when she says she doesnβt send nudes
when guys objectify women and expect them to send nudes
when someone asks you about your nuclear plans for russia
When Russia sends you nudes
#what the fuck happened here

if i look back, i am lost
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@effervescentluminescence
when she says she doesnβt send nudes
when guys objectify women and expect them to send nudes
when someone asks you about your nuclear plans for russia
When Russia sends you nudes
#what the fuck happened here

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At Target this lady told her son he couldnβt have a Wonder Woman doll because βthatβs for girlsβ and then bought her daughter the same one. It got me thinking about how often I see people bar young boys from appreciating girls/women as protagonists and heroes, and my own experience with it as a kid.
I remember reading something when I was younger, though I canβt recall where or in what context, that said something along the lines of βgirls will read books/watch movies and enjoy them equally with both male and female leads, but boys will only enjoy media with male leadsβ and even as a kid, and a girl, that struck me as both untrue and unfair. Like, I remember thinking βwell, of course they wonβt say that they like girl main characters, you wonβt let them admit it!β I think I was even angry for the sake of those βboysβ they decided couldnβt enjoy a story if it was told from the perspective of a βgirlβ. My views on gender roles and stereotypes were, of course, quite childish, but even as a kid I recognized how unrealistic that was. Idk, it still makes me angry, I guess.
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late β80s/early β90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, heβs never worked in animation againβheβs effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin βFeet Manβ Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didnβt actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvinβs skull that lodge in Samuel L. Jacksonβs hairpiece). The resultant cuts were actually more permissive than heβd expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (Iβm not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and βworkingβ for another few hours on a second, βtoned-downβ version, and it worked every time.
The reason I bring these up is that the thing that drives censors isnβt some extant physical rubrick of what is and isnβt acceptable, itβs the idea that they can have absolute power over someone elseβs creative work. Itβs about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
Geometry homework, Lin Yung Cheng
suburban women on september 15 1967 tuning in to star trek and seeing fuck-or-die mode spock getting in a sweaty man fight with captain kirk in amok time

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This is actually such a crucial part of healing from neglect and abuse and I have to add to this.
Because indeed, people who like you will not roll their eyes and sigh at the idea of accommodating your needs, they will value your voice and be upset with you about injustice done to you, not at you for "being difficult". They will be happy when you find a way to live a better life, and help you to get there. If you are struggling, someone who loves you wants to see you smile, not tell you to smile because "you have it so good".
The tailors at Colonial Williamsburg made a suit for their cat
The best part is that they were inspired by a diary entry from 1775, written by a 12 year old tailorβs apprentice who had been left unsupervised all day and decided to make a suit for a cat. Hereβs a link to the blog post about it, but Iβll just paste the whole diary entry here:
βI had been at work about two months when Christmas came on β and here I must relate a little anecdote. The principal [the tailor] and his lady were invited to a party among their friendsβ¦while it devolved on me to stay at home and keep house. There was nothing left me in charge to do, only to take care of the house. There was a large cat that generally lay about the fire. In order to try my mechanical powers, I concluded to make a suit of clothing for puss, and for my purpose gathered some scraps of cloth that lay about the shop-board, and went to work as hard as I could. Late in the evening I got my suit of clothes finished; I caught the cat, put on the whole suit β coat, vest, and small-clothes [breeches] β buttoned all on tight, and set down my cat to inspect the fit.Β
