The Hearth Witchโs Path Book Review
I bought this book out of curiosity. I have two of the authors other books within this series and thought I might as well read about her thoughts on the path as a whole.
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Contents:
Synopsis
What I Liked
What I Didnโt Like
Overall Thoughts
Conclusion
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Published 2025
โAnna Franklin guides your unique journey into the hearth witchโs world and helps you form a spiritual relationship with your home. She provides a complete course on hearth witchery that walks you, step-by-step, along this path. With the garden as a sacred space and the kitchen as a magical workshop, you will develop your herb cunning and formulate your own spells for courage, luck, and much more.
Forge partnerships with your house spirit and various deities. Explore magical cleansing, banishing, and warding. Align your rituals with the sabbats and moon phases. Discover dozens of elemental, planetary, herbal, and color correspondences. Craft incenses and oils for protection, consecration, purification, and blessing.
The Hearth Witchโs Path presents in-depth domestic lore alongside the modern practice of this tradition. Tips for achieving balance and living in harmony with nature are featured throughout, making this book an essential part of living a richer life with deep connections to the sacred.โ
- from the back of the book
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What I Liked
While I don't really do deity work/worship myself, I do like that each goddess the author mentions in the first chapter is given her own unique invocation. Sometimes you'll see invocations that just plug a deity in, but these ones really think about the role that goddess plays in it's cultural context as well as modernly.
The second chapter is great for working with household spirits and setting up shrines. It also gives good ideas to connect with a house spirit in a house you're moving into as well as reconnecting with one that may have been neglected.
While I don't know that I personally give much credit to the idea of spiritual "miasma," the author gives some interesting thoughts on the matter. While I don't necessarily agree with everything she says when talking about it on page 33, it does make me think and play with different ideas. Which I don't get much of from similar books like this these days.
I can see that the author has had growth when it comes to cultural appropriation. Which is great! In my review of her earlier book, "The Hearth Witch's Compendium," I noted that she used the term "smudging" for smoke cleansing; in this book she actually mentions the issues around using white sage (though this is not the only herb used in smudging rituals) and gives alternatives to smudging and white sage. I will note that white sage is not endangered, however people are concerned about it's status due to the large amount of consumerism around this keystone species. If you would like to learn more about Indigenous-led safeguards for and information about this plant, please check out this website.
I often see people ask how to banish, and this book gives a banishing ritual. This would be a good one to look into for people who have Wicca adjacent practices as well as those that work with the elements. It can also be easily modified to fit another person's practice.
Franklin has some really good historical information on Witch Bottles, you can find my own post on them here. The actual way she makes witch bottles is more modern (no urine) and has incantations that are Wiccan. It is just nice to see a witch bottle being an actual witch bottle in a modern practice book. (There's a change to this later on, see "What I Didn't Like")
In the beginning of Part Two of the book, titled "Herb Cunning," I really like that Franklin acknowledges that plants are living beings. They have sentience, they communicate with each other, take care of each other, having communities, etc. and has SOURCES for this science. I really want more people to realize this about plants in more than just a "cool knowledge" point of view.
I love that Franklin talks about herbalism not being a replacement for modern medicine. As I said in my review of her earlier book (see above), I was worried that her rhetoric around herbal medicine would lead to dangerous anti-vax, anti-modern medicine mind set. Here she gives no room to doubt her support of modern medicine and how herbalism can work alongside it, with safety precautions.
There's a really quick chapter on the garden, but she does cover the garden extensively in other books. Here we get a nice little dedication for an herb garden and a discussion on how the garden can help us connect with the "web of life." The next chapter also has a section talking about connecting with plant spirits that is very good for those who want to learn a bit more about that.
Very rarely do I see anyone talking about using stones found in your own environment, but I was so excited to see this discussion here! She has so many ideas for how to work with them, the types you may find and the properties she has found that they have. I also was surprised to find myself enjoying the small prayer that's included to the spirit of the stones that the author has dubbed "stone mother."
I also really liked that she talks about working with animal parts; bones, feathers, and shells mostly. While I love the information here, I would warn that those in the United States, Canada, Mexico, Russia, and Japan need to remember that it is illegal to pick up feathers from migratory birds. You can find more information on the Migratory Bird Treaty Act at the link which leads to the U.S. Fish and Wildlife Service website page on it. You will also want to look up local laws on gathering bones from deceased wild animals. You may need to report to your local conservation officer, obtain a tag for the animal, etc, or not depending on state, province, country, etc.
