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perfect eat an apple on ur walk to work weather

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no eclipse glasses we are experiencing things allegory of the cave style
go back and tell it
heated rivalry x hard feelings/loveless by lorde featuring mixed-media animation
Greek Kitties #9, 2026 by Timothy Adam Matthews (British); Oil on canvas, 16x20 in
Goat Rocks Wilderness, Washington by Jim and Nina Pollock

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you gotta read, you gotta write, you gotta draw, you gotta watch films and shows. there is literally NO time to be employed
you could spell it like horce
Dakar, Senegal 2024 shot by me đ¸đł
love love love Renaissance Africaine, every time i see it is omg
mĂŠtro prĂŠfontaine, rue hochelaga, montrĂŠal

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The red sea at sunset   -   Galileo Chini ,  1911.
Italian , Â 1873 - 1956
Oil on canvas , 64Â x 80 cm.
The Light Within by Karl J. Kuerner, 1996
Snow Gums photographed in Tasmania by Geoff Murray
You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw - but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of - something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boatâs side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it - tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest - if there ever came an echo that did not die away but swelled into the sound itself - you would know it. Beyond all possibility of doubt you would say âHere at last is the thing I was made forâ. We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
â C.S. Lewis, The Problem of Pain

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one argument you often see about fanfiction is that it's like 'training wheels' writing? like 'oh it's fine to do that while you're still learning, it's easier than coming up with your own ideas'. and I have to say I have just never agreed with that.
in my experience it's actually pretty common for newbie fanfiction writers to gravitate towards coming up with OCs rather than writing about the canon characters (hence the infamous Mary Sue); this suggests that many people find that 'easier' than attempting to write about pre-existing characters.
I would say that recreating the characterisation, mood and general vibes of an existing work of fiction is in fact a skill in and of itself that's acquired via practice. A common compliment delivered to fanfiction writers is how well they have captured the spirit of the original work. Inexperienced fanfiction writers fail to do this.
When creating an original character you can, ultimately, say anything about them and now it's canon bcos you created them and you said so. conversely, well, if you are covering a well known song and start playing the wrong notes people will notice immediately.
In addition: a lot of fanfiction, IMO, is in actuality a form of metafictional literary analysis. a story where two characters sit down and talk about their feelings about a canonical event? literary analysis, which is of course a skill. Sometimes fanfiction is bad bcos the writer is not good at interpreting texts.
finally I have made this point before but you never really see anyone suggesting that fictional works based on existing public domain texts are on 'easy mode'. is it 'easier' to write something based on a copyrighted work than a public domain work? Of course it isn't.
I know I said 'finally' but I forgot a point:
A major strength of the transformative work is its ability to create dramatic irony. If a fanfiction's emotional resonance is dependent on being familiar with the source material that's not necessarily a bad thing. sometimes it's a sign that the author has done a really skillful job of engaging with said source material.
by Gisela JanĂŠ