moved to @lanternlit
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@dutyworn
moved to @lanternlit

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hi! i'm not back, but i'm here to tell you that when i return, wren can be found on my multi @lanternlit! i feel like this was always going to be done after last year when i moved cas and thirteen to the multi from their solo blogs. i just don't find managing several rp blogs sustainable anymore.
i am not dropping anything for the move (unless you don't follow me back on the multi), i will continue threads on the multimuse.
i will eventually move threads that aren't on my turn to the multi, but if you reply before that, just tag lanternlit instead of this blog (though i will probably see the reply either way because i use rpthreadtracker). hope to see you there!
I am taking time off roleplay and practically social interaction in general.
I'm not doing well. I won't have the energy for socialising for the most part, either, so if you message me OOC about non-rp related stuff, I'm more likely than usual to just emoji react (or leave you on read if not Discord because can't emoji react) and/or take even longer times replying than usual.
I won't be posting on my rp blogs, but I'm likely to be lurking on the dashboard. I want to ask people to please not unfollow me - because I'm not dropping things, but rather continuing them when I come back. If we're in the middle of plotting, I'll still reply to those conversations when I come back (if you haven't unfollowed me).
I will be away for longer than a couple of months but not as long as a full year. I don't know how to give you a more precise timeframe.
I know people are likely to move on and not be into the interactions that are on hold for that long, but I don't know what else to do about that than to reassure you that I am going to be back even if it takes me a long time. If you do unfollow for inactivity that's of course up to you.
Long story short if you don't want to read all of the above: I'm not doing well, I'm going to be away for 2 months to a year, but I am going to come back.
you are a character in a story, what kiss trope is destined to be in your narrative?
The Now or Never Kiss.   The Last Kiss? No, it's not the last, but the characters don't know that. Death appears imminent â the temperature is rising, the room is filling up with water, the plane is about to hit the ground, the rope they're dangling from is about to break and drop them off the cliff, the room is on fire and the door's locked, the world is coming to an end... The point is, this is no place for unresolved sexual tension. The Not-A-Couple don't want to go out without revealing how they really feel. It's now or never. They kiss. This can also be 'Now or Maybe Never' kiss; one or both are heading into danger, or likely-potential death.
tagged by: @quantumstargazer, thank you! tagging: steal it & say i tagged you!
also (excuse the sleep deprivation posting, i slept for like. 2 days. and it's 3pm now and i've been awake since 7pm yesterday.)
for some reason people seem to think/keep telling me
that i'm assertive, confident, etc. you should know. in case that makes me 'intimidating'. i'm so. sososo insecure and easily embarrassed and terrified of people ksbnsmbsnmsbn i'm just good at communicating via text, when i have like a specific role, or a script, like... catch me in a social setting outside of a hobby i've been doing for over 15 years, like roleplay, and you'd see how incredibly awkward and visibly insecure i am. i'm timid as fuck offline 99 percent of the time as well (text is easier than speech)
i'm also 5'3
i may know how to communicate within roleplay context effectively enough that i seem like a confident person but trust me that is a lie i am soooooooooooooooo. so very much not.

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anyway if you're romancing karlach. act ii kindly long rest before talking to dammon at last light. or else the mizora cutscene might override karlach sex scene and you get bugged out of the romance altogether. if you're playing as the dark urge. long rest two times before dammon fixes her. because also sce... scel... the butler cutscene about "pls kill isobel". idek if that overrides it too
ask me how i fucking know
@dutyworn
[ PIN ]: sender pins receiver against the wall during combat/sparring. / for Ryker. I saw it and it had to happen-
Scuffed, worn boots marked the once well polished floor as he skirted another blow; deflecting his old friend's attack and putting some space between them for a moment as he pushed the hair from his brow. They'd been at this for barely ten minutes and already sweat had began to coat his skin and hold his shirt closer to his chest. I'm not unfit, she's just...
An ever threatening smirk appeared at his lips as Ryker let out a low whistle, dragging his eyes over Wren's body and taking in as much detail as possible. He noticed the way her now slightly crumpled uniform mirrored her dishevelled hair, the way her tattoo peeked from beneath her collar, the way her chest rose and fell with minimal exertion; the minor cuts and slight bruising forming on her knuckles. He noticed the way her eyes shone and felt a familiar warmth spread through his chest as he locked his gaze with hers.
"Come on, Songbird: you promised you'd show me a thing or two. So far," he circled her slowly, letting the smirk fall ever so slightly as he shrugged, trying his best to goad his friend into making a mistake, "-I can't say I'm all that impre-" Within the blink of an eye, Wren's hands were on him again; his back had collided with the hull and the air from his lungs had been forced from his body. Trying his damndest to hide how much that move had hurt, Ryker forced the smirk back to his lips. At the feeling of Shepard's chest pressed to his, of her weight pinning him to the wall, the smirk became warmer and mischief began to build behind his eyes. "Well, hello." He scanned her face - taking in every minute detail and committing it to memory. "You know: if you wanted to be on top, ya could'a just asked nicely."
