Jack’s vehicle of choice is a BLACK 1987 S&S CADILLAC HEARSE , which he has owned and kept in pristine condition since he bought in in 1988 . The windows are lined with red velvet curtains , and rest assured that he has most definitely uh , fornicated in the very back of it numerous amounts of times over the years .
Personally , he loves turning heads and confusing most by driving such a car , and he views it as a bit of a joke ; a member of the dead driving the funeral coach .
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𝐓𝐇𝐄 𝐘𝐄𝐀𝐑 𝐖𝐀𝐒 𝟏𝟗𝟖𝟑 . Jane King had been shuffled away , filed into yet another temporary home where the parents had too many kids , not enough time to deal with the behavioural issues of a 𝙳𝙰𝙼𝙰𝙶𝙴𝙳 𝙰𝙽𝙳 𝙵𝚁𝙰𝙸𝙻 𝚃𝙷𝙸𝚁𝚃𝙴𝙴𝙽 𝚈𝙴𝙰𝚁 𝙾𝙻𝙳 𝙶𝙸𝚁𝙻 . Unbeknownst to her at the start , this was the last foster family she’d stay with , as she was on the brink of adoption , but the light at the end of the tunnel was muddled and far .
It was a slow start . Jane kept to herself , tended to her younger sister’s needs , 𝐐𝐔𝐈𝐄𝐓 𝐀𝐍𝐃 𝐒𝐓𝐄𝐀𝐃𝐘 , unsure of this new family that seemed just as rambunctious and rowdy as the last ones had . Michelle had little trouble integrating into the new faction , but she was young . She saw smaller kids as playmates , people that would share their toy bricks and dolls with her . The elder of the two was wiser , though , hardened and far too grown for her age , and she knew this wasn’t meant to last . She couldn’t settle only to have the ounce of comfort she’d built up ripped away yet again . 𝙻𝙴𝚂𝚂𝙾𝙽 𝙻𝙴𝙰𝚁𝙽𝙴𝙳 .
Dinah must’ve been sixteen at the time , and although she wasn’t much older , 𝙩𝙝𝙚 𝙙𝙞𝙛𝙛𝙚𝙧𝙚𝙣𝙘𝙚𝙨 𝙬𝙚𝙧𝙚 𝙦𝙪𝙞𝙩𝙚 𝙘𝙡𝙚𝙖𝙧 . It wasn’t bad , per say , but Jane had yet to understand the mentalities of a late teenager , as she was only just entering those years herself . If anything , she was mentally closer to the adults in her life . Interactions were minimal at first , and Dinah appeared to be the most level headed of the family ; she was sweet , really , and had the girl not been so distrustful of others , maybe they would’ve become friends a hell of a lot sooner .
Flash forward several months , and Jane could say that she’d finally made a friend , someone that promised to stay in touch when the time came for her to leave . No one had ever bothered with such sentiment before . The older of the two was always so certain , so hopeful that the King sisters would find a loving , and permanent family . Sooner or later , 𝐒𝐇𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐃 𝐓𝐎 𝐁𝐄𝐋𝐈𝐄𝐕𝐄 𝐈𝐓 , 𝐓𝐎𝐎 . But it didn’t end there , no ; uplifting sparks of hope aside , Dinah had indoctrinated the young teen into 𝚃𝙷𝙴 𝚆𝙾𝚁𝙻𝙳 𝙾𝙵 𝚁𝙾𝙲𝙺 : Blondie , Joan Jett , The Stooges , and so much more . Little did she know , Jane’s world was changed from the very first tape , and she had sculpted her future right then and there , absorbing all she would later credit as her influences . The two shared more as the weeks went on , and once the barriers had been broken down , it was like a flood ; rapid , and quick they were to grow close , and Jane might’ve said she had 𝙜𝙖𝙞𝙣𝙚𝙙 𝙖𝙣𝙤𝙩𝙝𝙚𝙧 𝙨𝙞𝙨𝙩𝙚𝙧 in the process were she not still fearful of attachment . But Dinah was patient , Dinah was kind , 𝙰𝙽𝙳 𝚃𝙷𝙴 𝚈𝙾𝚄𝙽𝙶 𝚆𝙾𝙼𝙰𝙽 𝙾𝚆𝙴𝙳 𝙷𝙴𝚁 𝚃𝙷𝙴 𝚆𝙾𝚁𝙻𝙳 .
The two kept in contact long after they’d parted ways , phone calls here and there , but primarily letters scrawled back and forth , with Jane chronicling her adventures of touring across the country with her band , and Dinah telling 𝙡𝙖𝙫𝙞𝙨𝙝 𝙖𝙣𝙙 𝙬𝙞𝙡𝙙 𝙨𝙩𝙤𝙧𝙞𝙚𝙨 of what life at university was like , now that she was working towards a doctorate . Lifelong friends , and really , 𝐒𝐈𝐒𝐓𝐄𝐑𝐒 𝐀𝐓 𝐇𝐄𝐀𝐑𝐓 , the two have an unbreakable bond that blossomed in their small , shared room , and for that , Jane would forever be grateful .
𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐓𝐀𝐒𝐓𝐄 𝐎𝐅 𝐀𝐍𝐀𝐑𝐂𝐇𝐘 . 𝐓𝐇𝐄 𝐒𝐄𝐂𝐎𝐍𝐃 𝐓𝐀𝐒𝐓𝐄 𝐎𝐅 𝐕𝐈𝐎𝐋𝐄𝐍𝐂𝐄 . You could say he was trouble , and it was likely that he’d just agree with you . They’d met during a very pivotal point in John’s teenage years , 𝙰𝙽𝙳 𝙷𝙸𝙽𝙳𝚂𝙸𝙶𝙷𝚃 𝚆𝙰𝚂 𝙰𝙻𝚆𝙰𝚈𝚂 𝟸𝟶 / 𝟸𝟶 —— he might’ve been better off if he’d never met Byron , but there was nobody to blame for John’s mistakes aside from himself .
