WORLD UNDERNEATH 3 SUMMARY
WARNING: Spoilers ahead for Rafayel's story. Anecdote 3 (Siren's Song) and Chapter 7 of the main story must be read prior to this one for better understanding.
Set after the events of Chapter 7, World Underneath 1 follows Rafayel as he commissions flowers and a wedding venue for Talia’s wedding. His interactions with Charles, the garden’s owner, and Talia reveal more about Rafayel’s character, showing his emotional complexity, role conflicts, and a hidden past. These facets manifest in his struggle to trust temporary comforts, a conflict between his duty as Lemuria’s protector and his personal desires, and the darkness that envelops him when memories of his past resurface.
Throughout the anecdote, a secret girl is mentioned to have enamored Rafayel—either in the past or present—that he can’t let go of. Talia emphasizes the importance of having an anchor, to which Rafayel asserts that Lemuria has more importance. Despite Raymond’s death, he remains vigilant, unable to trust temporary comfort.
Later, they attend Raymond’s funeral to pay respect to the Lemurian he kept in the fish tank. His mother accuses Rafayel of being a murderer, but he remains unfazed. Raymond was only 39. He had an opportunity for a fresh start and rebirth, only for it to be snatched away from him because of the painting.
Reflecting on Talia’s words regarding an anchor, he takes flame lilies from Charles and wonders if the person he associates with it can be his anchor. He’s not sure. But while the darkness has yet to come, he’ll get good sleep before the nightmares arrive.
Charles, a garden’s owner, and Rafayel look at which plants will be good for Talia and her lover’s wedding. They met through conservation work for endangered plants and animals.
The owner says that choosing flowers is a psychological process akin to trying to understand another person, and giving one is said to be a surefire way to their heart. He is hinting for Rafayel to give it to MC.
Rafayel and Talia talk. He is acting aloof, despite being the one who commissioned Charles for her wedding. She asks for his blessing, but he is stingy about it, saying that he has already done it before.
He tries to hang up and shows Charles a sketch of a flower bouquet for the wedding, matching Talia’s favorite gemstone and the color of her wedding dress. To her elation, Rafayel didn’t hang up properly, so she looks forward to his presence.
Rafayel is annoyed. Charles says there’s no point in hiding it if he’s going.
The garden owner points out that his plans will be harshly criticized, to which Rafayel becomes lost in thought. Charles thinks that maybe he’s thinking about his lover.
Rafayel observes the guests’ interactions. They are praising Talia. At a table, a group of Lemurians whisper to each other. There is a familiar face he hadn’t seen since “the disaster,” who is cheerfully playing an ancient Lemurian instrument.
Talia’s husband likes whatever she likes, and says that he designed her dress for her. Rafayel thinks that choosing a dress may also be a process of understanding that person. He’s silent, then mentions that Raymond is dead.
Talia seems relieved, saying that they can get a good night’s sleep for now. Rafayel repeats “for now.” He doesn’t want fleeting happiness. When pointed out, he avoids it.
Despite the happy occasion, the Lemurians’ joy seems to have a looming darkness. She says that she married not because she forgot the past, but because she wants to live in the present. Every Lemurian is looking for an anchor—a reason to live, and she and others have found theirs. She pointedly refers to Rafayel as someone who doesn’t realize how important it is to have an anchor.
To him, Lemuria is more important. She asks him if there is anything that can pull him back when his heart is devouring him. Then she asks if he can let “her” go. This is implied to be MC.
Rafayel’s eyes darken. Talia asks if he ever thought about his own wedding. He leaves the scene that doesn’t belong to him, saying no.
Yellow gardenias symbolize freedom, happiness, and rebirth. Rafayel intends to give it to a relative’s daughter. For a funeral.
He attends Raymond’s funeral, which is being held at the living room. Upon passing the butler, the man scrutinizes Rafayel. He ignores the malicious glances and moves in front of the Lemurian skeleton within the fish tank.
After pausing very shortly, he turns to the coffin. He puts the gardenias on top of it, making sure the beautiful side faces the fish tank. Rafayel silently recites a eulogy.
Talia sings a dirge. Sunlight passes through the fish tank, and the skeleton is described to be gazing at the sky in a frozen pose.
An elderly woman calls him a murderer, claiming that her boy was only 39. It was supposed to be a time for rebirth, a fresh start, but because of a painting that didn’t make any sense, he died.
Reporters surround him. With her son dead, her anchor was taken by a dark tide. Rafayel is calm as he leaves the room full of cameras.
A week from then, Rafayel visits Talia in a small house in Verona. He asks if her husband ever designed a wedding dress. She says he hasn’t, but if Rafayel wanted to commission him, she could help him get a family discount.
Talia tosses him a bouquet of flowers, the remaining of what she wanted to give him that day. An unknown flower reminds him of someone.
He remembers what Talia said about looking for an anchor, which is why they’re still here.
Charles wraps up the fiery flame lilies Rafayel chose. The Lemurian says he is giving them to someone. The gardener asks if he is giving himself away. Charles has a hunch that there must be someone in Rafayel’s heart he didn’t want to mention.
Rafayel doesn’t know if he should give away the bouquet, nor has he come up with a good excuse.
He remembers what Talia asked about what could pull him back when his heart is devouring him, but is avoiding the underlying meaning. He wonders if the flame lily bouquet could become his anchor. He’s not sure.
The black waves haven’t fully rolled in. He still has a chance to get good sleep. Before he has to face the never-ending tsunami in his dreams alone.