It feels good to use her body. She hasnât felt fully herself, in her own skin, ever since Cerberus brought her back; old scars gone, her physique augmented with nanotech she canât even comprehend, making her just that little bit tougher, harder to harm. Not enough anyone would notice the difference, if they werenât her, if they didnât know her body, intimately. But Wren can tell. She wasnât asked. No say in what was done to her dead body. No sense of ownership of herself...
So, it feels good. To move, to feel the impacts of sparring. She doesnât need to hold back with Ryker, the way sheâd be more careful with anyone else in her crew. Sheâs not scared of harming him; heâs not scared of harming her.
Heâs busy flirting; she doesnât let herself be baited, but instead takes gratification in interrupting his goading.
â I bet thatâs what you say to all the girls, â   she quips, grinning as she presses her forearm to his throat (though she keeps the weight of it to his collar, to not actually restrict his airways in any way), the other hand pinning his wrist to the wall. She knows she doesnât have the proper leverage to really hold him immobile, not face to face like this, not without actually hurting him. If she could get him on the floor... but itâs fun, the back-and-forth, the not knowing whoâs going to win. Yes, itâs a competition, for her.   â Do you really think you can distract me with all that? Iâve known you since I was sixteen. Predictable... so predictable... Feel like yielding, yet? â
They have been sort of... flirtatiously bantering, sure. She has wondered if thatâd ever lead to something. It is a little bit nice, the... proximity of practice combat.
@dutyworn asked: I'm scared. Hold me? / listen i still want to write their first meeting but listen, ok,...listen......... the first night after dammon fixes karlach's engine enough that she can touch people without setting them on fire, wren just saunters over to her at camp and says this, all the while brimming with enthusiasm and obviously not at all scared (they're already in a romance)
They did it.
They actually did it!
The first time in ten long years, Karlach was able to actually hug someone, and ooh, what a glorious thing it was, to hold Wren close for the first time, after all the long nights spent wishing she could.
Gods, she can barely sit still with just how excited she is. She'd even managed to get Fangs to let her hug him! He'd acted like he'd hated every second of it, of course, but she saw that little sparkle in his crimson gaze and the wry little smirk when he finally shoved her away. She wonders how long it'd been since he'd even had a hug...
No, best not to think about that right now. That's about like thinking of the other news, and she doesn't want to think about that. Not now, not ever. She's going to live every day to its fullest, andâ
Oh, what's this?
Karlach watches in bemusement as Wren saunters across the camp to her, her happy smile turning into a low, teasing chuckle as she plays along. "That right? Well, we certainly can't have that, now can we?" she asks just seconds before swooping in to scoop the woman into her arms, easily lifting her off her feet as she holds her close to her chest and presses her face into her hair.
She can hear the others immediately set to gossiping, Gale trying to hush Astarion and Shadowheart as they start to laugh softly but goodnaturedly. This odd mix of companions have become a family, at least in Karlach's eyes, and she just rolls her eyes at their antics while enjoying holding her girlfriend against her.
"You know... Hugging isn't all we can finally do," she whispers into Wren's hair. "Want to make good on those 'suggestions' you had that night at the party later tonight?"
Sheâs not going to think about Karlachâs approaching death, sheâs just not. Wren would go to the literal Hells for this woman, for her girlfriend, in a heartbeat, no questions asked, if she thought she could help... but sheâs burning out herself, more figuratively speaking, so who is she to ask another to put themselves through, again, the literal Hells, to hope to survive... Wren doesnât have the competency, here, she once possessed, in another world. Sheâs been quick to learn new combat styles, what plants to utilise for what, and such, but she simply does not have the breadth of knowledge to presume to suggest...
Eventually, likely, she will. Think about it. Plead with Karlach to... fuck, she doesnât know. Go to Avernus together to prolong her life? She has no right to ask. She more than half expects to be dead sooner herself. Risking her brain with the tadpoles...
She hadnât expected to fall in love.
What matters right now, anyway, is that Karlach can finally touch people,  can finally touch her. This is too good to sully with thinking of the future.
Wren lets herself be scooped up, wraps her arms round Karlachâs neck, laughing as sheâs picked up. She doesnât even care that the full camp can see them. Somehow itâs even more difficult to find privacy here, than on a warship. Theyâve waited long enough... Fuck, if Karlach were to take her there and then, sheâd find it very hard to resist, despite herself.
â I might just need to, â   she murmurs, lips against Karlachâs ear. She feels giddy and silly against the warmth of her skin.   â I feel emboldened, already, but I fear all my courage might slip away from me the second you let go of me  â  maybe if there were less... barriers between us... you might make a bold warrior of me, yet. â   Dusk canât arrive soon enough.
