The Blue Sky Maiden (YasuzĂ´ Masumura, 1957)
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The Blue Sky Maiden (YasuzĂ´ Masumura, 1957)

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Jean Harlow
BLAUER KEGELBERG, Gabriele Munter
https://www.wikiart.org/en/gabriele-munter/blauer-kegelberg-1930
Stevie Nicks doing her makeup in her apartment (1978)
Charlotte Abramow

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Bust of a man in profile with measurements and notes, Leonardo Da Vinci
Medium: ink,paper
https://www.wikiart.org/en/leonardo-da-vinci/bust-of-a-man-in-profile-with-measurements-and-notes
Comparison of scalp skin and onion, Leonardo Da Vinci
Medium: chalk,ink,paper
https://www.wikiart.org/en/leonardo-da-vinci/comparison-of-scalp-skin-and-onion-1489
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Yohji Yamamoto Fall/Winter 1991
Constantin Brancusi - The Sleeping Muse
Ramones, 1980. photo by Ilse Ruppert
Frida Kahlo // âYou deserve the best, the very best, because you are one of the few peopleâŚwho are honest to themselves, and that is the only thing that really counts.â
Twiggy photographed by Jean-Claude Sauer in Paris (Paris Match)

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The new film The Founder tells the story of Ray Kroc, who turned a single California burger restaurant into a multi-billion dollar worldwide franchise. Michael Keaton plays Kroc. Critic David Edelstein says:
âItâs hard to believe there was a time McDonaldâs wasnât ubiquitous on the American landscape and its assembly-line model for food service wasnât the model. For that alone, you should see the Ray Kroc biopic The Founder, crisply directed by John Lee Hancock from a script by Robert Siegel. Because alongside Adams and Jefferson and Hamilton, we should consider the Founding Father of fast food culture.
The movieâs title, I should say, is barbed. Kroc turned an ingeniously mechanized San Bernardino fast-food hamburger restaurant created by Dick and Mac McDonald into a franchising goldmineâmake that diamond mine. But despite his later claims, he didnât actually found the restaurant. He more or less stole it.
Michael Keaton is a sensational Kroc, who begins the film selling milkshake blenders with not much success. In his sleazy way heâs likable: Heâs devoted to the gospel of Norman Vincent Peale, he hustles like mad, and when he spiels he evokes his manic supernatural salesman, Beetlejuice.â