Libro Sabio, Suiza (Wise Book), Photo by Flor Garduno, 1997

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Libro Sabio, Suiza (Wise Book), Photo by Flor Garduno, 1997

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"Capitalism makes me sad"
Seen in Rochester, New York
Girl and Cat, Roubaix, France, Photo by Jean-Philippe Charbonnier, 1958-59
Frog By: Unknown photographer From: Disneyâs Wonderful World of Knowledge 1986
petal to the metal (emily pelstring, 2021)

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Hereâs my personal recommendation of a YouTube video to check out:
The Layered Woodlouse Mounds [Wildlife habitat sculpture] Stoneware with glaze June 2023
Amy Haigh
This new commission by Amy Haigh is a sculptural habitat (in stoneware with glaze), to be situated outdoors in a publicly accessible greenspace. The Layered Woodlouse Mounds (2023) act as a monument to its namesake species. Although the inhabitants are not seen by human observers for the most part, they live and search for food within the Moundsâ hidden sanctuaries, revealing themselves in fleeting moments as they leave and enter. ⌠for more of my work see www.amyhaigh.com
The Mounds were shown at the Royal Horticultural Society Hampton Court Palace Garden Festival in 2023.
I feel grateful to share the following announcement from curator Ruth Tabancay who has invited my works along with other four established Eco artists from the Bay Area. Mercury 20 Gallery is pleased to present THE NATURAL OTHER, an earth month group show featuring visiting artists: Salma Arastu, Alicia Escott, Julia Feldman, Linda Gass, and Amy Hibbs. March 31 - May 6, 2023 Artists Reception: Saturday, April 15, 4 - 6pm Gallery hours: Friday and Saturday from 12 to 5pm, and by appointment. Oakland Art Murmur: April 7 and May 5, 5 â 9 pm.
THE NATURAL OTHER Curated by Ruth Tabancay In honor of Earth Day, April 22, Mercury 20 Gallery member Ruth Tabancay curated a show of artwork that fits into the premise, The Natural Other. The work in this show falls along a continuum with âWhat would happen without human intervention?â at one end and âWith human intervention, what is the extent of disruption to a particular earth system and can we fix it?â at the other. Whether impacted or not, to what end will natural history evolve? The selected artists depict an intimate relationship with the earth through a variety of concepts. #ecoart #ecoartists #myceliummagic #mycelialflow #contemporarypainting #contemporaryart #salmaarastu https://www.instagram.com/p/CqlQOAqJZGO/?igshid=NGJjMDIxMWI=
Nests (2018-2023) as part of Arboreal Narratives 2023
Arboreal Narratives 2023: In Conversation (April 5-30) was a dynamic eco-art exhibition by the Tree Veneration Society (TVS) with a Tree Festival on the morning of Saturday 15 April that included free workshops, a community tree parade and symposium, all centred around the Woollahra Gallery at Redleaf and Blackburn Gardens.  I was on the organising committee for this show, involved in planning,âŚ
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Collapse: Brandon BallengĂŠe (2012)
Collapse responds to the global crisis of the worldâs fisheries and the current threat for the unraveling of the Gulf of Mexicoâs food-chain following the 2010 BP Deep Water Horizon oil spill. The large-scale installation created a pyramid display of 26,162 preserved specimens, which represented 370 species of fish and other aquatic organisms in gallon jars. It is meant to recall the fragile inter-relationships between Gulf species. Empty containers represented species in decline or those already lost to extinction.
The Living Seed: Tadpole Artists Collective & Navdanya (2015)
The debates on GMO and organic farming, the future of farmers and agriculture, and the politics of food are not new. Navdanya has been fighting for the rights of the farmer and seed freedom for 25 years. Today, we find ourselves at a crucial point, not just in terms of a movement committed to resisting biological and ecological destruction, but also in the presence of a network of âlivingâ and thriving economies. The Living Farms series explores these questions, looking at five specific aspects of farming - Seed, Soil, Food, Fibres and Farmers. Produced by Navdanya with the support of Fred Foundation, the films are based on the testimonies of farmers, seed savers, agronomist and scientists from across India, as well as from indigenous farming cultures abroad.
Out Here: Queer Farmer Film Project (2013)
Out Here is a full-length documentary film created by the Queer Farmer Film Project. Completed after 4 years in production, it looks at the experiences of queer farmers across the country and asks â what does it mean to be a queer farmer, is agriculture a safe space for queer people, and what are the relationships between food production and queerness? It is the filmmakerâs dream that this project will give voice and visibility to queer people in agriculture and inspire a flagrant national discussion about gender and sexuality as they are related to our food system.
Neukom Vivarium: Mark Dion (2007)
WetLand: Mary Mattingly
Art is integral to imagining new worlds. Â Launching August 15, 2014 on the Delaware River, WetLand is a mobile, sculptural habitat and public space constructed to explore resource interdependency and climate change in urban centers. A floating sculpture, it resembles a partially submerged building, integrating nature with urban space. Narrating a watery urban ecotopia, the interior contains a living space, work space, and performance space, it combines art, architecture, and ecology. WetLandâs overall ecosystem includes rainwater collection and purification, greywater filtration, dry compost systems, outdoor vegetable gardens, indoor hydroponic gardens, and railing gardens circling the perimeter.
Increasing numbers of people are growing some of their own food at home and in cooperative spaces, forming community-wide initiatives that support urban farms, rainwater collection, and storm water management. WetLand serves as a platform to strengthen these movements. Â Residents live onboard and host activities, including free workshops, performances, and events. A stage for evolving stories about our shared future, WetLand describes the impact each individual can have on our environment.
Attention to the social and environmental impacts involved in resource production, distribution, use, and disposal are important to the formation of WetLand. WetLand augments local economies by attracting a broad range of communities to the space. This fosters new friendships and collective experiences through exchange-based collaborations while recognizing novel ways of working and being together.
Through partnerships with educational institutions such as Philadelphia Academies and the Sustainability Workshop School, WetLand engages with students who steward the space, collect data relating to energy use and production, and test and maintain the projectâs water systems. The goal of WetLand is to encourage individual community members to apply the ideas brought to life on board. Equal parts symbol, social space, stage, and shelter, the WetLand sculpture is an argument for thriving local environmental economies.

