COCO

dir. Sydney Salkow

Vincent Price with a piece of fine art for The Vincent Price Fine Art Collection for Sears and Roebuck (1962)

Bruce Campbell and Bridget Hoffman in promotional pictures for The Evil Dead (1981)

Vincent Price - Horror Hall Of Fame (1974)

(From the San Francisco Examiner & Chronicle // January 30th, 1972)

Vincent Price and friend on the set of House on Haunted Hill

The Monster Club (1981) dir. Roy Ward Baker

House On Haunted Hill (1959)

Walton Goggins as Cooper Howard/The Ghoul in S01 of FALLOUT

In the early 1930s, scholarly studies were done on the impact of screen stars on teenagers, because of fears that the movies were sexualizing them. These studies found that teenage girls learned sex techniques through watching Garbo’s sex scenes, especially those in Flesh and the Devil; they then practiced her techniques at home with their girlfriends. Raymond Daum described Garbo’s many young female fans as having “schoolgirl crushes on her” that “defined a national idolatry.” And knowledge of Garbo’s non-heteronormative sexuality was spread through lesbian networks “from coast to coast.” Moreover, the 1920s was an era of commercial expansion in which the ranks of saleswomen and typists, careers dominated by young women, increased. These women made enough money to see a movie more than once. They identified with female stars and liked to see them in powerful roles. Greta Garbo in Flesh and the Devil (1926)

Volcano Manor

The Twilight Zone - Season 2 Episode 6 (1960) “Eye of the Beholder”

13 Ghosts of Scooby Doo - 01x02

The Haunted House (1929)

DRACULA 1931 | Tod Browning

THE EXORCIST dir. william friedkin

The Shining (1980)