Endless Stateless

Public spaces, Urfa, August 2022.

Cafes spaces, Urfa, Turkiye, August 2022.

Saharan sandstorm over Athens. Strefi, Athens, April 2024.

The Ancient Agora, Athens, December '23.

Fujifilm X-T30ii with home made disposable camera lens. Shot with Xtra 400 simulation.

Through-the-viewfinder photography.

A weird alternate process trend that popped up in the late noughties and vanished again, where you shoot through the veiwfinder of another camera, essentially using the viewfinder as an effects filter.

Left is a Canon Powershot A720 shooting through the viewfinder of a Kodak Brownie C. Right is same Canon shooting through the viewfinder of a similar Brownie, though the exact model escapes my memory. The colours really pop.

An extremely fugitive process of exposing a positive onto plant matter over days, which then decomposes and takes the print with it. Most artists who use chlorophyll printing rephotograph the print and exhibit that instead, the cowards.

Three anthotype prints on pastelboard. The mosque is blueberry juice the church and paddleboat are blackberry. The dark water on the paddleboat photo accounts for the overall darkness of the image compared to the church.

Anthotypes are fugitive (they fade in months, not years) and take days of exposure, and are relatively low resolution, so I didn't experiment all that long with them. A smoother surface like washi paper might also yield a clearer result.

High tension, Melbourne, c.2012.

Kodak DC3200. Straight out of camera.

Architecture in Berlin, October ‘23.

Architecture in Berlin, October ‘23.

Architecture, Berlin, October ‘23.

Flora, as if Mapplethorpe used colour. Athens, September ‘23.

Flora and Christ, Athens, September ‘23.

@of-saudade, Athens, September '23.

Flora, Athens, September '23.

The Nile, Cairo, October '22.