Might act bratty just to see if youâll make me regret it idk
"Yeah, that tattoo's got meaning. But it's none of your business."
Wren shrugs, seating herself on top of a crate a few feet from Jack.   â Thatâs fair. â
She canât help but be nosey about her new squadmates; she likes to build rapport, but she isnât fazed by being shut down; she knows she can cross a line, asking questions people might not want to answer. Being told somethingâs private is more than fair.   â I used to have my first boyfriendâs initials tattood under my boob, â  she offers, half-grinning. Used to, because every scar on her body, including her tattoos, were gone, when she woke up in that Cerberus lab. The bird on her neck, her first-ever tattoo, is the only one sheâs gotten redone, so far. Hasnât really had the time to even think about what she wants to do with the rest.

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Hello???? Suggestions????
What the fuck are you talking about.
@dutyworn â semiplotted starter
It is... unsettling, to say the least, to realise that the... thing that monster put behind her eye is somehow cutting off her connection to her patron. Even more so when she realises the loss of his presence in the back of her mind also means a drastic decline in the power she has available to her, much of it just out of reach where it came straight from the Prince of Frost. Though at least that which had came from her time spent in Vale of the Long Night seems to be with her still, if weaker than it should be as well.
Uncertain of how long she had been out, she briefly fidgets with a ring on her finger, muttering the Sylvan incantation under her breath to restore the glamour that masks her mismatched eyes, now a pale, icy blue rather than the otherworldly glow the Feywild and her patron has left her with. There is little to be done right now about the rest, feeling as unstable as she does, a faint trail of frost forming behind her with every step. At least that could be explained away between her gear that she thankfully still possessed and just precisely who her patron is.
Walking up to one of the other pods, she's surprised to find someone inside still â someone who appears to just returning to consciousness themselves, but unlike her own pod, the lid seems to have jammed part of the way.
Frowning at the strange, alien construction of the pod, she reaches out for what she can only assume is part of the mechanisms that controls the lid, supercooled ice spreading from her touch into the inner workings, weakening them to the point that they shatter with barely a touch, the lid falling away to clatter onto the floor as she takes a closer look at the person inside.
Human, that much is clear, simply by the shape of her ears. Dressed in things she's never seen the likes of in FaerĂ»n or in the Feywilds â not that that is always all that surprising, particularly with the latter. Still, as the woman seems to recover her senses, Tavares watches her for a moment longer before looking around the rest of the room.
A few empty pods â their inhabitants presumably having got free on their own â and a few others with the burnt remains of those unlucky enough to make it out alive. They were both lucky in that regard, she supposes, as she looks back to the human.
"If you're coming, I suggest you hurry," she notes, her tone sharp and cold like the first chill of true winter. "I'm not certain where we are, but I do know one thing â we don't want to stay here if we want to live."
Is she in a Collector pod...? Consciousness is  slow to return. Wrenâs jumbled memories make very little sense â  the Crucible, Anderson, thatâs clear enough, but then... she reels at the memory of  something in her eye. Something alive, crawling behind her eyeball... it doesnât make any sense, but the memory doesnât have the haziness of a nightmare, even as the content seems strange.
She needs to get out of here. The pod, she can tell itâs not fully shut, and thatâs the only reason she doesnât panic, doesnât expect to be turned into human goo to feed the... but how is she at the Collector Base? Theyâd destroyed it, even if the weapon to wipe the Reapers off the face of the galaxy didnât work (gods, she hopes it did), how could this place still exist?
Feeling not-fully-there, she goes to push at the transparent material, but someone outside is faster, the pod lid clanging to the ground.
Wren blinks, slowly. She doesnât recognise the species of the alien looking back at her â  the person seems... almost human, the way the asari seem almost human, but different. Sheâs certainly not a Collector. It doesnât matter. What matters is... sheâs helped her. She is not hostile.
Itâs the strangerâs voice that finally seems to wake Wren into full consciousness.   â I... It looks like... â   she says, her voice hoarse, as she begins to clamber out of the pod,   â Iâve seen something like this before... with the Collectors... â   Itâs not really that akin to the Collector Base, now that she gets a better look. The room is much smaller, the small number of pods arranged differently, and... well, it looks weirdly organic, but not similarly than what sheâs used to when fighting the Collectors.
â We should look for weapons. â   Sheâs lost her pistol along the way, but her omnitool ammo pouch is still strapped to the remainders of her battered armour. The holographic display flickers on as she engages her nervous system with it... so her implant is also functioning. Sheâs unsure whether sheâs mentally all there enough to properly utilise most of the combat functions, though. First, she really needs to achieve some level of steadiness, on her feet. She feels dazed, but at least she can stand up and walk, even if with a limp.