For as long as he could remember , BYRON CRAWFORD and ROBERT GREENE had been joined at the hip , best friends since pre - school , and always the troublemakers ; his father had told him to stay away , to associate with the good , God - loving kids that they attended Church with , and for awhile , he did . It wasn’t until he hit that rebellious streak that all youths inevitably do that he really started paying attention to the local “ punks . ”
And so it goes , he befriends the two , and it wasn’t long before the precious and pure Catholic boy was pulled into a whirlwind of rock , teenage experimentation , a bit of violence , and eventually , drugs . Every waking moment he spent by their side , the further he was pulled from his faith , but the thing was —— he liked it . It was exactly what he’d been hoping for , and more ; it was the taste of sin and self - indulgence on his lips that would lead to catastrophe , and one that John would never learn to cope with , not even into adulthood .
He can remember the day Robert Greene died , a memory so vivid , sometimes he was certain he was re - living it . He can remember the month before , waiting in some dingy Jersey back alley for their dealer , who , prior to this , had only dealt them smaller things : weed , acid , shrooms , maybe some Xanax here , some Adderall there . But sometimes , it just wasn’t enough . The three needed something new , something all the more stimulating , and the dealer , that bastard , recommended heroin . Ignorant and young , they agreed .
And just like that , they were hooked . Eventually , John got used to the sting of the needle , he became something of an expert in the art of completely destroying his body , with Byron and Robert right by his side . But things such as this didn’t stay good for long , and just as they’d been warned in the anti - drug use ads pushed so violently by their high school gym teacher , Robert overdosed , leaving Byron and John to deal with the aftermath , and the grief .
John had been the one to tie the tourniquet . Byron had been the one to buy the batch . Both were blamed by the entire town , by Robert’s family , and just as hated . Just like that , he lost everything ; Byron and him drifted , as it seemed self isolation was both of their coping mechanisms . John hasn’t spoken to him in years . Hell , the other didn’t even show up to the funeral , but John couldn’t blame him . He wasn’t exactly greeted with a warm welcome that day . 𝐈𝐓 𝐇𝐀𝐃 𝐑𝐀𝐈𝐍𝐄𝐃 , 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐑𝐄𝐒𝐓 𝐖𝐀𝐒 𝐀 𝐁𝐋𝐔𝐑 .
Sometimes , he wonders where Byron Crawford “ fucked off to ” as he would’ve put it ; did he ever escape the devastating grip of addiction ? Or had he ended up just like his childhood best friend ? Had he ever fully processed his grief ? Or was he like John , who wholly blamed himself for the mess that such harmful pleasures had turned into ? He supposed reaching out would’ve been simple , but no —— the man couldn’t bring himself to do it . Not yet .
𝐁𝐈𝐋𝐋𝐈𝐄 𝐅𝐑𝐀𝐙𝐈𝐄𝐑. 𝐓𝐇𝐄 𝐆𝐈𝐑𝐋 𝐍𝐄𝐗𝐓 𝐃𝐎𝐎𝐑. They’d known each other since they were in diapers. Their parents had stuck them in the bath together up until the age of five. John had had a crush on her since … well, he couldn’t even remember now. It had been that long. But no, he had never worked up the nerve to ask her out on a proper date, never spoke of his feelings for her until it was later in life. Over a decade after the bath time escapades as toddlers, it was at the tender age of sixteen that John had finally, finally asked her out. The two years had flown by ever - so quickly, and Billie had stuck with the young man through all the hardships, and all the milestones.
But just before they were to start college, their paths started to diverge, and it only ended in heartbreak for John —— it was her idea to split up ; she was going to be studying abroad, and was unable to handle the idea of a long distance relationship. While he had been ready to fully commit to the girl he’d loved since his youth, he could understand and respect her wishes.
The two still keep in touch now, and while the platonic nature of their relationship was odd at first, it had worked out well in his favour once he had become a priest.
DID YOUR MUSE HAVE A CHILDHOOD SWEETHEART? + ACCEPTING !
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I. ◞ » ❪ SCARS / JOHN. ❫ / WARNING: MILD BODY GORE MENTIONS.
“ The stigmata , in Christian mysticism , is a collection of bodily marks / scars / pains that replicate the wounds of the crucified Jesus Christ , namely on the hands / wrists , the feet , near the heart , the forehead ( from the crown of thorns ) , and on the shoulders / back ( from scourging / whippings and carrying the cross . ) ”
At the age of eighteen , John became the only known living stigmatic , taking on the wounds of Christ over the span of several weeks . This included open and consistently bleeding wounds , clear holes through the flesh that refused to close throughout the duration of this traumatic experience .
As the years went by , the wounds did close , but he was left with very nasty and very visible scarring all along the aforementioned areas . Most are easy to cover , such as the ones near his heart , on his feet , and on his back / shoulders ; he frequently wears long sleeves and bandages around his wrist to cover up those ones . The only scar that has been unable to hide is the one across his forehead from the crown of thorns .
Personally , he is quite self conscious about the marks he was forced to bear , despite the fact that the Church and its members view him as a sort of hero . He frequently gets stares from strangers in public settings , which does absolutely nothing to help with his anxiety .
Music to write, roleplay, or study to! These playlists are works in progress and are continuously growing and improving. Titled after like-themed action movie and game music, the playlists each have their own personality, and encourage different moods or activity levels. Most music is from soundtracks. The calmest playlists, Temple Ruins and Party Camp, are useful for getting into the mood. This music is less distracting. Once your pace is set, or if you want to get in the mood for an action scene, Underworld or Boss Fight are the playlists for you. Tavern Nights is what it sounds like, full of highs and lows but can be distracting. Field Music is right in the middle, with lots of color.
