Not today Justin
Game of Thrones Daily

Origami Around
One Nice Bug Per Day

izzy's playlists!
Sade Olutola
Misplaced Lens Cap
Show & Tell

pixel skylines
🪼
will byers stan first human second
he wasn't even looking at me and he found me

blake kathryn

Product Placement

shark vs the universe

Love Begins

#extradirty

if i look back, i am lost
let's talk about Bridgerton tea, my ask is open

seen from United States

seen from Maldives
seen from United States
seen from Saudi Arabia

seen from United States
seen from Türkiye

seen from T1

seen from Kenya
seen from Indonesia

seen from Brazil
seen from United States
seen from Singapore
seen from United States

seen from United States

seen from Spain
seen from United States
seen from United States
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seen from France
@enjoylentgreen

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Cue 800 disaster alarms activating in harrow's brain
my comic for terrible comic day 2026
wears a big t-shirt that says I ♥️ WHEN CHARACTERS ARE NASTY AND FLAWED AND ANNOYING AND HURT EACH OTHER AND THEMSELVES

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Lady Oscar (1979) | Dir. Jacques Demy
pinup fops
part of the fun of the original alien is the horror of the nostromo itself imo. it’s a cell of corporate greed ferrying narrowly-trained workers across barren space. it’s huge and yet claustrophobic, cockpits crammed with machinery giving way to yawning berths dripping chains and water. the supercomputer is named mother in a stroke of human anthropomorphization, but instead of providing comfort or protection, it’s only a courier between its creator and its wailing brood. ripley yells “mother! mother!” at a matronly-voiced computer that speaks calmly over her helplessness. the ship is full of endless details and patterns and unlabeled buttons and dials the audience can’t entirely make sense of; to do anything on the ship is a rigorous, technical process, and we must depend on the characters to know it. the internal mechanics of the ship are so alien that a literal alien can hide among the bits and bobs and not be noticed. it’s great.
all posts are temporary 🧘
THAT WAS SUPPOSED TO BE TEMPORARY

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A happy family from apartment 32
You'd think "don't use a fictional creature as an allegory for oppressed minorities and as a horde of vile automatons that it's always okay to kill in the same work at the same time" would be a no brainer, but roughly 70% of all works featuring goblins and/or robots demonstrate otherwise.
I could be your favorite notification
now let’s see him getting triggered during sex

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d’argent (OC)