queer fantasy and romance

I spent almost an entire work shift drawing this tooth-rotting fluff

Now take this logic and apply it to things like ADHD, autism, clinical depression, and other less visible/divergent disabilities. You cannot think your way out of feeling.

Tail inspection

how measurements work in canada (ie/ badly)

Environmental advocacy and the LGBTQ+ rights movement share a common purpose: protecting vulnerable communities, caring for the spaces we all call home, and creating a world where we all can flourish. Our world is brightest when people can live authentically, love freely, and be embraced for who they are. From rainbow reefs to shimmering tides, diversity makes our blue planet stronger, healthier, and more inspiring.

Those are Expert Systems, tuned to do exactly one thing. If you (say) ask a medical expert system a question about financial law, it's useless. The autopilot that flies a 787 has no idea how to drive a truck on the freeway. A Coulter Counter is excellent at identifying lymphocytes in a blood sample but can't predict the next card in a blackjack game.

And so on.

The problem with so-called generalized AI (AGI) is that we don't have that yet. It doesn't exist. It MIGHT some day, but AGI has been "10 years away" since the 1980s. The goals keep moving as we learn more about how people and machines process data.

But the current crop of AI techbros have been selling generative Large Language Model AI (LLM) as AGI because generative systems do a good job of faking it. There's no actual thought going on, merely the illusion of thought via predicting the next word in a sentence accurately.

If you let a human toddler listen to 800 hours of YouTube car influencer videos, that toddler might end up sounding like a car influencer. They'd parrot horsepower numbers and 0 to 60 times, mention EV range and MSRP numbers.

But they wouldn't understand any of it.

That's ChatGPT.

And yeah, it's worse than useless because it doesn't even know when it's lying or hallucinating. It just babbles convincingly until you stop it.

But for techbros to make money selling that as "AI"? It's the perfect scam, especially if you don't understand how it works.

Dangers of working on a set.

he would spend multiple days walking overland to locations in full pack, sword, & armour when everyone else was travelling in trucks

refused to use any prop swords that weren’t actual steel

basically lived in the forest in-costume, sleeping rough under the sky, even fishing & foraging for his food when possible

often spent hours in the barn just bonding with the horses. He adopted the horse he rode, Uranus, after filming ended

repaired all his own gear by hand, which was often since he never took it off

had a tooth knocked out during filming but had the crew simply glue it back in place so they could keep filming

the instructor who taught everyone swordplay said Viggo was the best swordsman he had ever trained

carried his sword literally everywhere & practiced non-stop, resulting in the cops being called when locals reported “a wild man swinging a sword around his head" outside a gym in Wellington

an orc actor fucked up & accidentally threw a dagger directly into Viggo’s face, but Viggo just deflected it with his sword. They kept that shot

infamously broke 3 toes kicking that helmet but stayed in-character & sold his very real scream as part of the scene. They also kept that shot

Viggo insists on doing his own stunts; in The Two Towers where Aragorn is unconscious & floating down the river, the strong current pulled him underwater for so long that a rescue team had to go in to save him. Viggo survived by grabbing a boulder on the riverbed and pulling himself to the surface

There are going to be days (or weeks, or months) where you sit down to write and feel... disconnected. From your voice, from your characters, from your ideas. Like the person who used to write your stories just packed up and left.

They didn't. They're just tired. Here's how to keep writing anyway:

Lower the bar (Until it's on the floor) You are not here to write something brilliant. You are here to write something. A paragraph. A sentence. A single line of dialogue. Movement matters way more than quality.

Write around the story Don't force it. If you can't write the scene, try: ⋆ A character ramble / journal entry ⋆ A conversation that won't be included in the final draft ⋆ A list of things the character would never admit out loud ⋆ A messy summary of what should happen Engage with the story from a different angle.

Borrow a voice until yours comes back No, not with AI. Read something that feels close to what you want to write, or watch a scene that captures the tone, then write immediately after. Not to copy, to reignite your instincts.

Write the emotion, not the plot. What is your character feeling in this moment? What are they afraid of? What do they want but won't say? What's being kept from them? The emotion leads, the plot catches up later.

Stop trying to "feel like a writer" first. You don't write when you feel like a writer. You feel like a writer because you write.

It isn't a problem with your writing. You're either:

1) tired or going through it somehow, or have recently been through something, and that can easily make you dissatisfied with what you are producing,

--OR!--

2) you are on the threshold of leveling up, or have done so, and the asshole editor side of your brain is interpreting the raised ceiling as "I suck, actually." You don't, and in six months you won't be able to find the parts you thought were bad writing.

If I saw the clues and caught the hints then yes! I am clever and me and the author/creator/artist etc were in on it together the whole time!

If I didn't notice the clues or got fooled but can clearly see them in hindsight then "Ha! You won this time storyteller! I am delighted by this game we play!' and then I enjoy putting the pieces together afterwards and enjoying how clever it was. I feel like the creator respects me as an audience

If there is a "twist" that comes with 0 clues or foreshadowing at all I'm annoyed. I'm pissed off. I feel like I'm being condescended to and patronised. It's not clever or interesting and makes me annoyed I ended up caring about characters and plot points that ended up meaningless.

Because it's not that these stories don't have foreshadowing or plot clues. They just abandon it for a "surprising twist"

A story that pays off the clues is letting me into the fun and makes a participant in the story

Random plot twists that don't connect to anything in the story are not clever. If we don't see it coming because the writer didn't provide any clues, they aren't clever and it's totally unsatisfying (and I will NEVER read this writer again). These clues need not be lit up in neon with a parade of elephants and showgirls. But they need to be present