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Farmacy: Natalie Jeremijenko
FARMACY is a distributed urban farming system that is designed to improve environmental health and augment biodiversity in addition to producing edibles. This system is optimized for yummy urban foods (U-foods), i.e. new foods appropriate for the challenging urban context. The AgBag addresses the issue of little or no access to soil, little or no space, compromised air and water quality among other challenges. Further than improving air and water quality, its value lays in improving the quality of life for humans and non-human organisms alike in the urban environment â aiming for a resilient and healthy BiodiverCITY. Farmacy and its AgBag are a radical systems design approach to urban food production, developed specifically for the urban environment.
Embracing Animal: Kathy High (2004-06)
What is our animal nature? Embracing Animal is a multi-media/ inter-species ersatz scientific installation of exchanges between people and animals.
In Embracing Animal, three transgenic lab rats, model HLA-B27, were given special housing and made available to the publicâs view. Transgenic rats are microinjected with human DNA, allowing them to share our human genes. Transgenic rats are referred to as powerful âtoolsâ for the study of human health as they are, in many ways, physiologically close to humans. High was particularly interested in the rats that were used in autoimmune disease research for illnesses close to her own. But she treated her rats holistically, and as her sisters.
In an ersatz laboratory, a penthouse living quarters for the rats sits next to four large âtube-scopes,â 40â high glass sculptures for viewing films of human and non-human animal âbecomingsâ - or animal/people transformations â becoming werewolves, vampires, exploring the shifting space between humans, monsters and beasts. The rat housing resembled a small city, with one section a tower for climbing, and one section a park. Daily a âlab technicianâ came to feed and check on the rats, perform the duties of care-taking.
This was a lab environment for observation, an experimental playground for people to feel the tension of exchanges, transitions, and trans-play. How do we identify and transform? What is our animal nature? This installation honored our kinship with our transgenic animal partners.