Louise Bourgeois - Weaving (2001)
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Louise Bourgeois - Weaving (2001)

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Put thee not on Silent
[ID: A 4 panel comic made of digital paintings of a zoom meeting between the knights of the Round Table.
Sir Galahad, Queen Guinevere, Sir Gawain, Sir Lancelot, Sir Bedivere, have their own individual screens, and one screen shows a conference room with King Arthur, Sir Mordred, and others who are not named.
Both Sir Lancelot and Queen Guinevere have their cameras turned off, and microphones muted, the entire time.
Panel 1 shows King Arthur with a few of his knights, with Sir Mordred brooding beside him in shadows, and a hand reaching from offscreen to steal snacks from a bowl.
Sir Galahad has his microphone muted, and is in a forest, looking up and to the side. He has brown hair up above his head and very pale skin.
King Arthur asks, "Sir Gawain, canst thou see the PowerPoint slides?"
Panel 2 shows Sir Gawain, who has brown skin, black hair, green clothes, and heterochromia, with one green eye and one dark, replies, "Verily I cannot, I think it be a miasma of the sight."
Behind him for the background is a section from the Green Knight manuscript, showing faded lettering and a green knight on a green horse standing in front of someone with a large axe while a crowd of spectators watch from the sides.
Sir Galahad's screen is now slightly motion-blurred, showing a reddragon's open mouth in front of Sir Galahad's face.
Panel 3 shows Sir Bedivere, labeled Tech Support, who wears a blue shirt and a plumed knight's helm, looking exhaustedly into the camera, pushing his helmet visor up with one hand. He is lit by blue light and has bags under his eyes, asking: "Hast thou sharest the screen?"
His background is of a library. Sir Galahad's screen is now taken up by the motion-blurred side of the dragon that is attacking him.
Panel 4 shows Sir Gawain turned slightly to the side, looking derisively at the camera, saying: "Yea, but I cannot hear Sir Galahad."
The only thing left in Sir Galahad's screen is the motion-blurred, spade shaped tail tip of the dragon chasing him.
End ID.]
Description very kindly added by @describe-things
This is my entire basis of Lancelot and Guinevere's relationship I fear. Like I've read so much stuff, but nothing has ever stood out as much as this:
Source: Lancelot IV, Vulgate Cycle, trans. Norris J. Lacy
Girls racing sheep in Aberystwyth, Wales. 1965.
girls will be girls

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Lovely Subway Tile Art at 81st St B,C stop at Museum of natural history
Anatola Howard
dannylailai
anne sexton

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Saul Steinberg, Country Noises.
Ralph Fleck (German, 1951), Stapel 27/VII [Stack 27/VII], 2013. Oil on canvas, 120 x 100 cm.
— Franz Kafka, Letters to Milena
a photo from my very autumnal trip to the lakes last weekend. and now I’m back in the lib prepping for a presentation on monday. missing the mountains 🌄
Jimbocho Booktown in Tokyo!

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not all of it is bad i think….…. we are going to be okay i think.