Writer of fanfiction, (and other things), Rumbeller, Tolkien fiend and some time teacher of many weird and often strange things (as well as a teacher IRL).
There will probably be other things before I finish and post it. Scattered much? Sort of, but not really. Trying to distract myself, maybe.
So what am I working on, in terms of writing:
I'm currently writing the final draft of Dies Irae
I just completed the second outline for Dies Irae: Vespers, and will soon start the detailed outline draft.
I'm about half way through the second outline pass for Dies Irae: Lauds
Also, someone please save me from myself! While driving to the grocery store and back, a little tiny voice in a big toothed possum said to me... What if...? (and "His Telling" was sort of seeded, (and with it the whole cascade of a lot of things.)
Yes, please someone save me from myself and my possums.
As always, you can ask questions to satisfy whatever curiosities you might have.. My inbox is here
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Tell me, what was your feral goblin's weapon of choice in murdering your muse...? Ahem, no, that's not the question really, this is the question:
Can you share any information, spoilers, etc for where you're going with Fortis Fortuna Adiuvat?
I vote for this to be next, btw, because it's always nice to have a fellow Latin adjacent cursed friend to talk to.
Well, seeing as how my goblin was awakened by Rumbelle… I think they used a garrote made of gold spun from straw.
I need to reread what I’ve written thus far for FFA, but Gold needs to finish getting the party back together. There are still two members they need to convince to join them. Then, it’s time for a confrontation with Gaston. He seems a reasonable sort; I bet if Belle promises not to fight for her seat at the High Table, he’ll call off the contract on her life.
*wards off evil spirits who might inflict trilogy creep on you*
Can you tell us more about your animal reiki business? Any animals you prefer to work on? What are the benefits?
Is there anything you can tell us about the next two installments of Dies Irae? Will they be continuations of the same story, or sort of a “the same characters go on a new, unrelated adventure” sort of dealie?
What, you don't want to write a trilogy?
I certainly /can/ tell you about my Animal Reiki Business. It is called The Pawlistic Touch, and I am happy to work with all kinds of animals. I've been working mostly with dogs, and recently a couple of Guinea Pigs. Reiki can help with balancing the energies of reactive or fearful animals, it can help provide energetic support and soothing for animals recovering from injury or illness, and is a great complement to the animals' existing veterinary care. It can also be used to support the general wellness and balance of an animals natural energies. I also incorporate elements of TTouch bodywork into my treatment sessions as part of my becoming certified with that healing discipline. The link above goes to my website.
What can I tell you about the next two installments of Dies Irae? First of all, I can tell you the titles. The second installment is called Dies Irae: Vespers, and the third part of the trilogy is called Dies Irae: Lauds, both in keeping with the Templar motif established in the first part of the trilogy. They will continue the events that happen in the first part of the trilogy, with escalating threat levels, and there will be at least one or two major character deaths, and one other that comes close - very close. They will each focus around the same core protagonists that have been a part of the first story, but with expanding and shifting focus for some, and in the second story, a new, but familiar, face, and another additional character in the third. Without being too spoilery, while it appears that the antagonist is a different person in the first, then the second and third stories, in truth, the main threat has been the same all along. I imagine this has given more questions that answers. Sorry-not Sorry - feel free to ask.
I am here to ask, as a fellow Fridge Guardian, how and why you got roped into it :)
Hello, my friend and thank you for the ask.
So, becoming a Fridge Guardian apparently began many many years ago, when I moved from the UK to the US and began teaching here as a Special Education Teacher, because unlike in the UK, at least in my district, teachers' salaries are not divided by 12 and paid monthly every month, but only by 10, and teachers are not paid during the summer. Consequently many teachers, myself included, need to find employment in the summer so that we can actually do things like eat and pay bills. Just a little context there.
Anyway, last summer I was employed by a family to care for their son who MPSII (also called Hunter's Syndrome), and I am working with them again this summer. He is a delightful young man who turns 16 next week. He is so sweet, is non-verbal, spends each day watching Dora the Explorer, and doing giant floor puzzles all day long. He also, roughly every 5 to 15 minutes, goes to the refrigerator, opens it, and takes out whatever he can reach to eat. So, part of my job is to make sure he has appropriate snacks, and /doesn't/ just raid the fridge. It's exhausting, and sometimes frustrating, even though I know it's a symptom of his disability.
