuck in my head (in the best way possible).
Now what is not good about this album? Well basically that this isn't an album as we understand it but a compilation of some of his singles. And maybe the songs are a little repetitive. But other than that this is a nice unit to consume the music of Lloyd Price in. It showcases his talent very well and gives a taste into a genre defining and influential artist.
Bobby Day- Rockin' Robin
Admittedly, I only know this album(or is it compilation?) because the album cover stood out out to me.
I thought the birds were charming and funny, and it was a lot less expensive than the more famous albums.
But surprisingly, it is actually a rock(in) solid album that shows a big spectrum of vocal talent (from doo wop to more rockabilly oriented to crooning, he does it all) demonstrated on mostly covers(mostly works of Jimmie Thomas a.k.a Léon René) and some own material. Sadly the credits are not quite trust worthy so it's hard to tell what's a cover and what's not, disregarding the standards featured ("Little Bitty Pretty One", "Blue Heaven", "When The Swallows Come Back to Capistrano").
But overall, while it has the typical novelty music tinge a lot of late 50s early 60s music tends to have, but executes it well enough to not be annoying after a while.
Perhaps the only issue with this album I have is that it has the inevitable problem of 50s culture being very different from today and that what was normal back then comes off as creepy today(rightly so?)
Anyway obviously this album isn't some kind of world saving revolutionary piece of music that changed the course of history, but if you want to experience an authentic and fun slice of 50s music this is a good pick.