All playlists are available to follow on Spotify, and can also be accessed via the web player with a free Spotify account. Just click on the [listen] for the link. Please do not hesitate to suggest music/changes to me, either here or on Spotify.
Curator Note: Thank you all so much for all the reblogs. This post now has 44k notes. I continually get notifications about activity on this post and am so amazed and happy that people find it so useful! I wanted to make a note that this post and these playlists are now archived. No further updates will be made. Feel free to copy them and enjoy and edit to your heart’s content. Cheers.
Title: Temple Ruins
Mood: tense, eerie, dark and scary
Volume: quiet, few musical swells
Action: creeping through a dark ruin and avoiding spiders
Instruments: minimal orchestral
Lyrics: few (non-English)
[listen]
Title: Party Camp
Mood: calm, mysterious, romantic
Volume: soft, somewhat dynamic
Action: resting after a long day of travel
Instruments: minimal orchestral
Lyrics: few (mostly non-English)
[listen]
Title: Field Music
Mood: cheerful, adventurous, vigilant
Volume: low to medium, dynamic
Action: adventuring with your companions
Instruments: orchestral
Lyrics: few (non-English)
[listen]
Title: Tavern Nights
Mood: cheerful as well as sombre
Volume: medium to high, dynamic
Action: eating and drinking with the locals
Instruments: mainly guitar and fiddle, some harp
Lyrics: yes (including English)
[listen]
Title: Underworld
Mood: terra incognita, on the hunt, betrayal
Volume: mid-low with many dynamic moments
Action: venturing into the land of demons and the undead
Instruments: orchestral
Lyrics: yes (non-English)
[listen]
Title: Into Battle
Mood: nervous, inspired, bloodthirsty
Volume: wide range with many dynamic moments
Action: preparing for battle, rallying the troops, charging the enemy
Instruments: orchestral
Lyrics: yes (mainly non-English)
[listen]
Title: Boss Fight
Mood: angry, dangerous, violent
Volume: mainly loud, dynamic
Action: slaying armies and dragons
Instruments: full orchestral
Lyrics: few (non-English)
I. ◞ » ❪ THE HEADONISTS / BAND AU. ❫ / TRIGGER WARNING : General warning because these fuckers are raunchy and disgusting.
Cutting straight to the point, this is essentially just Mindless Self Indulgence warped to fit my little original character. Same songs and everything, same antics, same bastards with different names. Sarah isn’t an immortal witch from the 1600′s, but still a witchy woman who practices forms of the craft.
THE BAND.
VOCALS. JEREMY RAMIREZ. Quite possibly the worst man you’ll ever meet, but at the same time, the greatest man who ever lived. A genius wrapped up in glitter and vomit, he’s the mastermind because the machine that is THE HEADONISTS.
GUITAR. SILAS GREY. He’s probably banged your mother. This guy lives to make fun of you, and that’s just the way their masochistic audience likes it. Has a habit of vomiting on stage. Provides back - up vocals on occasion.
BASS. SARAH GOOD. She’s got some pretty spooky abilities and that’s all you need to know about that. Influenced by rock legends, she’s a fucking monster on the stage, a natural born performer, and all - around bad ass. Back bends like Iggy Pop, climbing up into the rafters like Eddie Vedder, and stage dives galore, she’s not afraid to scrape up her knees and get a little bloody.
DRUMS. CATHERINE ( “Cat” ) WARD. She’s the fashion - forward and futuristic backbone of the band, controlling the synthesizers and bangin’ out beats on a drum kit like it’s nobody’s goddamn business. Generally the most sane / smartest one in the band. The only one to finish college.
ALBUMS AND EPS.
TIGHT (1999) : Their debut album certainly made some waves with an unheard sound and lyrics that made you go, “wait, did he really just say that?”
Their energetic live shows including the lead singer drinking his own urine and the classic destruction of instruments all tied together to create a unique and utterly insane brand that is all their own, building a fan base in the underground New York scene.
FRANK.ENSTEIN GIRLS WILL SE.EM STRANGE.LY SEXY (2000) : With a cover designed by Jamie Hewlett, what could be so bad about the album? With a total of 30 tracks, this electro - punk / industrial / rap rock band shoved their middle fingers right in the faces of the record company who felt a need to say they should censor themselves, firing back by having the track listing on the back cover has all the vowels replaced with asterisks, even in those words that would not generally be considered offensive.
SINGLES INCLUDE : BITCHES and PLANET OF THE APES.
LIVE ALBUM / ALIEN.ATING OUR AUDI.ENCE (2002) : Features various live tracks from shows, including the parts where they verbally harass their audience and the audience just screams with joy.
EP / DES.PIERTA LOS NI.NOS (2003) : Six tracks on this EP and it’s about six tracks too long… and totally genius.
YOU’LL R.EBEL TO AN.YTHING (CURRENT ERA) : Their most well - received album thus far, their single, Shut Me Up, reaching the Billboard charts, and the first album of theirs to be released outside of the U.S.
SINGLES INCLUDE : STRAIGHT TO VIDEO and SHUT ME UP.
LIVE SHOWS.
FT. LAUDERDALE, FL (2002 / FULL SET)
OUR PAIN, YOUR GAIN (2005/LIVE DVD + FAN INTERVIEWS)
SHUT ME UP (2007/LIVE ON LAST CALL W/ CARSON DAILY) ***
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Less of a headcanon, more of a character study + background information on Sarah being tried as a witch in 1692 ! I found a mass archive of every official document recording during the Salem trials and translated it from ye old english into something a little more readable. Her arrest warrants and interrogation beneath the cut !
WARRANT FOR THE APPREHENSION OF SARAH GOOD.
FEBRUARY 29TH, 1962.
