Love that buton with the funny arrows

<(•>•)> <- cute baby chick

the woke left: young and fashionable. visible tattoos. often enjoys matcha, lavender flavoring, oat milk, and cold foam. pretty decent customers.

sweet old man: drinks very sweet iced lattes, pays in cash, puts all of his change in the tip jar. sometimes orders hot coffee and i get scared that his shaky old man hands will spill it and he'll get burned but that has not yet happened and god willing never shall.

evil old man: only wants drip coffee and declares it ridiculous that any other form of coffee exists. some variants only want americanos and these variants are even scarier. watch out.

sweet old woman: might need her daughter's help to order but is very bubbly and open to trying new things. compliments baristas freely and frequently.

evil old woman: does not want coffee and only wants sweet tea or soda. will not tip even if she spends three hours in the shop repeatedly asking baristas to fetch things for her.

errand husband: either stiltedly recites an order to you or shows you the order in their texts/notes app. needs to step out of line and make a phone call if you ask any follow-up questions.

grindset girlie: always wearing scrubs, an apron, and/or a name tag. orders the exact same thing every day and knows the exact change she'll need to pay for it. her regular order is both extremely caffeinated and extremely sweet.

#mamabear: is actively wrangling two to four children while ordering. order changes repeatedly because the children cannot decide if they want a muffin or a cookie or apple juice or chocolate milk etc. for some reason these women are always wearing an article of clothing or carrying some personalized item that says "mama" on it.

schoolchildren: band of two to eight adolescents hanging out after school. extremely indecisive but generally quite polite and tip well.

amnesiac in love: grown adult who needs their partner to tell them what they like. gets asked a question about their own preferences and turns to their partner to answer for them. generally acts like a shy child looking to their guardian for behavioral cues if you try to interact with them and only wants to talk to mommy i mean their wife.

No get back here, hear me out. I'm not saying Gideon didn't become one as a Lyctor. But I've been noticing a lot of things adding up weird here...

In Ch6 of HtN, when preparing for the first trip through the River, they call it Pyrrha's trial.

Much later, when Pyrrha is mad at Palamedes for the soul fuckery he and Camilla are doing, she refers to it as one they designed together, but that doesn't negate Mercy calling it Pyrrha's first and foremost. And...

She's worried about Camilla's brain, and okay, sure, they only have Camilla's body. But with Cris and Mercy, it was Cris getting cracked open. With Harrow and Gideon 2, it was always Gideon in danger, not Harrow. And with Gideon 1 and Pyrrha, it was Gideon's skull, Gideon's brain, getting the testing done. No mention of the same kind of testing or Mercy or Pyrrha. The principle of it is the necromancer's consciousness being overlaid onto the cavalier's brain, right?

But okay, maybe Pyrrha just doesn't mention herself, and Gideon's "a control variable" to compare herself to? But there's more.

Pyrrha fights with guns, prefers them. Gideon fought with not just a sword but a whole ass massive spear for an offhand, and has easily more physical prowess than any other necromancer we've ever seen. His stomach is still desiccated in typical necromancer fashion, he's dehydrated and not a scrap of fair fat on him, but he's a wall of muscle and sinew. Yes he looks "like an idiot's construct", probably because John regrew him from an arm when he was still getting the hang of using that level of power, but he's distinctly not built like other necromancers. If he wasn't a necromancer prior to being a Lyctor, his build might make more sense. Moreover, we've seen other cavaliers turned into sort-of-constructs, with both Protesilaus and Kiriona.

I also want you to look at the Saint of Duty and tell me that man isn't the walking essence of what it means to be a Cavalier.

And he rarely uses necromancy. He can travel in the River, and he drains thanergy, but he never really uses theorems or sets up wards. His necromancy is used pretty exclusively in passive ways or to remove obstacles between himself and his weapons. But Pyrrha is extremely knowledgeable about all kinds of necromancy. She tells Harrow fresh thalergy is harder to drain. She sees Ianthe's brilliantly inventive combination of wards creatively mimicking the effect of Mercy's trial and can accurately tell what they're going to do, as well as how to break them. Among other things. She also says she walked the Eightfold. Maybe that means being led willingly as a cav, but what if she was in control of the process?