@n7comd said:Â [ 4. ] sender shoves receiver out of the way of a projectile. (hellooo!)
đ đđđđđđ đđđđđđđ   /  ACCEPTING â·
Shit! Her reaction time is slower than usual from the earlier hit on the head sheâs taken, and so when she hears the whir of the heavy weapon, she can tell sheâs too slow to dive out of the wayâ
Wren comes fumbling down in a mess of armour and limbs, air knocked out of her lungs. Something whirs past, above; she can feel the speed of it ruffling her hair. Her visor display blinks furiously at her, in warning.
â Shit, Stafâ... â   she says, with not enough breath in her lungs to fully vocalise the words,   â Stafordâ â   He must have pushed her to ground. Wren gasps for breath, needing to speak â  her eyes sting, the dry dirt of the uncharted world clouding them.   â Staford, are you hit? â   She rolls on her stomach, blinking rapidly in effort to get the dirt out of her eyes, staying low behind the Mako. Is it more geth troops? Sheâd thought theyâd gotten the last of them, after clearing the structures behind them, thought they could just drive back to the pick-up point. Of course thereâs more of them... Of course thereâs more hostiles, when sheâs likely concussed and not at her peak to keep her squad safe...
âyou canât just casually mention youâve technically died onceâ i can actually. itâs funny

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as much as mark would like to let her out of here, there isn't really a lot she's going to find that will make sense to her just yet. maze-like white hallways filled with mostly empty offices, an elevator and an emergency exit that will just put her right back in here again the moment her outie decides to get back to the workspace again. so instead of agreeing to let her leave â which he isn't really supposed to do anyway, unless she asks three times, or when he's finished with giving her all the information she's supposed to have, whichever comes first â he tries to shift the focus back to providing her with more information. information that will hopefully make her understand her situation more.
' ' look, i know this is confusing. truth is, i've been where you are, ' ' he opts to tell her, gesturing at where she stands. ' ' waking up on this very table, no memories of who i am, what my life was like, u-up until that very moment... ' ' he trails off for just a second as the memories floods back, before shaking his head with an attempt at bringing back his smile again. after all, that time is past, and he's happy here, now, he thinks. ' ' turns out i was severed. it's a surgical procedure that splits your memories in two, one which exists outside... ' ' he points up, as they currently find themselves underground. ' ' and one, like you and me, which exists here, at the severed floor. ' '
The thing is,  he does seem to be sincere. Heâs pointedly dodging her asking to be let out, but he seems sincere. For someone who doesnât know herself, she trusts her ability to be able to tell. He has his folders with him, but even though heâs read from a script before... he doesnât act as if he were lying to her. It doesnât mean she believes what heâs telling her â  but she believes he believes himself.
â And what if I donât want this job? â   she questions.   â I donât even know what the job is. Fuck, I donât even know what my name is. And you expect me to just... â   Maybe theyâre both prisoners, here. Maybe the concept of severance is just something theyâre being told; maybe theyâre just victims of some really, really strange human trafficking circle.
mark remembers asking the same question to petey when he first woke up here. the fight or flight response had been strong, and he had felt great distrust in anything he was told. but something about petey's continuous calm and reassuring presence had eventually calmed him down enough to realize that he wanted to be here. anything else would essentially be death. so he attempted to channel his inner petey.
' ' well, the severance procedure tends to cause initial confusion, fear... sometimes hostility by the severed individual â in this case, you. for everyone's safety, it's ... best to catch the individual up to speed on everything first, ' ' mark tells her, while opening the manual and flipping through some pages at the same time, making sure to look up at her once and again to make sure she feels seen and heard. ' ' as for where you are, this is the severed floor of lumon industries, where you have been hired. ' '
She should focus on getting out of here. Sheâs not hostile, so if heâs telling her the truth, thereâs no reason he should deny her request to open the door. She should get out, and not worry about the rest of it, the parts she doesnât understand (which is practically everything). Yet she lingers, just staring at him.
â Are you trying to tell me â  what do you mean, severed? â   What had he said? A separation of oneâs work self. He canât expect her to believe this is some... consensual employment situation? That, what, she agreed to have her memories wiped? For... for what purpose? What is the job? Something so classified she has to be â  imprisoned for it? No, memory-wiped for it... every day? What?   â What does that make me, a clone of some kind? You expect me to believe that? Why would anyone do that to themselves? â   Why would she do that to herself?
She needs to see more, figure out if heâs telling the truth. Without giving him a chance to reply, she nods towards the door again.   â Well, Iâm clearly not hostile, so that means you can let me out of here. â   It doesnât occur to her to ask him if he knows who she is, what her name is. Sheâs locked in her determination to, no, not get out of here, but to figure this place out.