Mrs. Joseph Hutchinson, Thomas Putnam, Edward Putnam, and Thomas Preston Yeomen of Salem Village in the county of Essex personally appeared before us, and made a complaint on behalf of their Majesties against SARAH GOOD, the wife of William Good, for suspicion of Witchcraft, and much injury done to Elizabeth Parris, Abigail Williams, Anna Putnam, and Elizabeth Hubert, all within the aforementioned Salem Village. Sundry times within the last two months, and lately, at Salem Village, contrary to the peace of our sovereign land and William and Mary, King and Queen of England.
You are therefore, in their Majesties name, hereby required to apprehend and bring before us the said SARAH GOOD, tomorrow at ten o'clock in the afternoon, at the house of L’t Nathaniel Ingersalls in Salem Village to be examined relating the above premises.
Signed, John Hawthorne, Jonathan Corwin, to Constable George Locker.
OFFICER’S RETURN.
MARCH 1ST, 1692.
I brought the person of SARAH GOOD, wife of William Good, according to the tenor of the warrant as is, attest by me.
Signed, Constable George Locker.
EXAMINATION OF SARAH GOOD.
MARCH 1ST, 1692.
The examination of SARAH GOOD before the worshipful John Hawthorn and Jonathan Corwin.
HAWTHORN: Sarah Good, what evil spirit have you familiarity with?
SARAH GOOD: None.
HAWTHORN: Have you made a contract with the devil?
SARAH GOOD: No.
HAWTHORN: Why do you hurt these children?
SARAH GOOD: I do not hurt them. I scorn it.
HAWTHORN: Who do you employ do it, then?
SARAH GOOD: I employ nobody.
HAWTHORN: What creature do you employ, then?
SARAH GOOD: No creature. I am falsely accused!
HAWTHORN: Why did you walk away Mr. Parris’ house muttering?
SARAH GOOD: I did not mutter, I thanked him for what he gave my child.
HAWTHORN: Have you made no contract with the devil?
SARAH GOOD: No.
Hawthorn proceeded to tell the children to look upon her, and see if this were the person that had hurt them. they all did look upon her and said this was one of the persons that did torment them.
HAWTHORN: Sarah Good, do you not see what you have done? Why do you not tell us the truth, why do you torment these poor children?
SARAH GOOD: I do not torment them!
HAWTHORN: Who do you employ then?
SARAH GOOD: I employ nobody! I scorn it.
HAWTHORN: How did they come to be tormented, then?
SARAH GOOD: What do I know? You bring others in here and accuse them, yet now you charge me with it?
HAWTHORN: Then who was it?
SARAH GOOD: I do not know, but it was someone you brought into the meeting house with you.
HAWTHORN: We brought you into the meeting house.
SARAH GOOD: But you brought in two more!
HAWTHORN: Then who was it?
SARAH GOOD: It was Osborne.
HAWTHORN: Then what is it that you said, when you go off muttering and walking away from a person’s house?
SARAH GOOD: If I must tell, then I will tell.
HAWTHORN: Do tell us, then.
SARAH GOOD: It is the commandments; if you must know, it is a psalm.
HAWTHORN: Which psalm?
Sarah Good remained silent for a long time before proceeding to mutter some part of the psalm she claimed to have recited.
HAWTHORN: Who do you serve?
SARAH GOOD: I serve God.
HAWTHORN: What God do you serve?
Sarah Good then claimed to serve the god that created Heaven and Earth, though she was not willing to mention the word god; her answers were in a very wicked, spiteful manner, reflecting and retorting against authority with abusive words and many lies. she was then taken into custody. it was here that her husband had said he was afraid she either was a witch, or would become one soon. mr. harthorn asked him his reason and whether or not he had ever seen anything. he said no, nothing of that nature, but it was her bad carriage to him, and that she was an enemy to all good.
WITNESSES V. SARAH GOOD.
JUNE 28TH, 1692.
The following names are the witnesses against Sarah Good, proclaiming her as a practitioner of witchcraft:
William Allen, John Hughes, Samuel Brabrooke, Mary Walkut, Mercy Lewis, Sarah Bibber, Abigail Williams, Elizabeth Hubbard, Ann Putnam, Tituba, Richard Patch.
“ TRUE MAGIC IS NEITHER BLACK, NOR WHITE. IT’S BOTH BECAUSE NATURE IS BOTH. LOVING AND CRUEL, ALL AT THE SAME TIME. ”
While the above is true, and a majority of the time, Sarah tries to maintain balance within the four corners that she has invoked time and time again, it’s not unusual for her to get carried away and tip the scales in one direction or another. Years gone by toying with forces beyond have taken a toll on her mind and has driven her to madness before, and many of her actions were not without consequences. While she has matured and grown in some areas, it is important to remember the reason why she has lived for centuries. REVENGE.
She’s not immortal, no. Just before she was hung, she made a promise that every man who had done harm to her would feel her wrath eventually, as would their descendants. The amount of power within these words laid a curse so heavy upon those men that the higher beings who encapsulate everything could not help but pay attention to her cries.
But she made another promise that day; as the gods turned their heads in her direction, she told them that if they allowed her to carry out her plans and live long enough to destroy the bloodline of those who had dared to hurt her and her sisters, she would devote her mind, body, and spirit to the craft. They listened. She received.
She is now 365 years old out on the streets killin’ bitches and takin’ names cuz she’s incredibly merciless when it comes to wrong-doers. especially rapists and men.
I. ◞ » ❪ FEEDING / JACK. ❫ / TRIGGER WARNING : NSFW + GORE !
“Based on the assumption that human blood can survive for the same amount of time it can in a human body, vampires would only need to feed THREE OR FOUR TIMES A YEAR … this would be if they completely drained their victims.
Humans can survive losing up to about 40% of their blood, which means that a vampire… would need to feed TWELVE TIMES A YEAR AT MINIMUM / ABOUT ONCE A MONTH.” ( SOURCE )
As the years have gone by, it has become exponentially more difficult to maintain the average vampire’s diet ; people notice a lot more often if someone goes missing. With this in mind, and not wanting to harm or take a human’s life, Jack found a rather … odd solution.
