A Bronze Koro [Incense Burner] Muromachi-Momoyama period (16th century) , Japan Cast in two sections and hinged, as a long eared hare looking upward with a bell around its neck 17cm. high . Christie’s
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A Bronze Koro [Incense Burner] Muromachi-Momoyama period (16th century) , Japan Cast in two sections and hinged, as a long eared hare looking upward with a bell around its neck 17cm. high . Christie’s

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Art nouveau gold, diamonds and hardstone brooch, attributed to Gabriel Falguières.

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#streetphotography #photo #photography #montreal #514 #mtl #streetphotographer #mtlphoto #quebec #canada
À partir de la naissance, chaque visage est façonné par toute une vie de désirs refoulés, de tourments cachés, de mensonges entretenus, de cris contenus, de sanglots ravalés, de chagrins niés, d'orgueil blessé, de serments reniés, de vengeances caressées, de colères rentrées, de hontes bues, de fous rires réprimés, de monologues interrompus, de confidences trahies, de plaisirs trop vite survenus, d'extases trop vite évanouies. Chaque ride en porte la marque aussi sûrement que les anneaux d'un arbre. C'est tout cela que le visage révèle de la personne, à son insu, malgré l'effort surhumain qu'elle déploie quotidiennement pour le cacher.
— François Cheng, Le Dit de Tianyi

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Annette Giacometti posant pour un buste dans l’atelier, photos de Franco Cianetti, 1962
La grande aventure, c'est de voir surgir quelque chose d'inconnu, chaque jour, dans le même visage. C'est plus grand que tous les voyages autour du monde.
— Alberto Giacometti
Ormánság, Hungary, 1964 - by Szász Jánost (1925 - 2005), Hungarian
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