the lunar tears of elise violeta

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oh baby mental health

Last post, I mentioned as an aside that I have OSDD-1b - a kinda complicated diagnosis that is defined by not quite being Dissociative Identity Disorder but being similar enough. And obviously that's super reductive but I'm not an expert on this I just have brain peculiarities. I won't fully explain how this functions, or every intricacy of how I deal with it, but I can try to convey what it feels like.

My sense of self is comprised of parts. Not an exceptionally high number, but nonetheless distinct parts that fit together like puzzle pieces to make a full individual. They talk to and interact with each other, and most times it is one specific part that takes the lead while the others simply follow, but ideally, they all move in sync and work together.

This collaborative effort is relatively new and was an incredibly hard-fought state of being. For many years, it felt much more like there was just me and a bunch of nightmare voices in my head constantly lashing out violently!! My own inner monologue felt completely out of my control... and it ultimately turned out that it kinda was, but not for the reasons I thought.

Showing those voices kindness and starting a conversation was the big moment of revelation for me, that there was this whole other half of me that had been locked in a box for god knows how long. She was scared and lonely and just wanted to be understood, and really, that was all I wanted as well.

Writing these self-directed songs of love and companionship became a really important part of becoming 'whole', in some sense. Not that there are no more individual parts or anything!! Just that my inner monologue these days is far more of a conversation between friends.

...

Constant companions, if you will.

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As a couple people have pointed out, this song is very much a counterpoint and companion piece to weathergirl, a song by my band FLAVOR FOLEY! Neither song was originally written with the intention of complimenting the other, but the parallels simply emerged naturally, and it only felt right to reinforce them. At 2:14 in Breeze Blows, you can even hear the icy little keys motif from weathergirl front and center!!

On that note, while I would love to make MVs for every song on the album, Breeze Blows is the one song I am dead set on putting out an MV for no matter what... A yellow, very natural aesthetic to contrast with weathergirl... ANRI in a sundress, fluttering in the wind and clutching her hands to her chest...

the fucking yuri...

Of course, this song was a collaboration with some other dear friends of mine, Marcy Nabors and Marlow Jacobs! We've been fastidious friends for freaking forever. Marcy, especially, has been with me through thick and thin - together, we've gone on road trips, worked on Homestuck music, bounced countless ideas off of each other, embarrassed ourselves in front of each other's parents, queued for probably a triple digit number of FFXIV instances, and of course, collaborated on some of my favorite music I've ever released. Not to discredit Marlow or anything!! These two are genuinely some of the coolest people I know, and I love them wholeheartedly. Hopefully we can play some mahjong again sometime so I can kick their asses and feel like I'm even a tenth as cool as them

Our initial ideas for this song came together while we sat at the piano at my parent's house, aimlessly banging out chords together while I left my phone recording on the other side of the room just in case. Ultimately, the voice memo barely sounds anything like Breeze Blows, because the process of translating things to MIDI on Marcy's laptop also introduced a lot of defining creative choices, but it's still at least amusing to hear.