So that is how I became Guardian of the Refrigerator. How about you?
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Per my 'Monday Mood' post yesterday, my writing has been focusing primarily on the Dies Irae Trilogy. And as the title suggests, these fics, and the possums attached to them are very 'wrathful' in their demands for attention. Happy to answer any questions anyone might have on the process, etc. Snippets and teasers are also available on request for just about /any/ of the three fics. Details may vary.
Otherwise, still working on the crochet blanket, though I confess work has been slow, also I have been trying my hand at video editing for my Animal Reiki business. It's a learning curve.
It's a long story, but making it short - I once had a tiny little snippet of inspiration that was Jefferson as a Templar Knight. Why not, I thought, I've written him as an undercover FBI agent (twice), why couldn't he be a Templar.
I wrote a chapter... it languished for a year. I came back to it with my new discipline - Brief outline by chapter --> Chapter outline, beat by beat --> Detailed outline draft --> edited final draft then posted. It sounds like a lot. It actually makes the whole process quicker for me. Go figure.
But... while writing this particular fic, suddenly the naughty possums gifted me with a sequel. I spent two weeks sitting with that process for the sequel. Got stuck on the MAJOR scene for it (as in, it wouldn't leave me alone until I wrote it - which I did). Then finished the outline.
But theeeeeen, those EVIL little possums gave me the trilogy, and today while guarding the refrigerator (another long story, ask me sometime), I finished 2 videos, and then outline the WHOLE of the trilogy in it's first pass (Brief outline by chapter).
So next - while still writing the final draft of the first story, mind you - I will be doing the chapter outline beat by beat for the last (and yes, it will be the last) story in the trilogy. And yes. Another MCD.
I must conclude that either the possums' evil possessed me to write this thing - or else it was the Dark One, and at this point - All bets are off.
A little different this week, because the last thing I wrote this week was from the sequel to Dies Irae. I was outlining, and the scene wouldn't leave me alone, so I had to put it down on the page to get it out of my head, so...
Here are this week’s seven sentences from everything I’ve written up to the time this post was made (redacted to avoid spoilers):
Gold watched, saw xxxxxxxxx nod, and wrap her arms around xxxxxx, drawing her away from xxxxxxxx.
“Come along now,” she was saying. “It will all be fine…”
Her reassurances faded into the wind and wave sounds as she took the xxxxxxxx to her car and away from xxxxxxxx 's whispered pleas.
“Don’t look back.”
The strength in his legs finally gave, and the sword could no longer hold him up.
This is from an early draft of what may be chapter 21 of the sequel to Dies Irae, which is what I’ve been working on today. It may change before it is posted, but this is as it stands so far. Free free to ask me anything.
Fandom: Once Upon a Time (TV)
Rating: Explicit
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Belle/Rumplestiltskin | Mr. Gold
Characters: Belle (Once Upon a Time), Rumplestiltskin | Mr. Gold, Mad Hatter | Jefferson, Red Riding Hood | Ruby, Grace | Paige (Once Upon a Time), Jiminy Cricket | Archie Hopper, Knave of Hearts | Will Scarlet, Widow Lucas | Granny, Anastasia, Queen of Hearts | Cora, Blue Fairy | Mother Superior, Baelfire | Neal Cassidy
Additional Tags: AU, Angst, Violence, archeology, psychic questing, Religion, spirituality, Magic, Romance, Smut, Supernatural Elements
Summary:
A strange man confronts Doctor Belle French after one of her lectures and claims to need her help. He also claims to know that she is troubled, and can offer her protection. When events transpire that lead Belle to take up that offer, a desperate search begins to translate a series of ancient inscriptions, and Belle and her friends - both old and new - face increasing danger as they try to find answers and secure the truth before it can fall into very wrong hands, and possibly threaten every living thing in Storybrooke and beyond!
Read on AO3
Chapter 19 - Ut Vere Videatur
The sign on the door still said closed when Belle arrived. It wasn’t unexpected. Gold had said, in the morning, without specifying when in the morning and she hadn’t asked. She arrived at eight forty-five, because eight forty-five was when she had finished her morning cup of tea, and had put on her coat, and couldn’t justify staying in her apartment any longer.
She knocked on the door.
