10.1 - 10.8 // I suck at keeping up with uploading these. :D
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
Mike Driver
Cosmic Funnies
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
d e v o n

â
occasionally subtle

Kaledo Art
we're not kids anymore.

Andulka
Not today Justin
YOU ARE THE REASON

Discoholic đŞŠ
One Nice Bug Per Day
untitled


Product Placement
Game of Thrones Daily
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@empyrealblue
10.1 - 10.8 // I suck at keeping up with uploading these. :D

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people would probably live longer on average if they didnât have to spend the majority of their adulthood working 40 hours a week
Three graces.
Iâve never seen it so concisely defined.

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follow @the-future-now
wow!
disabled women of color are capable and deserve to be recognized and respected
Nyakim Gatwech at the 2018 Emmys
Designer: laviebyck
Trees live underground and use the above-ground part as a snorkel.
I fucking guess
COW BAT COW BAT COW BAT
Saksun, Faroe Islands |Â by @josiahwg

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im a simple person. i see a dog i want to pet it.Â
The Floral Art Of Studio Ghibli
Tessa Thompson as Detroit in Sorry to Bother You (2018)

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Camera obscura, KangHee Kim
Boots Rileyâs Dystopian Satire âSorry to Bother Youâ Is an Anti-Capitalist Rallying Cry for Workers
An evil telemarketing company, a corporation making millions off of slave labor, and one Oakland man at the center of it all who discovers a secret that threatens all of humankind. Boots Rileyâs âSorry to Bother Youâ is the dystopian social satire being hailed as one of the best movies of the summer. On Tuesday we sat down with with Riley, the poet, rapper, songwriter, producer, screenwriter, humorist, political organizer, community activist, lecturer and public speakerâbest known as the lead vocalist of The Coup and Street Sweeper Social Club.
He talked about the power work stoppages and strikes in the film:
I believe that since the beginning of the New Left, progressives and radicals have turned more to spectacle and gone away from actually organizing at the actual point of contradiction in capitalism, which is the explication of labor, which is also where the working class has its power. And weâve gone in favor of demonstrations, that donât necessarily have teeth, but they show where our head is at. And I feel like we have to putâgive these demonstrations more teeth, by being able to affect the bottom line and say, you knowâand say, âYou can make no money today, or you can make less money and give us what we want.â
See the full interview here.