Projection de 50 diapositives issues du projet de collaboration entre artistes et architectes «les intégrations» mené par le cabinet Faraoui et De Mazières au Maroc entre 1968 et 1978 archives du cabinet Faraoui et de Mazières.
Jules of Nature

Love Begins
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祝日 / Permanent Vacation
todays bird

tannertan36
he wasn't even looking at me and he found me

Andulka

Janaina Medeiros
DEAR READER
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ojovivo
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JVL

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Projection de 50 diapositives issues du projet de collaboration entre artistes et architectes «les intégrations» mené par le cabinet Faraoui et De Mazières au Maroc entre 1968 et 1978 archives du cabinet Faraoui et de Mazières.

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Max Peintner, The Unending Attraction of Nature, 1970/71.
NS: The industrial-modernist takeover was indeed based first upon substituting intellect for instinct. That cut us off from our visceral and evolved reactions to what is good or bad in our environment. But the second step is the most important: the intellectual brainwashing that then conditions human beings to accept unhealthy situations and products. This is the great breakthrough of both the left and the right (mass indoctrination to support “Great Leaders”), to abandon one’s heritage and culture so as to work for global finance and advertising firms. All of this started in the 1920s, and its fruits were the Bolshevik movement, the Nazi party, and the triumph of product advertising and consumerism. To come back to your statement, it was and still remains essential for such projects to de-condition our bodily instinct. Once detached from our neural system, we can be manipulated to commit atrocities.
Nikos Salingros, https://www.clarionreview.org/2017/09/building-with-biophilia-an-interview-with-nikos-salingaros/
Qu'entendez-vous par "architecte minimaliste" ? Rudy Ricciotti : C'est avoir pour projet de transformer le monde en salon de coiffure.
http://www.cotemaison.fr/chaine-d/creation/rudy-ricciotti-architecte-reactionnaire-et-fier-de-l-etre_14608.html

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A Youtube comment on Daniel Liebsking TED talk: Architecture is a Language.
#naturevsmanmade https://www.instagram.com/p/B0uxvtgJTm-/?igshid=1jybg6u2wmj9t
The experience of meaning
The experience of meaning
Victorian engraving of an ancient view of the Parthenon, Athens.
Meaning when experienced, is the feeling of understanding, belonging and participating in a collective body of shared values and ideals.
In that sens, Architecture can be understood as the manifestation of that meaning in the public space, as well as the canvas on which artists and craftsmen, can express their own work. Thro…
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The experience of Wonder
Wonder is the emotion felt in front of the spectacle of human achievement, the informed appreciation of the hand or mind's labor.
The word informed is important: If the sublime is induced by mystery, wonder is conditioned by knowledge.
Would you be as impressed by a hand made sculpture, as you would by a 3D printed object?Â
While the objects might look exactly the same, and maybe even better executed by the machine, we certainly won't have the same emotional reaction to them. Assuming that we know which one is which.
This might be one of the reasons why we can be so moved by an medieval cathedral, but not by a modern building no matter how formally impressive.Â
In the past, the function of wonder was largely fulfilled by craftsmen. The intricacy of patterns, the precision of a sculpture or the technique in a painting, allowed us to experience an empathetic connection with the original act of creation.
Today's architecture, by straightening it's edges, banning ornamentation and reducing labor to mere assembly sucked wonder out of it's walls. We are left with nice looking (at best), but inert forms that seem to require a masters degree in Architecture to be appreciated.
How do we reintroduce wonder?Â
Maybe by un-straightening edges, reintroducing ornementation and re-engaging with creative labor.

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The experience of the sublime
let’s start by defining the sublime as both the descriptive quality of an experience, and the emotion produced during that experience.
It's the feeling of standing in front of a majestic mountain. it’s a mixture of fear and admiration. An imposing presence of something that is beyond us. Something that exceeds our ability to make sens of the world.
we could say that the experience of the sublime is produced in our mindscape, from the interaction between the scale of our human life and the intemporel scale of the landscape. In this collision, we experience an opening where we see beyond our solid individuality.
It's a feeling a belonging.
It's that one tiny piece of clay, suddenly realizing that it's part of a larger mosaic. In fact, it is the mosaic.
Subverting expectations
Subverting expectations in music, humor and architecture.
On my Uber ride back home today, I had a compelling conversation with a musician. I got to ask her what the secret to music is. What it is about certain sounds strung together that have this amazing ability to move us? she said, it’s about creating then subverting expectation. creating expectation is relatively easy, as our brain is made to fill-in gaps. Subverting it is what makes a great moment,…
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The experience of Wonder
The experience of Wonder
It’s the emotion felt in front of the spectacle of human achievement, the informed appreciation of the hand or mind’s labor.
The word informed is important: If the sublime is induced by mystery, wonder is conditioned by knowledge. Would you be as impressed by a hand made sculpture, as you would by a 3D printed object? While the objects might look exactly the same, and maybe even better executed…
View On WordPress
THE SUBLIME
The experience of the sublime
let’s start by defining the sublime as both the descriptive quality of an experience, and the emotion produced during that experience.
It’s the feeling of standing in front of a majestic mountain. it’s a mixture of fear and admiration. An imposing presence of something that is beyond us. Something that exceeds our ability to make sens of the world.
we could…
View On WordPress
THE FIRST ARCHITECTURAL INSTINCT To break down scale.
that is what we probably all did as kids, when we created little shelters made of pillows and blankets.
We adapt the environement to our scale, from the vastness of the house, the realm of the adults, we create a little shelter. A space of our own.
In part, it has something to do with differentiating between my space, ans the other’s. But mainly, I think it relates to how we dwell in the incomprehensible vastness of the universe. By breaking down the scale of space into comprehensible units that we call Architecture. https://www.instagram.com/p/B0IgKUzJyDW/?igshid=g986bcpj9js8

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#archtheory THE FIRST ARCHITECTURAL INSTINCTÂ To break down scale. that is what we all did as children, when we created little shelters made of pillows and blankets. We adapt the environement to our scale, from the vastness of the house, the realm of the adults, we create a little shelter. A space of our own. In part, it has something to do with differentiating between my space, ans the other's. But mainly, I think it relates to how we dwell in the incomprehensible vastness of the universe. By breaking down the scale of space into comprehensible units that we call Architecture. https://www.instagram.com/p/B0IIOlSp23Y/?igshid=cdeu0084i540