She heard the cane on the floor before she heard his footsteps. The rhythm of it was specific, and she had been aware of it since Monday evening. The tap and step registered in the way she registered things that mattered, and filed without a label.
The door opened. Gold looked at her, and she looked at him.
She thought he looked like someone who had been awake for most of the night and had not found this particularly remarkable. It seemed to her that for Gold, the night’s duration was simply what the night had been.
“Come in,” he said, then stood aside to allow her to cross the threshold.
She followed him through the shop to the back room, and noticed that he had not set the back room up as he had before, with documents arranged on the table, the lamp perfectly positioned and the chair drawn out. The table was clear except for her translation notes, which she had sent him photographs of at midnight with a message that said only: The Third Register.
And his response had been a single word: Yes.
As she set down her bag, he drew out the chair and turned on the lamp. She took out the translation notebook and put it on the table between them as she sat down. Only then did he sit.
He looked at the notebook.
“Which part,” he asked, “do you want to begin with?”
“The wound in the king enduring in his line,” she answered.
Gold looked at the notebook, but did not pick it up. He looked at it for a moment as though we was looking at something he had been expecting and found, in its arrival, that expectation was insufficient preparation.
Then he looked at her.
“Ask what you need to ask,” he said.
Belle would note later, in the journal, that this was a significant departure from his usual method. Gold did not offer. He answered. He had said this about himself, indirectly, through Archie, and she had observed it directly across the careful observation she had made in their previous meeting. He answered when asked. He waited for questions.
Ask what you need to ask was not waiting for the question. It was something closer to, and she would work out the right word for it later, invitation. It was as if he had decided, overnight, that his usual method would be insufficient for this particular morning. So she asked.
“The Line,” she said. “The third register describes it as a succession. The Wound passing forward: generation to generation.”
“Yes.”
“The Wound doesn’t duplicate. There is always one keeper.”
“Yes.”
You are the current keeper.”
“Yes.”
The three yeses were spoken in the same even register, each one confirming something Belle had already put together from the translation, but needed to hear in the room rather than on the page.
“How long,” she asked, “have you held it?”
Gold remained quiet. The kind of quiet she had learned to distinguish from his other periods of quiet. It was not his ‘processing’ quiet, nor the quiet he maintained while selecting words, and definitely not the kind of quiet meant to deflect. This was of the kind that demanded of him a moment before the answer could come from the quiet.
“A long time,” he said.
“The inscription’s language about the Line,” Belle said carefully, “suggests the succession has been running since before the Order existed. That the Order formed around the Keeping rather than the Keeping forming within the Order.”
“Yes.”
“Which means the Line predates the Order.”
“Yes.”
“Which means you—” she stopped. She was doing the math that the translation required and arrived at the number the arithmetic produced. She found the number, not shocking, she had been approaching it since Tuesday evening, but real in a way that the approach had not quite been. “The duration,” she said, “is not—”
“No.” Gold said. “It isn’t.”
The sentence completed itself between them without the completion being stated. Belle looked at him across the table, and the lamp and the translation notebook, and did what she had been not-doing since their first meeting.
She looked at the cane.
She looked, not in the peripheral way she had during that visit, and not cataloging without acknowledgment. Now she looked at it directly, fully, and with her complete attention because she had just been give the framework that made the thing in front of her readable, and she was reading it.
Gold watched her look at it.
He did not shift. He did not adjust his position or draw her attention elsewhere, or do any of the things that would make it easier for her to stop looking. He sat very still and allowed her to look.
This was, she understood, the most significant thing he had done since she walked through his door. Not the four questions, or the mutual obligation, or the get some sleep on the phone, all of it from one evening and one phone call, which was, she was aware, an insufficient basis for the kind of certainty she felt about what she read in his face.
She felt it anyway.
She looked at it for as long as she needed. Then she looked back at him.
“The succession,” she said. “When the Keeper can no longer hold. The Wound transfers to the next vessel of the Line.”
“Yes.”
“And the transfer—” she looked at the translation notebook; read the passage she had written and rewritten since last night. “The inscription says the succession is not a choice made by the current Keeper, or the next one. It happens when the Wound recognizes its next vessel.”
“Yes.”
“So you know who it it?” she asked.
Gold looked at her steadily. “Yes,” he said.