With Harrow, Gideon was constantly in and out of awareness, watching from Harrow's subconscious, things that Harrow was fully conscious for. Palamedes doesn't have that with Camilla, and both of them being conscious is rare and dangerous, as detailed above. Pal and Pyrrha are frequently compared with their situations. How did Cam and Pal work out how to do the switcheroo, especially while Pal had extremely limited ability to move or perceive? How did they work out a safe time limit before too much irreparable damage was done? Could they have had guidance from someone who's done it? Done it with a necromancer's knowledge, letting him know where he can safely go under in the brain, how to come out at will, what to watch out for?

On a separate note:

Lyctor names are sacred, but the Houses were founded before Lyctorhood was achieved. Anastasia did not become a Lyctor, so her name was not removed from history, and became common in her House. Judith and Marta are part of the Dve Territorials, and while that doesn't prove anything or could even be evidence against, I feel like it would make sense to have named prestigious military groups after the House's "main" Founder, before there were Saints and the decision to erase the Saints' names.

On a more meta level, I think it would be weird to have "their names were meant to be forgotten", history knowing jack shit about the cavaliers of old, and even emphasis on the Lyctors forgetting each others' House names, only to have a cavalier's House name in active use somewhere, if that information wasn't supposed to be serving a narrative purpose. If we weren't meant to question why.

"But they call her his cavalier. She calls him her necromancer."

Sure. And maybe that's straightforward; this is a theory, I could be wrong. But switching titles after Lyctorhood doesn't sound too out of the question to me. What's a bit of revisionist history in TLT? John knows where memory lives in the brain, and on Pyrrha's end, at least after Lyctorhood Gideon was the necromancer, after all.

(Edit to add: Augustine calls attention to how astonishing it is that Pyrrha never divided opinions, that not one of them has ever had a single bad thing to say about her. She's great but we've met her. We've seen John rant about her calling out his bullshit, in the dream. Not one bit of annoyance or criticism, from anyone? I'm just saying, if Something Happened that led to John needing to tweak memories, making everyone remember her nothing but fondly feels plausible.)

"So why can't she do necromancy when she's in control?"

"He took more from me than got taken from you" feels like explanation enough to me. He got her aptitude and more. She's a partial soul. If anything, she could even still has an ounce of it, to retain the body's healing capabilities. If Gideon was fully giddy-gone and the soul that was left had zero aptitude, what would the furnace be burning? But if Gideon's consciousness is dead and what's left of his soul is in the furnace with a (partial) necromancer at the helm, well, that's not far off from Lyctorhood working as intended.

"Why though?"

And there's the part that gets really tricky but interesting. My best guess short answer is, one of them was dying, and it was an act of desperation.

Maybe Pyrrha was dying and so brutalized her body wouldn't have healed right even becoming a Lyctor, but given what they're like and the Cam/Pal parallels, I feel like an even more likely answer was that Gideon was dying. Cris and Alfred had already put Mercy and Augustine in that position, and they took their souls to preserve something, but Pyrrha would have seen how well that worked, assuming the third ascension wasn't immediately after the first two. So perhaps in her own desperation, with endless adoration for the man so willing to burn for what he believed, she said no. You don't get to throw your life away. If you're going to keep throwing yourself on things, I will make sure you can survive it and keep surviving it, even if it kills me instead. And then walked the path in reverse, pinning her own soul to his instead of pulling his into her.

I've seen a post around here pointing out how when Pyrrha tells Nona about her first tantrum, she's laughing with her mouth but not her eyes, and it looks like it reminds her of something her brain doesn't want to bring back, and the post proposes maybe Alecto killed Pyrrha. And I do think there's a solid possibility it was Alecto's tantrum that mortally wounded whichever (or maybe even both!) of them and prompted them to ascend. If Pyrrha didn't blame Varun for Gideon recently, I doubt she'd hold it against Alecto either.