The typical biological female can lose anywhere between ten to thirty - five milliliters of blood during menstruation, and given that it is blood meant to feed a fetus, it is, he has found, the “healthiest” and cleanest type of blood in the body, both sterile and nutritious.
Jack has worked out deals with a small but still decent - sized group of biological females to where he visits them for a few days out of the month for feeding purposes ; he’s a careful planner, aware of the nature of his hunger, and chose women whose menstrual cycles happen at different times of the month, so there are very few gaps of time where he would be unable to feed.
“COCONUT WATER can be used (in emergencies) as a SUBSTITUTE FOR BLOOD PLASMA. The reason for this is that coconut water is sterile and has an ideal pH level. Coconut water is liquid endosperm ; IT SURROUNDS THE EMBRYO AND PROVIDES NUTRITION.” ( SOURCE )
Jack drinks a lot of coconut water ; in fact, it’s grown into something just short of an addiction. Throughout the day, he can be seen downing bottle after bottle, using the plasma substitute to tide him over until the next time he is able to feed. Not the most effective method, and sometimes not all that satisfying, but one he relies on frequently.
Various cultures have different interpretations of what vampires are ‘allergic to’ and things that are deadly to them ; one of the bigger things is their aversion to SUNLIGHT. In many re - tellings, if a vampire were to step outside during the day and stand in direct sunlight, they would burst into flames, etc etc.
Now, because this is my blog and my vampire, I can say what I want, and I say that THIS IS NOT TRUE.
While vampires have a natural aversion towards the light, it’s not for the reasons that you think. AS A SPECIES, THEIR EYES WERE MADE TO SEE IN THE DARK, AND THEREFORE, ARE VERY SENSITIVE TO THE LIGHT. For a proper comparison, human eyes were made to see in the daylight, mostly, and because this is what they are familiar with and accustomed to, they developed an inherent fear of the dark. The exact opposite is true for vampires ( although with vampires who were turned as opposed to being born one, it is more of an inconvenience thing above all else. )
On top of this, THERE IS A MILD SKIN REACTION, not unlike what were to happen if someone allergic to grass walked through a field and began to itch around their ankles ; like hives, in a way, but not as intense + their eyes hurt, and over exposure to the direct sunlight can result in really bad migraines.
Although I have no specific voice claim for Jack ( aside from me thinking, what would Gerard sound like with this specific accent ) I figured I’d give a little breakdown on his speech patterns and accent, as well as his residency history, since where he’s from + where he has lived plays a large part in all of that.
IMPORTANT NOTE : jack is not his legal name ! I’ll be referring to him as VICTOR throughout the duration of the post, as that is what he was going by for the majority of his youth, pre - vampirism. He only goes by Jack now because he is legally dead in the eyes of the law, and didn’t want to raise suspicion + he is reclaiming the name he was dubbed during the Whitechapel murders ( Jack the Ripper. )
WHERE HE WAS BORN. Vatra Dornei, Romania ; Thursday, March 22nd, 1860, at 5:05 AM, shortly before Romania is declared an official country in 1861. He remained here with his family until him and his mother moved to London, England in 1873 ( aged 13. )
ORIGINAL ACCENT. Taken from the INTERNATIONAL DIALECTS OF ENGLISH ARCHIVE (IDEA) , you can listen HERE to an audio clip of a man from the same region of Romania as Victor. Now, while I’m sure there is some difference between what the dialect sounded like in the late 1800′s as opposed to the 1980′s - 90′s, when this audio clip was recorded, this is the gist of the basis for his accent.
Another handy little tool this website provides is a transcript of the dialogue, written down phonetically. You can view this HERE, but I will try and provide a sample as best I can because this person’s handwriting is difficult to decipher, and while phonetics is intriguing to me, I’m nowhere near the expertise level to break down and properly transcribe an accent in English into a proper sentence spelled with the phonetic alphabet. If anyone would like to correct this, feel free.
“THAT AREA WAS MUCH NEARER FOR HER.”
“DÆT / ƐɝRI JA / WAS / MƏTS / NJIɚɝ (?) / FƆɚ / Hɚ.”
WHERE HE MOVED. Elizabeth and Victor moved into the Whitechapel district of London, England in 1873, and this would be where he stayed for the next 30 + years of his life. Neither of them spoke a lick of English upon arriving there, and learning English from people within the area, as well as being surrounded by the London accent constantly, influenced the way that he speaks.
THE LONDON ACCENT. Taken from the INTERNATIONAL DIALECTS OF ENGLISH ARCHIVE (IDEA) , you can listen HERE to an audio clip of a man who lived in London for a majority of his life ; there are slight differences in the accent depending on the region, as well as other external influences, but this was the closest match to what I was envisioning.
The phonetic transcript of this audio recording is, fortunately, not a photo of someone’s handwriting and is typed out in text, which you will see if you click the link and scroll down. But also, generally speaking, most know what a London accent sounds like, so I trust you all can use your imagination.
WHAT DOES THIS MEAN? WELL, IT MEANS HIS ACCENT SOUNDS fucking weird, ALTHOUGH NOT UNPLEASANT. There are certain similarities in terms of the pronunciation of letters in the English language ; things he learned speaking Romanian for the majority of his youth coincide with the London accent.
EXAMPLES. The ‘T’ and ‘TH’ sound becomes something similar to an ‘F’ or a ‘D’, such as ‘that’ being pronounced ‘DAT’, or ‘THROW’ being ‘FROW.’ Specifically with the word ‘THROW’, while it’s not uncommon for a Romanian to pronounce this as ‘FROW’, with certain dialects from different regions, it may sound like ‘trow.’ Victor specifically pronounces it with an ‘F’sound, which was not unfamiliar to him, but was definitely something he picked up whilst living in London.