“Is it someone I’ve met?” A pause that was its own answer. “The framework isn’t ready for that.”
“No,” Gold said. “Not yet.”
She accepted that. She had agreed to work within the framework. She would ask again when the framework was ready and they both knew it, and that knowledge sat between them without needing elaboration.
She turned back to the translation notebook.
“The operational instructions at the end of the third register,” she said, “The assembly of the three Keepings.”
“Yes.”
“The word spoken complete. The seal restored,” she said. “The inscription was written for a specific situation, for when the Keeping fails and the three have to find each other.”
“Yes.”
“Is the Keeping failing?”
She watched as Gold looked at the table, the relatively clear surface of it with only the translation notebook between them. “The Congregation’s timeline,” he said carefully, "Their leader has the second register’s partial reading and the fragment structure, and a ritual architecture she has been building toward completion for a very long time.” He paused. “The Keeping is… under pressure in a way it has not been before.”
“Which is why the inscription’s identification became active,” Belle said slowly. “Glyph Seven, the perceptual resolution, the boustrophedon arriving at two in the morning.” She looked at him. “The inscription activated me because the Keeping needed me.”
“Yes,” Gold said.
“It didn’t wait for me to find it. It started to find me,” Belle said.
“The inscription has been waiting for the right reader. When the Keeping came under sufficient pressure, then the situation required the three to assemble, the inscription began to make itself readable to the person it had identified.” Gold said. “You had been approaching it from the outside for months. It began to approach you from the inside.”
Belle sat for a moment, taking in what Gold had said.
“Wednesday evening… the character in position four that I don’t remember writing.”
“Yes.”
“That wasn’t me.”
“No,” Gold confirmed. “It wasn’t.”
The calmness with which he said it, simply factual, delivered with the normality and evenness of someone for whom this was simply how the world works, opened, in Belle, a door that she had been standing in front of for a long time. She had written, note and monitor in a margin on Wednesday evening about a character she didn’t remember writing.
She had been note-and-monitoring the inscription’s approach ever since. She understood now that this behavior had been the correct response. That she had been right to document rather than explain away, and that the journal she began on Thursday with Cora’s Wound question, and expanded across the week with everything real that had happened regardless of whether it was explicable, had been the right container for what the inscription was doing.
She reached out and opened the translation notebook to a fresh page. She wrote, in the margin at the top:
The inscription came to me.
She underlined it once.
She looked up at Gold.
“The Wound passage,” she said. “The last section of the operational instructions.” She read it aloud from the translation: Do not seek to heal the Wound. The Wound is the world’s health. Preserve the Wound. This is the only instruction.
Gold remained very still.
“Both things can be true,” Belle said. “Archie said that yesterday morning when I said that the Congregation’s reading wasn’t without its own logic. That the Wound is a tragedy. He said both things can be true.”
“Yes,” said Gold, “they can.”
“The Wound causes suffering,” Belle said, “and the Wound is necessary, and both of those things are simultaneously true. The inscription doesn’t resolve the tension between them. It requires someone to hold the tension.”
She looked at him.
“That’s what the Keeping it, isn’t it?” she asked. “Not just holding the Wound. Holding the tension. Holding the knowledge that both things are true and the refusal to resolve it in either direction.”
Gold met her gaze and held it for a long moment.
“Yes,” he said, very quietly. “That is exactly what it is.”
Something in his expression, unlike the fractional recalibrations she had noticed during their first meeting - something large and more quietly significant - painted him as a man who had been doing something alone for a very long time and had just heard it named correctly by someone else for the first time.
She did not look away.
“The motto,” she said.
“Yes,” he said in a way that she understood he knew which one.
“Not unto us,” she said because she had been thinking about it since Sunday evening, and the notation about discipline versus declaration, with her writing of not unto him sat in her chest since last night. She said it not as a quotation, and not as a question, but as the specific thing that it was. Recognition. Acknowledgment. The moment that the motto stopped being a Templar declaration and became the personal, costly, daily practice of the man sitting across from her.
He remained very still, and said. “Not unto us.”
He spoke it quietly, in the same way she had, and not as a quotation, or declaration either. On his lips it was an agreement; the word us carrying in his use of it, the awareness that there were now two people in the room it applied to, which there had not been before.
It was the first thing they had said together, and a specific silence followed it.