Either way, wouldn't something like that more than earn the title of Duty? Wouldn't it be beautiful that they both fit the title if both had in ways been the cavalier? Wouldn't it be fitting to allow the name Dve to stand in the military as a monument to such a woman?

we know saintly epithets are chosen to reflect their cavaliers' virtues and here we see john saying g1deon's epithet reflects his virtue. and in the very next line its explicitly contrasted with the other lyctors'.

a couple of paragraphs later we get a description of g1deon's appearance, which is also contrasted with the other lyctors' who are all said to have "the necromancer build".

Because in Ch17 John says "Pyrrha for Duty" and yeah, it DOES suit Pyrrha too. Like ACAB and Pyrrha highkey is a bastard in a lot of ways, "she loved being a cop", and then their whole house is the Most Military, "discipline, heedless of trial." We've still got the Dve Territorials. But then we're also shown like... P— giving her friends advanced warning of a raid, eventually quitting to stay with them, Pyrrha turning against the Empire eventually, etc.

And on one hand you can argue she's got more conviction in her own morals, that she always has a dutiful mentality and who and what causes it's put in surface to just change. On the other hand, you've got Gideon ENTIRELY unwavering. Gideon who in his entire myriad long life was loyal to TWO people, period. Who after becoming a Lyctor did have any life outside John but like. Barely. To a point that even though it wasn't weird for him to be actively performing military duties— a two year chase after Wake, whatever he was doing when he met Nonius, etc— it still FEELS weird to Augustine to come home and not see him there at John's side.

Just these three. Not "Cass and Mercy and Gideon and us cavs" or anything of the sort, just "Cass and Mercy and I" doing thanergy research.

The Second Lab's experiment and trial—Pyrrha's trial—involved a giant skeleton construct and working out how to make regenerating bone.

The Second's "signature" art nowadays is...

Draining thalergy.

Which G1deon himself specifically finds it harder to do than draining thanergy from bones.

ALSO for the love of god stop equating "masc" "transmasc" and "butch" with each other. NOT THE FUCKING SAME, TEAM. The next person to call me transmasc gets a face full of ice water my fucking god.

For personal context, before I went to the '98 Burning Man festival, one of the things I'd read from a couple different journalists was that "everybody" runs around naked. Which, fine by me, I'd already spent a lot of time in clothing-optional spaces, I'm not fanatic about it but it's nice.

So I got there early and set up a public shade structure on one of Black Rock City's main roads and spent most of each afternoon just watching the crowds go by. I don't remember seeing more than one actually naked person the whole week. I think a topless woman passed by my intersection maybe every half an hour, sometimes once an hour. So why in the hell were people, normally pretty smart and observant writers, coming away with the impression that everybody was naked?

Then I remembered an unrelated passage from Joel Garreau's great book about the history of the outer-ring suburbs, Edge City. Mall developers told him flat-out that they tried to keep the crowds in their malls less than 5% black. Not because they themselves were racist, but because they had determined, experimentally, that if more than 5% of the people in the mall are black, the median white shopper will wrongly describe the mall as at least half black, as mostly black. And not a few of them would describe it, at 6% black, as a mall where "only black people go." Why?

Because, emotionally, they were still upset over the last one when the next one came into view.

morning warmups gone out of hand

many unserious drawings of him because it's how i cope with *gestures* all of That.

Captions cover the spot on the screen you put the information I need

The dialogue is captioned but not the song you have playing that the dialogue is responding to

You only captioned the person on the screen, not the person off screen who is also talking

No captioning of critical sound effects (alarms, bells, dogs barking, etc)

Speakers are not labelled at moments where it is not clear on the screen who is talking.

Captions cover the spot on the screen that you put the information I need!

Other d/Deaf people welcome to add.