George Lucas, Samuel L. Jackson and Ahmed Best behind the scenes of Star Wars: Attack of the Clones

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George Lucas, Samuel L. Jackson and Ahmed Best behind the scenes of Star Wars: Attack of the Clones

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“I’m the best pilot we have. I can fly anything and I can shoot down anything. You put me behind the controls and there’s nothing I can’t do.”
“Anakin…exists relative to the state of the galaxy. He is not Luke, he is not the youth of western literature on a journey; that is Luke’s role. Anakin’s role is that of the demi-god of Greek and Roman origin. When Anakin rises, the galaxy rises with him, when Anakin is in turmoil, the galaxy is in turmoil, when Anakin falls, so falls the galaxy. Anakin is intrinsic to the galaxy because Anakin, like so many other mythological demi-gods is an avatar for the gods or, in the case of Star Wars, the Force. Regardless of any one person’s views on the Force (which are extremely disparate and widely varied, so we won’t broach that subject here) this fact is indisputable. Anakin, as the Chosen One, who will “bring balance to the Force” is it’s avatar. When Anakin is claimed by the Dark, the Jedi Order’s zenith is reached, the Balance is tipped, and the Order descends into darkness with Anakin, just as his return also signals theirs. The title ‘Return of the Jedi’ doesn’t just reference Luke becoming a Jedi, but Anakin’s return to the Light, and with it, the ability for the Jedi Order to once more flourish. In this he is much like Beowulf, when the Geatish hero sacrifices himself to defeat the dragon at the end of the epic poem. Failure would spell ultimate destruction for Beowulf’s people and country, just as, had Anakin failed to destroy the Emperor, the Jedi and the galaxy would truly have been wiped out. Anakin himself has to die, however, because he is what tips the scales. Once he dies and becomes one with the Force, only then is balance restored.”
—
‘STAR WARS: The Creation of a Modern Myth: Cultural Influence, Fan Response and the Impact of Literary Archetypes on Saga Perception’
(via muldertorture)
This right here is absolutely fundamental to understanding the entire purpose of the Skywalker saga, as Lucas so painstakingly told it. The destruction of the old Jedi Order that had ‘lost its way’ and forgotten its true role in the galaxy, and the founding of the New, heralded by Anakin’s return to the Light, and Luke’s essential role in reminding him—and us all—of what it means to be a True Jedi.
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“time to bring this back cause I love a Skywalker men’s drama”
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Behind the scenes of Star Wars: The Rise of Skywalker

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Surrounded by incompetents. You are the only one who has not tested my ire.
Is he … Is he talking to the mouse droid?
Me with my roomba
Someone probably pointed this out already, but…
(Also why is it that the last picture actually feels like it’s Anakin behind the mask more than ever?)
Wait a minute…
This is what American politics is like
star wars has such a good sci-fi aesthetic. all the sci-fi these days looks so…… i-pad-esque, y’know? like Apple lived on into the year 3000 and produces everything. but star wars. star wars’ style looks like a microwave you’d find in your uncle’s garage. like the business calculator your mom used. like a SNES. DURABLE. no gloss.
#amenwoman

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I have the cliche ‘struggling actor’ story. I was waiting tables in New York, went out to L.A. soon after graduation to get some jobs, but it didn’t work out. I wanted to cut my teeth in professional theater, so I came back to New York. It made my journey a longer one, but I really wanted to excel in the theater.
Daisy Ridley filming in Jordan for Star Wars: The Rise of Skywalker
REVENGE OF THE SITH (2005) dir. George Lucas | RETURN OF THE JEDI (1983) dir. Richard Marquand
padmé is obviously a capricorn
#this is it #this is the whole show

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anakin/vader alignment chart (credit)