Belle didn’t look away from his expression. She had been filing expressions for a little over a week, and she was not going to file this one. She was going to hold it, and look at it, and let it be what it was: the expression of someone receiving something that they had stopped expecting ever to receive. Not surprise - she suspected that Gold did not do surprise in the ordinary sense - but something quieter, and more focused than surprise, the expression of someone for whom a very long practice had just, briefly and completely, been seen.
Neither of them said anything for a moment.
Then Belle looked back at the translation notebook.
“There’s more,” she said. “The framework will need to build before some of it’s ready.”
“Yes,” Gold said, his voice still sounding the same as it had when he said not unto us, not yet fully restored to its usual register.
“But the identification passages, the three Keepings, the markers,” Belle paused. “I know who the Vessel is.”
Gold tipped his head slightly, encouragement or question.
“Ruby,” she said.
“Yes.” Gold agreed.
“She doesn’t know yet. Not fully. She knows something exceeds the natural. She doesn’t have the inscription’s language for it.”
“No. I’ll speak with her… soon,” Gold said.
“Good.” Belle said.
They each paused, before Gold continued.
“And the Word-Keeper.” It was not a question.
“The place in the speaking where the silence falls,” Belle said. “I’ve been sitting with that since last night.” She looked at the translation. “I don’t experience it as silence. I experience it as… the place where I know there is more and cannot reach it. In the inscription’s reading, in the translation, the sense of something adjacent to what I have that I can’t quite—” She stopped.
“That is what it is.” Gold said.
“The word is incomplete.” Belle said. “The three translation of the second register, the dispersal. The word is divided so that no single voice could speak it complete.” She looked at him then. “When the three are assembled and the Word is spoken complete, what does that mean? Practicality, what does the Word-Keeper speak?”
“That is the part of the framework that requires the most preparation.”
“Because it requires all three of us to be present.”
“Yes.”
“And the situation to be—”
“Active,” Gold interrupted. “Yes.”
“The Congregation is moving,” she said.
“Yes.”
“So, the framework is going to need to build quickly.”
“It is,” Gold agreed.
Belle looked at the translation notebook, at the third register’s operational instructions, at, Do not seek to heal the Wound. and The Wound is the World’s health, and This is the only instruction.
Then she looked at Gold.
“The fourth question,” she said. “The one I told you was in the journal and would be asked when the framework was ready.”
Gold waited, still… patient…
“Is the framework ready?” Belle asked.
The silence continued, longer than his usual silences, like the held breath before the plunge, an anticipation of the question that he knew was coming and found, in its arrival, that he had been ready for longer than he knew.
“Yes,” he said. “I think it is.”
Belle took a breath of her own, then asked, “Why hasn’t the Wound healed?”
She asked the question that Cora had given to her in the library, in the doorway, as a gift for complicated reasons, the question Belle had written in the journal on the first Thursday and had been carrying since. The question she had told Gold was there, in the journal, waiting, and Gold had said, I know in the register of someone who had been waiting for it.
She had asked it now, and she sat with having asked it, and in her turn, waited.
Gold looked at the table for a long moment before raising his gaze to look at her.
“The Wound,” he said, “does not heal because I hold it. The Keeper’s function is precisely that: to hold. To maintain the Wound in its current state and to prevent the succession from occurring before the time is right.”
“The succession would heal it?” Belle asked.
“The succession would transfer it,” Gold said. “Which is not healing. The Wound passes to the next Keeper. It does not close.”
“So, it never heals?” Belle asked, “Not with the succession, or with anything?”
“No,” Gold confirmed. “It does not.”
“Then why does the Congregation believe—?”
“Because the person that leads the Congregation reads the wound as injury rather than function, and injury, in her theology, is something to be remedied.” He paused. “She is not wrong that it is an injury. She is wrong that remedy is possible or desirable.”
“Both things can be true.” Belle said quietly.
“Yes,” Gold said. “Both things can be true.”
The answering silence was punctuated only by their breathing until Belle spoke again.
“The Wound has been with you for—” she stopped. “For the duration of the Keeping.”
“Yes.”
“Which is—”
“Long,” Gold said simply.
Belle looked at him, then at the cane, deliberately, as she had looked at it before, without apology or deflection. She looked at the way he held himself around it: the complete integration of it into how he occupied space, the absence of self-consciousness that belonged to something long since absorbed rather than recently acquired.