In English speaking countries, ‘T’ and ‘D’ sounds are pronounced with the tongue touching the roof of your mouth, but he pronounces them with the tip of his tongue touching his teeth, creating a slightly different tonality.
Overall, several things he learned how to do while learning English included lengthening vowels in stressed syllables, differentiating between /I/ AND /IY/ SOUNDS, and reducing the roll of his ‘R’S when speaking English.
MISCELLANEOUS INFORMATION. American English culture has more of a sway on Romanians learning English, not the British ; with this in mind, there were many times spanning over several decades where he would return to his home and stay there. As culture shifted, it became more and more common for Romanian schools to teach English, and it became a popular language. This influenced his English - speaking accent and gave certain vowels ( particularly the ‘o’ ) a slightly more American sound. On top of this, he has lived throughout numerous parts of the United States (currently oakland, ca), and while he still retains his weird Romanian-London blend of an accent, there have been subtle changes.
FINAL NOTES. When I write this character, I rarely type out the accent in his dialogue. I’ll do it with a few words here and there, but it’s not much. If you’ve made it this far into the post, just… imagine the accent as you read the dialogue, like you would with a book, thank u.
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I. ◞ » ❪ VICTOR “JACK” CUȚOV - IONESCO. ❫ / TRIGGER WARNING : MURDER, GORE, NSFW, MENTIONS OF SEXUAL ABUSE, ALCOHOLISM, ETC.
FULL DISCLAIMER, as I know this post is a little unwieldy and quite long, but I just want to say that I, IN NO WAY, PERSONALLY DEFEND MY MUSE’S / JACK THE RIPPER’S ACTIONS - I did change up what is believed to have motivated him to do the killings and all in relation to actual fact and what genuine police reports suspected, but I definitely wanted to remove the whole “anti sex - worker misogynist” aspect from his character, because I’m not about that, even if it was the 1800′s and plenty of people were discriminatory in that sense, lol.
Also just wanted to say that I’ve selected bits out of what conspirators believe may not have been the Ripper’s doing but might be to put in my own personal interpretation of his canon, all of which is detailed below.
LOTS OF IT TIES INTO HIS OWN PERSONAL LIFE, WHICH IS WHY I THINK IT’S DEFINITELY IMPORTANT TO READ THIS IF YOU’RE INTERESTED AT ALL IN HIS BACKSTORY ; IT’S NOT JUST ME RECOUNTING THE DETAILS OF THE MURDERS.
1873. In the wake of traumatic personal events revolving around his family, Victor and his mother decide to move from Romania to London, England along with chunks of Eastern Europe and Russia’s Jewish population as they fled persecution and economic war in search of better opportunities. Although they themselves were not Jewish, they faced a great deal of discrimination for their status as non - English speaking immigrants living within the British Empire.
Due to such discrimination, high paying jobs were out the window and the two were thrust into lower class to live a life of poverty ; his mother became a matchstick maker, working upwards to eighteen hours a day. The prolonged exposure to yellow phosphorus led her to develop what is formally known as phosphorus necrosis of the jaw, but often referred to as ‘phossy jaw’. Victor himself worked as a funeral mute, an apprentice beneath the local undertaker and walking in the funeral processions of the deceased. This, in addition to the public’s general obsession with the macabre, would open up the boy’s mind to a new set of interests ( that would later spiral into something much darker. )
“DEATH AS A MORBID PREOCCUPATION, AS SEX WAS CONSIDERED A TABOO.” - Paul Roland.
At the time, it wasn’t uncommon for local slaughterhouses to be “open”, meaning children on the street often were allowed in to watch what happened ; Victor was one of these children, often fascinated by the precise movements of the slaughterer, and later, the butcher.
It was also during this time that he met MOLLY WALSHAM - the girl that would grow with him over the next five years ; she was his first love, his first everything, and his only shred of happiness during a time where all was rather grim and displays of emotion were frowned upon in favour of a ‘prim and proper’ appearance.
Once he’d hit puberty, Victor began to show signs of clinical hypersexuality, at the time referred to as ‘satyriasis’, and commonly found in those with bipolar disorder ( which he has ) ; and all of the underlying mental health troubles would go unnoticed and undiagnosed, as people weren’t particularly aware of them at the time. This stemmed from neurodivergent issues, as well as the repeated sexual abuse from his aunt that he’d received from the ages of seven to ten.
1875. His mother remarried to a local fish porter named Joseph Barnett when he was fifteen ; he’d never held anything against his step - father at first, as the relationship didn’t exist for superficial reasons, such as money or status. Victor was happy that his mother had found someone to love. In September of that year, his younger half - brother, Clayton “Clay” Barnett was born.
1876. Mere months after Clayton had been born, the newly - wed couple found themselves expecting yet again, but this time, were blessed with a young girl ; Emily Barnett was born on Christmas Day of 1876, and beloved by the whole family. There was nothing Victor adored more than his younger siblings, and for awhile there, all seemed well, with the combined incomes enough to scrape by and the young bundles of joy livening up the household.
1878. Molly Walsham moves to America. In pursuit of a career and wanting to make a name for herself, the young woman moved to an entirely different country, to a place where Victor could not follow her. Bittersweet goodbyes ensued, although he harboured no ill-will towards her, wishing Molly nothing but the best in hopes they’d both move on to bigger, better things. He eventually attended mortuary school under the watchful eye of the undertaker that had seen him grow from a boy into a young man, further igniting his obsession with all things morbid in nature and giving him a rather unusual skillset.
