They’re like if bears had knives protruding from their closed mouths and Didn’t Know When To Quit. Their survival instincts when they’re wounded aren’t “run away and minimize injury” it’s “take the thing that hurt you down with you” They also make sounds like someone crossed a pig with an alligator.

Their head and neck alone can be like the size of an entire human torso.

Also forever laffin’ at people who think pigs are tiny, ‘cause we designed those things can get in the neighbourhood of a thousand pounds in ideal circumstances. 

It’s like when people assume Tuna must be small because they’ve only ever experienced them in hockey puck form.

Very carefully, I would imagine.

WIld boar babies are rather cute, like living humbugs…

…but the adults and their ferocity have been associated with warriors for thousands of years, from Mycenaean Greece (a helmet made from sections of boar tusk)…

…through Celtic Europe (reconstructed carnyx war-horns and standards)…

…Ancient Rome (the crest of Legion 20 “Valeria Victrix”). A couple more legions also used a boar as their crest - I wonder did they squabble over which was the “right” one the way a couple of Swiss cantons had a little war over whose bear was best…?

…then Anglo-Saxon and pre-Viking helmet crests…

…right up to the late Middle Ages (here the white boar badge of Richard Duke of Gloucester, later Richard III of England)…

…and the blue boar badge of the Earl of Oxford, more usually represented by the De Vere arms, quarterly gules and or, in the first a molet argent.

After Richard was defeated at Bosworth in 1485, there was a run on blue paint as inn-signs were changed to reflect new loyalties since Oxford was on the winning side…

And pigs will definitely eat people.

It gets mentioned in the movie “Snatch”, the book/movie “Hannibal” and the webcomic “Lackadaisy Cats”, among numerous other fictional sources, and IRL it’s suspected to be the reason why numerous missing persons have stayed missing.

More here (another comment to this same OP) and here (slightly different).

Here’s some boar-hunting armour for dogs, ancient…

…and modern…

…and the modern one looks very like a simple style of ancient…

the brilliant casting choice of arthur darvill as richard madoc, a likeable actor who has played likeable characters, someone we would probably never think as a bad guy, to be calliope’s captor. richard madoc’s claims of being a feminist, citing famous female authors as his source of inspiration, using feminism and anti-racism as a marketing ploy to make himself look “woke”, dehumanizing calliope because she’s a muse, because she’s immortal, because he was told not to view her as human. 

the single scratch as a symbol of an unforgivable violence, dream’s acknowledgement that his over a century imprisonment is nothing compared to the decades she spent having men forcefully take from her, calliope’s gentle reminder not to compare their traumas because they are different but both valid, dream asserting that richard madoc still must be punished, calliope’s decision to forgive him in the end not for him but for herself, her setting off to rewrite the laws which imprisoned her in the first place and dream vowing to do the same in his realm. 

every aspect of this episode is so so relevant and it’s handled well at every turn, beautifully adapting its source material, giving its antagonist a punishment from his own mind, giving him an abundance of what he unjustly took from someone else and plaguing him with it until he has nothing left because that is what his actions deserved. 

He’s too good for me.

No. Don’t let his bougie-ass parents make you question who you are.