βUnfortunately for me there was a hole through the floor close to the fireplace, just large enough for the cat to pass down; after making some efforts to get rid of the clothes, and failing, pussy descended through the hole and disappeared; the floor was tight and the house underpinned with brick, so there was no chance of pursuit. I consoledΒ myself with a hope that the cat would extricate itself from its incumbrance, but not so; night came and I had made on a good fire and seated myself for some two or three hours after dark, when who should make their appearance but my master and mistress and two young men, all in good humor, with two or three bottles of rum. After all were seated around the fire, who should appear amongst us but the cat in his uniform. I was struck speechless, the secret was out and had no chance of concealing; the cat was caught, the whole work inspected and the question asked, is this your dayβs work? I was obliged to answer in the affirmative; I would then have been willing to take a good whipping, and let it stop there, but no, to complete my mortification the clothes were carefully taken off the cat and hung up in the shop for the inspection of all customers that came in.β
βI was hoping theyβd beat me and forget about it but to my horror they stuck my work up on the fridgeβ
Not just any fridge-
The public fridge
in the interest of fair whackings my favorite ilya flaw is his obnoxious martyr complex that is actually breathtakingly selfish and a way of avoiding intimacy to keep from getting hurt <3 there is just so much there to explore!!!
the sentence βshane obviously does not want to be in a relationship with the giving treeβ just popped into my head fully formed and of course i felt the need to share
absolutely looosssinggg it. i'm so obsessed with movies which portray the woman MC in a highly specific job because the writers clearly think it's like "off-beat" and "quirky" but have no idea how the field works whatsoever.
i decided to try a romcom i somehow missed i the 2000s 'head over heels' and i got 3 and a half minutes in and we're introduced to the lonely MC with bad taste in men as evidenced by her extremely short list of ex boyfriends, including her first boyfriend when she was 11 or something because i guess that's still relevant in her adult life.
so she's resigned herself to never finding love and prefers to ignore men to focus all her energy into her career.
this job is immediately presented as though it's for spinsters with no hope of ever finding a man.
the mc's lesbian bestie (whose first line involves her being scolded for being too sexual in the workplace, but moving on) points out their colleagues as evidence that they're doomed to a romance-less, sexless life if they don't switch up their shared career path. the colleagues are three old women, so-dubbed "the menopause triplets":
these women are presented as if they have no idea what's going on at any given moment. this is 2001, and presumably this is an entry level job requiring low effort and no experience.
then their boss bursts into the room, unceremoniously bumping a large painting into the door jam and walls, announcing that it's a new project for our MC.
our MC is thrilled to see the painting. apparently it's a light in the daily slog at her dreary job for loser women with nothing going on in their lives.
And that job is? Conservator of paintings (specializing in Renaissance) at the New York City Metropolitan Museum of Art.
The painting being handled like an old couch on its way to the curb?
The Bacchanal of the Andrians by Titian.
Her lesbian colleague who is presumably also a a highly trained & skilled curator finds it depressing that the MC is so excited about the painting.
it's a quirk unique to this MC that she cares so much about paintings, in her department at the metropolitan museum of art, where her colleagues find all that art business rather dreary. because we all know that's what conservators in extremely competitive museum positions are like.
I'm not saying there can't be lifelong love in here somewhere but I also just feel like the monogamous heterosexual marriage you're fantasizing about isn't necessarily best represented by the bacchanal. and that's okay. but i do stand by that.
This feels connected to the older antiintellectual streak we see in movies like Ball of Fire, but with an added antifeminist "post-feminist" anxiety.
i have a lot of thoughts on the matter but i will say that fandom moving from semi-private blogs and communities to extremely public and algorithm-driven social media was a huge mistake that has changed fandom culture for the worse