1879. The happiness didn’t last all that long, as Mrs. Elizabeth Barnett died from her mutilated and untreated condition early on in the year. Due to the loss of her income, Victor was forced to quit school and take up a job as a chimney sweep to provide for the family ; Joseph and Victor had now become primary caretakers to two toddlers. During this time, Victor found himself fascinated with the carcasses of dead rats nestled in people’s chimneys, occasionally gloving his hands and toying with them, using a simple pocket knife to gut the deceased rodent and see what was inside.
1886. After several years, mourning the loss of their mother and attempting to stabilise their positions in Whitechapel and keep the house afloat, it appeared that things were looking up ; this was not the case, they all soon realised, when the youngest member of the Barnett clan, Emily, died from a case of scarlet fever at the age of ten. Victor was torn from the loss, as he had cared for her since she was an infant and acted as the predominant male figure in her life when Joseph was overcome with grief over the loss of his wife and began drinking. It was, by far, one of the most difficult losses he’d experienced thus far, and would ever experience.
8 APR 1887. A drunken mess, Joseph meets a young woman named MARY JANE KELLY, abandoning his family in favour of alcohol and his pretty new lover. Victor was twenty - seven at the time.
6 AUG 1888. MARTHA TABRAM. Although caseworkers of the modern day often scrutinise and attempt to debunk whether or not she was an official victim of the Ripper, she was Victor’s first - his interest in anatomy and fascination with death had taken over, and soon enough, harming rodents wasn’t enough. Alongside the untreated hypersexuality and mania, this spelled out a recipe for disaster for the sex worker.
Victor hadn’t planned to harm the woman physically, the evening started with him as a client - but this was something that would build into a pattern over the next few months ; he never pre - planned his murders, it would always seem to be spontaneous and opportunistic.
“WHAT MAKES IT SO EASY FOR HIM IS THAT THE WOMEN LEAD HIM OF THEIR OWN FREE WILL […] HE DIDN’T HAVE TO WAIT FOR A CHANCE, THEY MADE IT FOR HIM.” - Henry Moore.
In the midst of their sexual encounter, Victor’s mind began to reel with vulgar images, an inhumane and immoral obsession with seeing what her insides looked like overcoming his mind ; he assumed she’d be an easy target. The Whitechapel district alone, a few mere blocks, had over sixty three brothels and 1200 + sex workers roaming the streets.
“THE EAST END WAS ANOTHER WORLD… BUSINESS WAS CONDUCTED DOWN DARK ALLEYWAYS.” - Paul Roland.
Due to the nature of the neighbourhood, the frequency of drunken brawls and domestic disputes, the occupants were deaf towards cries of help and inured to brutality. All of these elements combined assured Victor that he’d manage to get away with it.
and he did.
31 AUG 1888. MARY ANN ‘POLLY’ NICHOLS. She was found with multiple lacerations and bruises, her throat cut so violently her head was nearly severed from her body. This murder is what’s known as the first official / “canonical” killing of the Ripper.
8 SEP 1888. ANNIE CHAPMAN. It was with Annie that Victor grew a bit more experimental with the impromptu murder of the young woman ; her small intestine had been removed and placed above her right shoulder, the womb, uterus, and a portion of the bladder removed. He kept these concealed from his family, held in jars, and the imitation gold rings he’d pried off her fingers kept as a souvenir ( these are objects he has carried with him well into the modern era. )
25 - 27 SEP 1888. The first letter is written and received by the police on these dates. A full transcription of this letter, as well as the other ones received by the police, can be found HERE. Images of this one in particular can be found here ( 1 + 2 ).
It was in this letter that Victor dubbed himself JACK THE RIPPER, fuelling the media circus that had begun after the murder of Mary Ann Nichols and further fuelling an ego within Victor ; he loved the attention, he adored having a secret that all but the deceased were unaware of.
ORIGINS OF “JACK THE RIPPER” AS A TITLE : Newspapers had described the killings as him “ripping” the bodies, and Jack was a traditional name for more colourful characters in English fiction at the time. It was his attempt at teasing the media, romanticising his actions to make him appear as a more comical villain, as opposed to a vicious serial killer. It did, to some extent, work, as newspapers began to draw comic strips detailing the murders and the letters, inspiring people to toy with the police and send in their own “Ripper letters.”
30 SEP 1888. ELIZABETH STRIDE AND CATHERINE EDDOWES. Interrupted during Elizabeth’s murder and only able to give one fatal slash to the throat, Victor decided to “make up for it” later in the evening with the brutal murder of Catherine Eddowes, the mutilation to her body sickening even the police surgeon. She arguably received the worst fate of all his victims in terms of injury.
1 OCT 1888. The second letter / postcard is received by the Central News Agency. Photos can be found HERE. A full transcript can be found HERE.
8 NOV 1888. MARY JANE KELLY. His step - father’s lover. There had been a noticeable lull in the Ripper killings that hadn’t gone unnoticed by the public ; Victor had taken a break, noting the attention drawn from both a double murder and a letter, and although he was confident enough in his abilities to remain unscathed and never be pegged a suspect, he’d decided it was better to play it safe.
That is, until he’d realised Mary was frequently indulging in the drink and repeatedly encouraging Joseph to drink away their rent money, further putting strain on the family as they often returned to Victor and mooched off what little earnings he made. A week prior to her death, Joseph and Mary had gotten into a spat - this was where Victor found his opening, the first and only pre - meditated / planned murder of the Ripper killings driven by hatred for the victim.
The evening Joseph returned to apologise and attempt to work things out with the woman, Victor struck, knowing the police would blame it on a the ‘love turned obsessive rage’ trope ; while some remain skeptical over whether or not this was the case, and some remain firm in believing it was a true Ripper killing, the truth remained foggy in the eyes of the public and Joseph was repeatedly put under questioning as a suspect.
“I SUPPOSE YOU HAVE HEARD ABOUT THE MURDER IN DORSET STREET.”
“I KNOW MORE ABOUT IT THAN YOU.”