“Does it—” she began, then stopped, selecting words with the care the question deserved. “Is it… always present? The Wound. Or does it—”
“Always,” Gold said, “Yes.”
“And the Keeping - the holding of it. Is that—”
“Also always,” he said.
Belle sat with that answer.
The Wound, always present, the Keeping, always active, the duration… long, which was the word he had given her and which she understood contained a number she was not yet ready to receive directly, and he was not yet ready to give directly, and the framework was not yet quite ready for either. She thought about not unto us and what it meant to practice that discipline across ‘long’. She thought about what Archie had said. He has stopped noticing that he’s alone. Which is the thing I find most—
The incomplete sentence.
She understood now what the end of it was. She did not say it aloud. It was Archie’s sentence to finish, not hers, and it was not the right moment for it besides. The right moment would come, and she would know it when it did.
“The fourth question,” she said instead, “has a follow up.”
Gold waited.
“When the framework is ready for the follow up.”
“Yes,” Gold agreed. “Ask it when it’s ready.”
“I will.”
She looked, once more, at the translation notebook, and at the morning’s work spread between them, at everything the framework had just received and everything it was still building toward. She thought about not unto us, said together and about the us in his use of it - the awareness of two people in the room the practice applied to.
She thought about what it meant to say not unto us with someone. She filed that, and looked up at Gold.
“The third register also identifies the succession’s next Vessel in the Line.” Gold stiffened, barely noticeable, but Belle noticed. “I know that the framework isn’t ready for that either, but I want you to know that it’s in the translation that I’ve read it. That I’m sitting with it.”
Gold shifted his gaze to meet hers again for a long moment.
“How long have you been sitting with it?” he asked.
“Since last night,” she answered. “Since I read the identification passage.”
“And?”
“And I’m going to need more time,” she said honestly, “before I’m ready to have that conversation.”
“Yes,” Gold said. “So am I.”
The quality of this exchange, with both of them acknowledging that there was something that neither of them was ready for yet, but that both of them agreed to the unreadiness without deflection or pretense, was its own form of the mutual obligation function. The framework was building at the pace that it required and neither of them was rushing it. Even so, neither of them was able to stop thinking about it.
She began packing her bag, packing the translation notebook, the De Laude photographs, which she tucked carefully inside to keep them flat.
Their morning’s work had been completed in its current installment, when Gold said from the table, “The inscription.” She looked at him. “What it said to you: if you have read this far you are the reader we required.
“Yes?”
“How does it feel to be required?”
She blinked. It was, she thought, the most personal question he had asked her, more so than many of the questions from her first visit with him, which were assessments. More personal even than the dreams question, which was impossible. This… How does it feel to be required? It held the kind of curiosity of someone who wanted to know, not what she knew, but what she experienced.
She thought about it honestly.
“Like recognition,” she said. “The way a correct reading feels when you’ve been working at something from the outside and it suddenly shows you its inside. Like having been truly seen.” She paused again. “It’s the same as I see on Ruby’s face when her perception is received correctly. The same as I—”
She stopped. She had been about to say the same as I saw on your face when I said, ‘not unto us. She did not say it. The framework was not quite ready for that sentence and she knew it. She filed that.
“It felt,” she said instead, “like the right place to be.”
Gold looked at her for a long moment.
“Yes,” he said. “I imagine it did.”
The way he said, I imagine was not the operational, I imagine, nor was it deflection. As before, it held the tone of someone saying I imagine about a feeling they recognized from the inside without being able to claim it from the outside.
Belle looked at him.
She did not say, You are required too. The inscription required you before it required me. The Wound-Keeper, and the Word-Keeper, and the Vessel of the Blood, all three required, all three found.
She didn’t say it because it didn’t need saying. He knew it. She knew he knew it. The knowing sat between them in the back room of the shop in the morning light.
Nodding, she picked up her bag.
“Tomorrow. There’s more in the translation that the framework will be ready for.”
“Yes,” Gold agreed. “Come in the afternoon.”
She nodded and turned to go.
She was at the doorway between the back room and the shop when he spoke - in the doorway, always the doorway, the place where the significant things arrived.
“Belle.”
She turned back to him.
“Thank you for calling last night,” he paused as she continued to regard him. “The person it’s about,” he continued quietly, “appreciated knowing it had been read.”