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T shirt that says βI β€οΈ getting laidβ & then on the back it says βto RESTβ with a photo of a coffin + the name & phone number for a local cemetery. Please follow for more advertising ideas
Everyone: "Blackbeard is so mysterious and scary. Who knows what twisted thoughts swirl around in his head?"
Ed (writing in his diary that has "IZZY KEEP OUT >:(" in purple gel pen on the front): "Maimed a guy today. Anyway me and Stede made eye contact in the middle of a raid and it made my heart flutter like nothing ever has."
Seeing people talk about the Trolley Problem on here is always... interesting. Because the Trolley Problem isn't meant to be a narrative trope, and it's not meant to have a "right" answer, and it's not meant to be an immediately realistic scenario that you can argue your way out of, it's not meant to make you feel proud that you picked the "right answer". It's an ethics thought experiment. "Somebody has to die and you can't save everyone" needs to be taken as a given premise in order to get at what the Trolley Problem is making you consider, which is how you allocate value of people's lives, something that it's very, very hard to get people to address in any circumstances but extremely contrived ones.
Because the way I was taught it, the Trolley Problem isn't a one-and-done thing in isolation - its classic form is there to set up the variations and test where your values change.
The classic form is: a runaway trolley is careening down the tracks. The brakes are broken, it can't be stopped. In its path, five people are tied to the tracks, and if it's left to its own devices, the trolley will run over them and kill them. BUT you have the option to pull a lever and send the trolley down a different track. On that track, one person is tied to the tracks. As it stands Right Now, if you do nothing, the five people will die, and the one person will live. But you can pull the lever and switch the trolley's track so that the one person will die, and the five will live. The trolley is approaching and you don't have time to untie anyone from the tracks. Would you pull the lever?
In its base form, the question is fairly simple, and it's about if the capacity to intervene makes you morally obligated to intervene, and if doing nothing and letting more people die is better or worse than personally intervening to make it so that fewer people die, but one person will die who without your intervention would otherwise have lived.
But that's even one iteration of the problem, because most people say yes - saving five people and sacrificing one is, overall, better than saving one person and sacrificing five.
And the real value of the Trolley Problem comes after you've said, yes, I'd pull the lever.
You've established that you believe intervening to save five people even if that means sacrificing one person is the more morally correct option. Then the question-asker hits you with,
... what if the five people were strangers, and the one person was your mom/your spouse/your sister/your best friend? Would you pull the lever then?
... what if the five people were adults, and the one was a child? Would you pull the lever then?
... what if the five people were convicted felons, and the one was not? Would you pull the lever then?
... what if the five people were disabled, and the one person was an Olympic athlete? Would you pull the lever then?
... what if instead of one person, it was four people? Would you pull the lever then?
... what if instead of five people, it was a critically endangered bird, whose death might doom its species to extinction? Would you pull the lever then?
The one that sticks in my head is, let's go back to the baseline version - a trolley is careening out of control towards five people, and you can intervene to shift it to the track where it will kill one person. Did you say yes to that?
Now imagine there are five terminally ill people who need a heart transplant, a liver transplant, a lung transplant, and two kidney transplants, or they'll die. Meanwhile, there is a perfectly healthy adult in front of you with fully functional organs that are a perfect match for these five people. Would you kill that healthy adult and distribute their organs to the five sick people, saving their lives?
If you said no to that, but yes to pulling the trolley lever... why? The logic is the same: kill one person who would otherwise have lived, in order to save five people who would otherwise have died. But it feels different, doesn't it? Why?
That's what the Trolley Problem is for. It's a deliberately contrived ethical thought experiment to draw out our values, our feelings, and how we apply our values about people's lives when we make decisions - and maybe make us face the realization that we have some gut feelings about the value of some lives over others, and make us ask ourselves why we feel that way.
It's applied to hospital triage situations about who to treat first, and to decisions when programming self-driving cars in a crash scenario of whether to prioritize the safety of a pedestrian or the driver.
And it exists so that once you realize the way you're thinking about this, you then have to turn the question to the trade-offs we actually make in society.
... what if instead of five people, it was seven million people, and on the other track, instead of one person, it was The Economy?
... what if instead of five people, it was 7,500 people, and on the other track, instead of one person, it's letting car companies do what they want forever?
... what if instead of five people, it was 1,000 people, and on the other track, instead of one person, it was police budgets and police immunity?
... what if instead of five people, it was a ground invasion of Japan, and on the other track, instead of one person, it was 140,000 people in Hiroshima and Nagasaki?
... what if instead of five people, it was 251 hostages, and on the other track, instead of one person, it was the entire population of Gaza?
These are treated as acceptable tradeoffs, as things that are acceptable sacrifices for the other. And it's up to us to ask. Is this an acceptable trade-off. And is it really a Trolley Problem the way that the people in power want us to believe it is, with no other options.
I think Spock could hang out with Squidward because they're the same type of cultured faggot but Squidward would get petty and mean about something and Spock would be like honestly mr tentacles I find this type of outburst very distasteful. & he would fix him
do they live in capitalist bikini bottom or socialist space future because the answer really affects whether spock fixes squiddy or systemic injustices change who spock is as a person.
I was imagining the enterprise comes to bikini bottom planet of the week style but I'm obsessed with the idea of spock working at the krusty krab & how that would affect him psychologically
My woke take, as someone who has worked in both a public library and a school library, is that we desperately need both more books that are at a higher reading level but a less mature subject matter, and more books that are at a lower reading level but a more mature subject matter, because 8 year olds who are advanced readers are still 8 year olds and don't want to read about graphic violence and torture, and teens and adults who have learning difficulties or who are just later readers for whatever reason are still teens and adults and don't want to read about Billy the Bunny going to school or whatever the hell.
Shoutout to people in the notes also mentioning people learning the language, I should've mentioned that really, given that I've been stuck reading German picture books myself while learning German.

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i have for a while been using stepping on somebody's toes as a metaphor for misgendering. and i genuinely think that it's kind of a good one.
if you keep stepping on somebody's toes for a long time at minimum they're probably going to start really hating you and at maximum you might cause them lasting damage.
if you do it on purpose you're a dick. if it's on accident but you keep doing it that person is still going to be mad at you because you don't care enough to try not to step on their toes
if you give a grovelling begging apology after accidentally stepping on somebody's toes one time you're going to make the whole thing awkward, but not giving a quick "sorry" before moving on is still kind of rude.
Oat milk was discovered much more recently than you may have known. Like many now-familiar technologies, it was found by accident during the Apollo program when NASA learned what a zero-g environment does to goat milk.