After all that information, Franklin gives a whole lot of different spell techniques that she has dubbed anchors. These are different ways to perform a spell that can easily be changed per intention.
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What I Didnโt Like
Some of the pseudohistory from her previous book that I reviewed (linked and named in above section) has calmed down a bit. Though it feels like she still has the idea that women carry special knowledge of magic. So while it's not as bad as the previous book, I still say tread cautiously around the history of women in this book, including the idea that every woman was the priestess of her household hearth, every woman knew how to make their own medicine, and male physicians got planetary correspondences from women and then forbade them to practice (this one in particular was a class issue).
The author operates on the idea that all hearth goddesses are one goddess under many names. I personally don't subscribe to this idea, I think it can lead to a few bad habits when it comes to other cultures. However I'll say that she does at least seem to treat each goddess she talks about as specific to the culture they come from and gives them their own individual invocations and offerings (as talked about above).
On page 15, Franklin is talking about household gods shrines and she talks about different ways to dedicate them. It's all well and good, but she says she offers bread and rosemary and then leaves it out for the birds if it's not burned on the fire. Please do not feed birds bread. You can learn more about that here.
On page 56 Franklin recommends hanging your herbs in direct sunlight to dry them. DO NOT HANG THEM IN DIRECT SUNLIGHT! Sunlight dries up the volatile oils making them weaker in your herbal concoctions, and bleaches the color. Hang them in a place with lots of air flow and NO direct sunlight.
There's a couple of vernacular things that I wonder is maybe just a difference between UK and US dialect. For example, on page 59 Franklin says marigold is Calendula officinalis as well as Tagetes. But Calendula is Calendula officinalis while marigold is in the Tagetes family. On page 60, she says "An herb simple can be an herb tea, an infusion (a greater proportion of herb to boiling water than a tea), or a decoction (the herb is boiled in water)." But tea is a plant. Infusions are called teas because they were made with... tea. Also, while I know what she was getting at with her description of a decoction, she probably should have clarified that an infusion is hot water poured over the plant and left to steep, while a decoction is the hardy plant matter (such as roots and bark) boiled in a pot.
In that same chapter (chapter) there are some plants that need safety precautions, such as St. John's Wort and Valerian root. Please make sure you are looking up contraindications before ingesting a plant.
On page 172 Franklin mentions blue moons. She says "A blue moon is a second full moon in a calendar month. It is coincidence of the artificial calendar and has no resonance in the natural cycle or natural magic." But this is false! This blue moon is actually a mistype by a 1946 issue of Sky & Telescope magazine. There are typically three full moons in an astronomical season (aries, taurus, etc.); but when there are four full moons in an astronomical season, the third one is a blue moon. Learn more here.
At the beginning of Part Five, titled "Operative Witchcraft," Franklin says "Spells are cast for power, never power over, and if you practice such dark magic you will be corrupted by it." Bullshit. There is no difference between casing magic for power or power over. Those are the same things. Also, there is no dark magic, just magic you have deemed to be so. You will never know another persons circumstances or why they cast the spell they did, unless you sit down and have a very honest and open conversation with them. So don't judge. In this same area, Franklin fear mongers around deities, such as Nemesis, and certain types of magic. I'm just... tired.
While I applauded Franklin's description and use of the witch bottle earlier on in the book, in her spell anchors section on page 183 she creates a spell jar instead, but calls it a witch bottle. I feel like witch bottles are a specific working, while a spell jar is a type of working that can be changed with intent. On page 191 she changes the chant written by Doreen Valiente for the Nine-Knot charm, but doesn't give her credit despite it's barely being changed.
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Overall Thoughts
This book is Wiccan in practice, though those who are not beholden to a specific type of witchcraft or tradition and enjoy's hearth craft may enjoy this book. I'd like to note that the US doesn't have any official medical herbalists, but the UK does have an organization for it which information for can be found here. The US does have an herbalists guild, though this does not mean it is medical licensing. Something to keep in mind as the book does suggest learning from a medical herbalist. I feel like I would only really recommend this book to those I know have a good grasp on women's and witchcraft history, but most of it is also pretty basic.
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Conclusion
If you still want to check out this book you can find it on Amazon, Thrift Books, Powell's Books, Google Books, Books-A-Million, Two Rivers & Weird Sisters, and more.






