She held his gaze a moment longer.
“I know,” she said.
She went out into the shop. She passed the cup on its shelf, the pull of it present as always, the attention it required, filed as always without a category. She passed the mirror, and her reflection, and her, were together - synchronized.
She opened the door and went out into her Wednesday Morning.
She stood on the pavement for a moment and felt for the town around her. It felt like an ordinary Wednesday, and yet… it held a quality as if it contained considerably more than itself.
She took out the journal, and standing on the pavement outside Gold’s shop wrote, Not unto us, said together. First time. The us in his use of it carrying the awareness of two people the practice now applies to.
He asked how it felt to be required. He asked about my experience, not my knowledge. This is now.
‘The person it’s about appreciated knowing it had been read.’
He called himself, ‘the person it’s about’. Third person. At one remove. He is still… managing, but less completely than before.
The follow-up to the fourth question is still in the journal. When the framework is ready.
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"Why do you care about comments? Don't you write for yourself?"
Do you not like the sense of community?
Do you not love the conversations that develop in the comments?
When you cook for others, do you just cook whatever you want to eat without a care for what the others think of your food?
Writing fanfiction is becoming an ungrateful hobby because readers seem to have become selfish...(not all, mind you... The few commenters I have are fucking amazing!)
You want, want, want, want, but give nothing back...
We used to be a family of sorts. Now we feel like Glovo delivery people...
Bring back community and the back and forth from before.
I see so, so many people giving up on writing... So many Subscriptions that get zero emails because the writers are disheartened.
Happy Tuesday, everyone, how are you all doing today?
I'm still chugging away at Dies Irae. After my little posting storm last weekend, I've been considering a midweek chapter as well as a weekend on - if I can make it work. I'm still ahead of myself, in terms of posting what is already in final draft, and looking at it the other day, if I stuck with only posting one chapter a week it wouldn't be completely posted until January! Even twice a week, we're looking at October. So... we'll see.
Meanwhile, I'm working on the outline drafts of the chapters I've already 'finished', whilst simultaneously still working on the rough beat drafts of the sequel. There will come a point where I'm writing something and my brain will be like, "I must make a note of that for the sequel." So, I'm doing a lot of jumping back and forth, because of course when outlining for the sequel, I'll find places where I'll think, "That came out of nowhere, I need to seed that in the first fic." So, I'll go back and tweak something.
From a writer's perspective, that has been interesting.
Aaaaaand yesterday, I came up against the usual wall that Rumbelle writer's so often face. That dreaded question. The one that keeps us all hung up for weeks and eventually gets in the way of everything.
What name to we give to Mister Gold?
So that feel free to hit me with any questions, burning or otherwise, and I shall do my best to answer them. My inbox is here
love when fanfic writers are like “I love this character” & proceed to put them through shit even God has blacklisted, baby the middle ages called they want to hear your ideas
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social media has really warped our perception of creativity and hobbies. Stop doing things to post them. Just write. Just journal. Just sketch. Just read. Just annotate. Just sing. Just crochet. Just do the thing you’re going to do with the assumption no one will ever see or know you did it. Stop performing. Just enjoy it.
I understand the heart of this, and I agree that creativity doesn’t always need to be witnessed to be worthwhile. There is something deeply sacred about making privately, about writing or sketching or singing simply because your soul needs somewhere to put itself. But I also think we’ve flattened the conversation too much when we imply that sharing creativity automatically turns it into performance, or that posting your work means you’re only doing it for praise.
Humans have always shared what they make. We read poems aloud. We pass around books. We hang paintings. We sing in rooms full of people. We tell stories beside fires, at dinner tables, online, in letters, in journals someone might one day find. Art has always had a communal pulse. Sometimes posting is not about accolades at all. Sometimes it’s accountability. Sometimes it’s archive. Sometimes it’s connection. Sometimes it’s the joy of letting something you made leave your hands and find the people it was meant to find.
I have always said: create because you love it, not because you want to be loved for it. But the problem isn’t sharing; the problem is when visibility becomes the only reason you create. Enjoying your own creativity and wanting to share it with others are not opposites. Being proud of what you make is not the same thing as performing. Let people make privately. Let people make loudly. Let people be witnessed without assuming their joy is insincere.