imagine kit herondale saying “i meant what i said 4 years ago, i never wanted to be parted from you” to ty holy moly

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imagine kit herondale saying “i meant what i said 4 years ago, i never wanted to be parted from you” to ty holy moly

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Just realised that twp is the only tsc series without parabatai duo (at least at the beginning)
Help let’s not talk about killing and Ash in the same sentence
Emma!
I haven’t drawn much tsc art in so long, this felt good. I really want to be more active especially since wicked powers is coming out so soon and this is one of my favorite fandoms to interact with so we’ll see what I can do 🙏
thinking about these moments from Lord of Shadows again….

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i was rereading lady midnight, and the amount of times julian had to deconstruct everything he has ever known breaks my heart
i’m so used to know him as this little soldier he is now, i never think of pre-tmi julian. but he was a third child, and one much younger than his siblings. he grew up in a family where four people loved him, and cuddled him and took care of him. painting with his mom, and having his hair cut by his sister, and playing with his older brother, that’s a child that knows he can let himself fall cause there’s an adult by his side. but as soon as helen’s gone, he is left completely alone in a world that is not what his family prepared him for. adults around him, arthur, diana, the whole clave, fail him again and again. what i’m saying is that he had to be left down time after time before realising it was all in his hands, because in his reality adults are steady figures to be trusted. and while now he has become that parenting figure you look up to, for his siblings, he doesn’t have one - even though he was no less a child than ty and livvy -. we can’t act all surprised and call him a “morally gray” character, when he’d trust himself more than anyone else to solve his own problems
he was starting to feel different about emma. that warm and delicate feeling one reserves to the first love of one’s life. he seems pretty conscious of why he wouldn’t want her as his parabatai, but once again his little 12 years old brain has to rewire quickly, because he loves her as part of his family and himself, and cannot let her go. won’t let his romantic feelings get in the way, and that’s another thing he has to bury.
when mark comes back he just hopes he’ll be able to let go, because that is what he had known before, that is how it had worked when mark was there in the beginning and what his presence meant in his life. but that is not the case anymore, and he has even more grief to go through silently, because even his memories are failing him in this present. there is no one that’ll be able to get this burden off his shoulders, and this is even rougher cause he trusted mark. help from arthur and diana was a brief hope and both of them quickly revealed themselves insufficient to his needs, but mark was part of that system that brought him up in the first place. having his older brother back was a five years long daydream, that ended up in yet another burden.
that’s it, i’m writing a pre-tmi tiny julian solo fic where he just runs around, and discovers rocks, and chases butterflies and eats sand, bye bye
Blackthorn Family!
I redid it to fit my style now and I’m very happy with it
Love the fact that Kit will seem to appear tame and content when compared to Ash by his in-laws. He will be getting away with everything from then on just because Sebastian Second kidnapped Dru
Scream by Troy Bolton but it's Kit Herondale chosing between being a shadowhunter or lean into his faerie nature
me when people start getting the tlkof arcs

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I just know Tiberius is going to be Ash's favorite brother-in-law
(Mark and Julian will try to kill him so they're out of question)
Ash back in his room after saving Dru and delivering a smoothly "my dear" while holding her in his arms.
Ash: "We have a relationship"
Dru: "Who are you?"
I'm sorry but I'm kind of obsessed with the energy Johnny Rook brought to his parenting. Setting my son up with Ye Olde Book of Scams because it's time for him to learn the family business (crime).
The Last Shadowhunter is like 4 years away from us but in my head the ending sounds like I see fire by Ed Sheeran if that makes sense

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rereading tsc, especially tda, as an adult is so bizarre to me. as someone who cut off their parents/has abusive parents and is now navigating that in adulthood, i feel like some of these characters are perfect representation of what it’s like to have abusive/absent/neglectful parents.
i think about that scene with kit and jem in gotsm where he cried to jem and struggled to let himself be loved. as someone who didn’t get parental love as a kid it’s extremely uncomfortable and confusing to be shown that by anyone. or dru’s relationship to helen when she first got back and was so resistant to accept her. she clung to julian so hard bc he was quite literally the only parental figure she’d ever had so even though she knew it wasn’t fair to him to have to be that, she didn’t want to give it up for helen.
I enjoy that Emma's conspiracy board surrounding her parents is resolved in the same way as all conspiracies: it wasn't that complicated. Emma dedicated five years of her life to a quest for vengeance, and this entire mission was dependent on the hope that she would one day be able to hold somebody accountable. A killer running free is a killer she can still punish, and her parents being targeted as the center of some grand conspiracy would justify her emotional response to their deaths. Conspiratorial thinking naturally arises around events with huge social impacts (like the JFK assassination) because we want to believe that there's a direct correlation between intent and impact. Something that causes years of upheaval must be the result of years of plotting. While the Carstairs deaths didn't reshape the course of national history, it did completely shatter Emma's personal world. This means that Malcolm was the perfect killer: he didn't give a shit about any of them. He murdered the Carstairs casually, as a side effect of his actual multi-century revenge scheme. Emma finally gets her hands on a real tangible cause to her parents' deaths, she gets the satisfaction of killing their killer; but it's not actually satisfying because she also gets the confirmation that they never needed to die. Emma was never facing off against some epic antagonist who set out to ruin her life, and her parents were never the victims of a carefully cultivated plot. She technically won, but it took away all the catharsis of a good revenge narrative. Instead, she just has to put the photos back into their boxes.