( an exchange between victor and a shopkeeper the morning after Mary’s death. )
21 NOV 1888 - 13 FEB 1891. ANNIE FARMER. ROSE MYLETT. ALICE MCKENZIE. LYDIA HART. FRANCES COLES. Over the course of a few years, only five killings would occur that could be traced back towards Jack the Ripper ; he’d slowed down, growing weary about the police, and life finally catching up, nearly putting an end to his prolonged spree. His luck had run out, finally, as what was to be the twelfth murder turned into Victor’s own demise…
VALENTINE’S DAY 1891. MARA. Oh, a fateful evening it was, when an ancient seductress under the guise of a sex worker had baited him, on to his antics and ready to put a stop to his crimes.
Mara, sensing that Victor had been readying himself to continue with his killing spree, finally bit back in the name of all the defenseless people he’d slaughtered over the years, thus turning him into a vampire, and claiming that, since he loved to take lives, she’d give it to him eternally.
Now, he waits. He waits for the world to end, hoping it will finally take him down with it. If he’s lucky.
I. ◞ » ❪ SERGEANT JACK MILLER. ❫ / TRIGGER WARNING : MENTION OF NAZIS, THE HOLOCAUST, DEATH, ETC.
1942. At eighty - two years old, a man decides to enlist. A mere three years prior, he had moved to the United States and completely flipped his identity around to escape the beginnings of a brutal war in Europe ; posing as Jack Miller ; an all - American ( and completely human ) young man, passionate about his country, willing to help with the war efforts when the time came. In reality, he was an old, old man, with nothing left to lose knowing there wasn’t much that could really hurt him. Faking an accent? easy. Lying on your enlistment forms? People did it all the time. Trying to make it through a physical exam when you don’t have a pulse … ? Well, that was a little more difficult, but he’d managed. Basic training? A goddamn breeze, he’d never even broken a sweat through the whole process.
Despite the grim aura that clung in the air, the way everything seemed so unsaturated and, well, hopeless at times… it was the men around him that had made it all worth it. These were the people he was more than willing to protect, even if it meant dying twice.
OLE’ RELIABLES. THE 9TH INFANTRY DIVISION. Among the first U.S. Combat Units to engage in the offensive ground operations of World War II, Jack received his very first taste of what war was like on November 8th of 1942 after being shipped off to Safi, Morocco, aiding in the first liberation of a city from Axis powers.
The next three years were amongst some of the roughest he’d ever experienced ; he lost more friends and brothers than he could possibly count, and killed more men than he ever thought he would. He’d reached a point in his life prior to the war where he did not want to harm humans, and yet…
Maybe there was just something about the innards of a Nazi that tasted so utterly refreshing on his lips… perhaps it was knowing that they were DEAD that made it all the more sweet, re - activating the primal instincts of a vampire and forcing him to come up with lies as to why the enemies were torn to shreds at the end of a particular combat mission. It was with this inexplicable skillset, though, that he worked his way up the ranks and became an official Sergeant, eventually commanding his own squad.
1943. The men returned to Tunisia within the first few months of the year, engaging in small defensive actions and bordering patrols ; it was during this time that Jack developed rather close bonds with a select few men around him, but ah… don’t ask, don’t tell. It was never anything more than needing comfort and physical intimacy ; he loved them, just never in the romantic manner people would assume.
The 9th Division would travel and fight through various cities in countries all across North Africa and into parts of Europe, going from Bizerte, into Sicily, then eventually towards England for further training, assisting in operations on Utah Beach and penetrating Cherbourg Port’s heavy defences.
It wasn’t until July of 1944 that he returned home for a brief break ; after two straight years of nothing but blood, sweat, stifled tears, and combat, he could finally rest, even if only for a few weeks. Not much later, he found himself shipping off to Normandy with his men to help close the Falaise Gap.
The end of the war seemed to blur together for him ; Saarlautern, Monschau, Losheim, Bergrath, KILL NAZIS, lose friends, think about your daughter, watch civilians starve death, Kalterherberg to Elsenborn, focus on winning a war and stopping the MASS GENOCIDE, cross the Rhine river, try not to let your heart break for humanity, but also try not to view them as completely evil creatures - throughout this process, he had seen both the worst and the best in humans. His own country was an Axis - power, and he’d fled, forced to pretend he was something he was not out of fear Americans might automatically associate him with the likes of Hitler. He eventually concluded that humans were doomed to destroy themselves. If not in this war, then the next one.
1945. In the final months, the 9th assisted in attacking the Harz Mountains and eventually relieved the 3rd Armored Division, holding their post along the line until eventually… Nazi Germany surrendered, thus marking V - E Day. Although it wasn’t something he did often, Jack wept silent but all the more meaningful tears of joy. HE COULD FINALLY GO HOME… WHEREVER HOME WAS.
ONWARDS. There were all sorts of scars he’d received from the war, both physical and mental ; untreated PTSD, burn scars from the cities being on fire, the image of the people locked up in concentration camps forever burned into his mind… some of them what he considered to be his people, taking into account the Jewish population of Romania. There were things he could never unsee, things he could never undo, and people he’d never be able to see again for one reason or another. The remaining survivors of the 9th Infantry Division had a bond like no other, and Jack would never forgive himself for cutting off contact completely. How could he not? How could he sit back with his ole’ war buddies as they age gracefully, remaining frozen at his age? How could he explain this? He couldn’t, and so, HE DIDN’T.
FUNERALS WERE ODD. He’d reunited with the men in their old age, claiming he was jack miller iii, named after his grandfather that had passed away several years ago and he was there in his place, paying respects to the men who’d taught his grandfather so much about what it meant to really be a man… compassionate, loyal, brave, and loving.
‘ HE ALWAYS SAID YOU RESTORED HIS FAITH IN PEOPLE. ’
‘ DAMN, KID, YOU EVEN SOUND JUST LIKE YOUR GRANDPA. ’